One of the first symbolisms found in the film is that of the dried fish, which serves as a stark contrast to the opulent feast Babette prepares in the end. Aside from being the staple food of the characters in the film, the dried fish can probably represent the life that they had before Babette’s arrival in their village. It signifies the characters’ extremely simple and puritan way of life to the point of becoming stiff and lifeless just like the fish. Their lives are devoid of excitement and passion and the original dream of their religious group is growing as old and tired as the members themselves.
Another symbolism to be found is when Babette was washing the windows. Perhaps it symbolized how Babette let the light and beauty of the outside world into the dark interior of the sisters’ house, and eventually to the sisters’ dreary lives. It shows how Babette offers these people a chance for them to take on life in a new perspective.
The candle snuffed out in the end symbolizes the end of the feast and perhaps the end of the dull and dreary lives of the sisters and their community. It signifies the transformation that took place during the feast and its impact on the people involved, signifying change and hope for the people’s lives to be lighted anew.
When Babette told one of the sisters that “An artist is never poor”, what she probably means here is that an artist is never really concerned with material wealth. Like she said, “All the artist wants is the chance to do her art well.” Thus, Babette sacrifices material wealth to create something of beauty and wonder. An artist is more concerned with the impact that he makes on the people around him/her and on the quality of life that he/she can offer these people.
Prior to the feast, the members of the congregation agreed that they will not comment on anything about the food fearing that it would be against their belief of restraining earthly desires. However, during the feast itself, General Lorens cannot help but comment and praise on the delectable dishes that are served to them. It was through the General’s pompous critiques that allowed the group to forget their inhibitions and simply surrender to the fulfillment the feast gives. In a way, the General has helped open the minds of the followers to the bodily appetite aside from the spiritual appetite, and how these intertwined during the feast. His speech on mercy, truth, righteousness and bliss, basically summed up the transformation and epiphany that the group encountered during the meal. They discover, each in his or her own way, that life has meaning, that it is worthwhile, and that it is beautiful.
The film’s slow pacing is a far cry from the fast-paced Hollywood movies that I’ve gotten used to. There are no formulaic or stereotypical characters that are staples in Hollywood movies. This film depicts life as it is and shows people as they are. There are no special effects or fancy camera tricks to distract the viewer from the story. From its simple setting and dialogue, to its uncomplicated cinematography, one is compelled to focus on the story itself and how each scene unfolds and to appreciate the meaning and significance of each.
