Personal study for art
My chosen artist and why The artist that I have chosen to look at is Barbara Kruger. I have chose to look at her work because I found her work very appealing and it inspired me more then any other artist that I have researched. The reason I think her work inspired is because most of her work consists of violence against women and I am very against this matter. Kruger expresses her views on this matter through text and photography in her art work. It's like her aim is to show people how women are treated in this world. As I am a female myself I was attracted by her work and it made me want to research more in depth and create work in her style. She layers found photographs from existing sources with pithy and aggressive text that involves the viewer in the struggle for power and control that her captions speak to. Most of her work includes text in black or white letters against a slash of red background, some of her instantly recognizable slogans read "I shop therefore I am," and "Your body is a battleground." I think much of her text questions the viewer about feminism, classicism, consumerism, and individual autonomy and desire, although her black-and-white images are culled from the mainstream magazines that sell the very ideas she is disputing. Here is a few of Kruger's works attached together. It shows a view of what her work is about. She uses words such as "hate",
Should the Arts be completely free? Discuss this with reference to literature or painting.
Should the Arts be completely free? Discuss this with reference to literature or painting. (50) The Arts, is known as a form of free expression of one's thoughts and feelings. They have the ability to be original as it is subjected to the choice of the artist and hence this allows for free expression. Despite having the arts to be liberal in nature, it should not be left to complete freedom due to various reasons. The complete freedom privileged to the practice of the Arts might result in the compromising of ethnics and rights, the exploitation of art forms for personal reasons and also the showing of inappropriate content. Thus, I believe that some form of censorship or restriction should be placed on the arts to ensure their ability to be free and also morally accepted in society. The arts should not be completely free because, left to its own devices, artists may contravene basic human rights and ethical notions; in other words, freedom bestowed on the arts may open a pandora's box, unleashing deeds and acts which transgress humanity. The actions of a Yale Art Student, Aliza Shvarts, using the blood from repeated forced abortions, which were in turned preceded by repeated artificial impregnations, to create her artwork are testimony to the dire consequences of giving the arts complete freedom. The Yale student who utilized controversy in 2008 for her senior art project,
Bill Jacklin.
When English painters take to landscape, they nearly always, even today, seem to refer to a prelapsarian countryside, where they can plug into some sort o~ pantheistic vision of unity with nature before the towns came to spoil it all. In that respect Bill Jacklin is very exceptional. He is fascinated by the urban scene; he is interested in people, but for the most part in large groups rather than as individuals. When he transferred his activities to New York in 1985, the move to the archetypal modern city of course changed his vision somewhat, but it did not basically transform it into something it was not before. The formal preoccupations which had directed his eye in London remained exactly the same. Just as Kokoschka had an ideal of bird's-eye-view landscape in his mind, and found it so consistently that you have to look carefuIly to work out whether the painting you are seeing is of London or Salzburg or Istanbul, so Jacklin had his archetypal images, patterns which had fascinated him ever since his beginnings as an abstract minimalist, and which underlie everything he does, however much the local incidentals may vary. He is fascinated, for instance, by the way light falls slantwise across a field of vision. In his abstract days it might take the form of diamonds in carefully graded shades of black and grey arranged to create a pattern of gradual lightening or darkening
Film is the most important art form of the 20th Century - Discuss
Film is the most important art form of the Twentieth Century - Discuss The use of film and its explorations have progressed steadily since the 1800's and as our title suggests, it has become an important art form and a huge influence on society today. Influencing the way we live, the way we speak, the way we act and more. There isn't an art form closer to representing 'reality'; this is why film has such an affect on all of us! The first 'image of motion' created was in 1873 when Eadweard Muybridge, an English photographer used a series of cameras placed along a racetrack to capture the movement of a galloping horse. Muybridge then moved a step closer to the existence of film when he invented The Zoopraxiscope projector - a series of rotating glass disks with images painted on each panel. This set the platform for others to enhance his workings and to eventually create the worlds first motion camera in 1884 and the first roll of film a year later, invented by Americans Thomas Eakins and George Eastman and used by Englishman William Friese-Greene who is known in history as the first creator of film after his short production showing a girl rolling her eyes. After moving image was born, inventors and photographers progressed to invent equipment known as The Electro-Tachyscope, The Kinetoscope, The Vitascope and more early forms of the Motion Camera, these adapted until the
FantasyArt.
Fantasy Art "The fantasy illustrator takes the pictorial conventions of realistic portrayal and then manipulates and inverts them to create marvellous worlds for which there can be no earthly analogy" 1 Introduction Fantasy art has been a part of all human society throughout history. It is found in 'abnormal' forms, folklore, mythology, fairytales, religion and science fiction. Fantasy art is a genre that has evolved through the past centuries. Many could say the start could be found in surrealism, however mythological stories are based in fantasy, as it helps you tap into your unconscious mind and explore meanings to things you could never imagine. This essay will help us understand what leads us to present fantasy art factors such as films, media ... etc. may have effected this. Fantasy has always existed in people's thoughts throughout time. All ideas and stories of fantasy have been developed and shown through art and fantasy literature both have always been and still are very strongly linked. With recent hits of 'new age' themes and a high interest in fantasy. Fantasy art is now one of the most profitable areas in art. Fantasy artists, great modern artists enjoy the great fame inside their field, yet they are often unknown and unnoticed outside it. Fantasy art looks really easy and fun but it is one of the most challenging genres to depict successfully. To create a
Portrait of an Artist as a Young Man Essay
Portrait Essay The Portrait of an Artist as a Young Man by James Joyce shows the development of the soul and coming of age of Stephen Dedalus in Ireland through religion, politics and the emerging artist. Three scenes that show this development through modernist techniques are the early memories of the family at Christmas (Chapter 1), Stephen's first experience with a prostitute (Chapter 2), and Stephen's revelation at the sight of an unknown girl (Chapter 4). The early memories of Stephen with his family at Christmas show how his soul has been influenced by the conflict of politics and religion in Ireland. While everyone on the table has a strong sense of Irish pride - "He was for Ireland...and so was his father: and so was Dante too" - yet there views on politics were distorted by the religion. Dante supported the common catholic view were the priests were always right - "they must be obeyed". This view is that "God and religion before everything" shows that every aspect of life should be governed the church, showing a restricted society to some extent. This restriction hampers Stephen's development and conflicts with his emerging artist. The view of Mr Dedalus and Mr Casey is an Ireland, where politics are not restricted by politics. They believe that religion hampers Ireland's development as an independent nation as seen in references such as "Priest ridden Godforsaken
Why did the renaissance begin in Northern Italy?
Why did the renaissance begin in Northern Italy? The birth of the renaissance in Northern Italy cannot be attributed to one definite reason. However historians point to a number of important factors, which combined to influence its beginning. By the fourteenth century much of northern Italy was extremely wealthy. It was an area active in manufacture, notably of woollen cloth, which was exported at great profit. It was also active in commerce and most importantly, trade. Florence for example, was a major trading centre. Its position just off the west coast of Italy left it close enough to sea for its trade to flourish, yet safe from pirates and corsairs. Therefore Florentine merchants were able to create substantial wealth, importing luxury goods from the Middle East. The cities of Genoa, Venice and Milan also lay on great European trade routes. Genoa dominating the western Mediterranean, Venice the east and Milan keeping contact with Germany. With this substantial wealth these cities created an economic boom, investing their money in banking. They borrowed money to other areas of Europe and even the popes of Rome to further increase their wealth. What this meant was that Northern Italy, now contained a large number of wealthy, independent cities, in close proximity to one another. This was unique to any other area of Europe. However the Italian economy eventually began to
The UK originality debate took place only 40 years ago. Then both print workshops and critics thought new photographic processes available to artists would make their work less'original' - Discuss in relation to the Kelpra screenprinting studio.
The UK originality debate took place only 40 years ago. Then both print workshops and critics thought new photographic processes available to artists would make their work less 'original'. Discuss in relation to the Kelpra screenprinting studio and after. Since the beginning of the 20th century, many advances have been made in technology, particularly in the fields of print, and design based media. This accelarating curve of knowledge in turn has raised many issues concerning not just the boundaries and limitations of art, but also it's future and direction. Specifically I will be discussing the originality debate of 1959 and general trends in art and ideas relating to the growing force of the information age. The woodcut invented reproduction in graphic art and with time, everything on the planet is culminating into a boiling pot of information, commercialism, corporative systems and human greed. 'Where is the wisdom we have lost in knowledge, where is the knowledge we have lost in information.' T.S. Elliot With liphography came turbulant times of development in the reproduced image. Both liphography and screen printing play on the fundemental principal of the natrual antipathy of grease and water and they way they separate.At the end of the fiftys Chris and Rose Prater founded the Kepra print press, a printmaking studio dedicated to screenprinting, a growing technique
"Art is the best way to express religious ideas and values."
"Art is the best way to express religious ideas and values." It is very difficult to agree or disagree with this statement because there are many other good ways to express religion, such as music, dance and literature. Each of these ways is very different from one another but I feel inclined to agree with this statement because art lasts for a long time and because it can portray complex ideas in a quick and simple way. Also even if people are illiterate or if languages change then the paintings and issues will still be understood because of the use of symbols, whereas if they were written down then thoughts may be lost or misunderstood. Symbols are used a great deal in religious paintings. We went to the Ashmolean Museum in Oxford to look at religious paintings that use symbols to portray different issues and thoughts. There are many common symbols in these paintings such as doves, symbolising the Holy Spirit and important people wearing blue or if they were religious figures not wearing blue then they would have a gold halo over their heads. Colours are used an awful lot as signs. Blue means the figure is an important or religious person. Red is a sign of danger and suffering as it is the colour of blood and this is what we associate with the suffering of Christ on the cross. White symbolises purity. Gold is used regularly when depicting heaven because it shows
Compare the work of a woman artist in the 1970's with one from the period 1990-2004.
Module: Gender in Art, Architecture and Design Module Code: HA3200 Compare the work of a woman artist in the 1970's with one from the period 1990-2004. It was not until 1970 when the cotemporary feminist art movement emerged. Women Artists believed that art could help change social and political views. This notion is still central in many feminist artists work today1. Judy Chicago a feminist artist from the 1970, is well known for her controversial Dinner party installation 1979, which started off public relations to women's issues in body imagery in art history2. Louise Walsh is a feminist artist during the period 1990 till present, her work plays with the power of art and it tries to change the society and women's status in society. Judy Chicago and Louise Walsh are both feminist artists, however their art work are from different periods. Throughout I will be comparing both artists work examining the similarities and differences of their work. Since the 1970's, Judy Chicago has been known as an out spoken and visible activist for feminist change3. In 1971 Chicago had organised the first feminist art course at California State college at Fresno, and her autobiography Through the flower and the Dinner party are the indicators of the feminist art movement in a America4. All of Chicago's work is very controversial, for instance the Dinner party 1979 and the menstruation