What aspects of King Oedipus might contribute to the effect of inspiring pity and fear in the audience? Refer in your answer to plot, theme and characterization and any other elements of drama.
What aspects of King Oedipus might contribute to the effect of inspiring pity and fear in the audience? Refer in your answer to plot, theme and characterization and any other elements of drama. James Robertson Ann Collaery World Literature 1 Line 4 What aspects of King Oedipus might contribute to the effect of inspiring pity and fear in the audience? Refer in your answer to plot, theme and characterization and any other elements of drama. James Robertson - World Literature Line 4, Ann Collaery In Oedipus Rex1, Sophocles uses a number of techniques in order to incite both fear and pity in his audience. Primarily Sophocles employs the technique of double entendre, filling the actor's lines and the play's happenings with deeper meaning in order to employ a sophisticated method of encouraging his audience to read into the events of Oedipus Rex and become more involved with the proceedings. This technique manifests itself through use of dramatic irony, dramatic foreshadowing and symbolism. Sophocles utilizes the audience prior knowledge of the play in order to employ the literary technique of dramatic irony, used to create a sense of deeper meaning and advance Oedipus Rex's dramatic tension. Sophocles was the first of the Attic Tragedians2 to utilize this literary device, his use of this technique is exemplified in the play's beginning; when accused by the blind prophet
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Portrayal of blindness in The Outsider and Oedipus the King A primitive motif in Oedipus the King by Sophocles and The Outsider by Albert Camus is blindness. The protagonists in the novels are blinded to a personal truth, and are physically blinded as well. In The Outsider, Meursault's blindness is metaphorical, as he is negligent to his own absurdity, which he later becomes categorized as. On the other hand, Oedipus's blindness is literal, as he is ignorant to the truth of his life; and the fact that he is incapable of escaping the destiny that the Gods have set out for him, which resulted in him gorging his eyes out. The characters suffer an emotional and physical blindness, which leads to tragic irony in Oedipus the King and existential irony in The Outsider. In both the novels, it is only towards the end that the two protagonists release themselves from their crudeness of the truth. The blindness that overcomes Meursault and Oedipus prevents them from seeing and understanding the lives that they are living. In Meursault's case, he oblivious to his own absurdity, as he only comes to terms with this ideology towards the end of the novel. As a student, he had ambitions; but as he came towards the end of his studies, he realized that "none of it really mattered". At that instant, his vision became clouded, as he began to realize that he was not dissatisfied with his
Inorganic Compounds
Inorganic Compounds Sodium Chloride (NaCl) Sodium Chloride is a either a Colourless or white crystalline solid which is formed when sodium (Na) and Chlorine (Cl) are mixed together to form Sodium Chloride (NaCl). It is held together by an ionic bond which is produced by electrostatic attraction between oppositely charged ions. Sodium chloride is taken as a typical ionic compound. Compounds such as Sodium Chloride consist of a giant lattice of ions. Sodium chloride is described as having a giant ionic structure. An ionic compound such as sodium chloride is held together by an ionic bond. This type of bond is formed when oppositely charged ions attract. An ion or charged atom is formed when the atom gains or losses one or more electrons. It is called a cation if a positive charge exists and an anion if a negative charge exists. Sodium (Na) is an alkali metal that loses an electron to form the positive sodium ion (Na+). Chlorine (Cl) is a nonmetal and tends to gain an electron to form the negative chloride ion (Cl-). The oppositely charged ions Na+ and Cl- attract to form an ionic bond. Many sodium and chloride ions are held together this way, resulting in a salt with a distinctive crystal shape. The three-dimensional arrangement or crystal lattice of ions in sodium chloride is such that each Na+ is surrounded by six anions (Cl-) and each Cl-is surrounded by six cations
Antigone and how it relates to post-9/11 America
Antigone Sophocles was well-versed in Tragedy, and these days everyone in America is as well. We are discovering what it is to be vulnerable, what is it to feel suffering and torment, and how to let loose a flood of emotions. Not surprisingly, these are some of the major purposes and functions of a Greek Tragedy, according to Aristotle anyway. The citizens of Ancient Greece went to see these very plays, Antigone and Oedipus Rex that is, and learned life lessons, and why it is necessary to cleanse oneself of one's emotions; the same things we Americans are learning. There are many things that these two important plays have in common with the situation going on in America at this time. First off, everyone has hubris. I have it, you have it, we ALL have it. I can think of many instances that are related to the "tragedy" in which America shows an immense amount of hubris. For one, so many Americans have begun to think that all Arabs and Muslims are out to get them. Hate crimes are many in areas where many followers of Islam live. On the news last night I watched a man describe how he was confronted by a gun-toting neighbor, and the man yelled that he was not a Muslim, even though he was wearing a turban, the sign of many Islamic men. It is a shame that he had to deny his religion for the sake of his life. That specifically relates to Antigone who would have been forced to go
Dramatic irony in Oedipus.
Word Count = 1140 with quotes Kelvin Mu ENG4U1 - 03 Mrs. Marks October 9th, 2003 SKELETON ESSAY: DRAMATIC IRONY IN OEDIPUS Aristotle, the ancient Greek philosopher claimed that a good tragic play must arouse pity from the audience, adding that the best way to accomplish this was through the usage of dramatic irony. In the play, Oedipus the King by the Greek playwright Sophocles, we are able to witness the presence of dramatic irony as it helps develop meaning in the text. Dramatic irony is delivered in a way that allows the audience to be exposed deeper into the play. Within this setting, we notice that the outcome of the story is revealed to the audience, whereas the hero is blindly stumbling into the hole filled with fate and misery. In Oedipus the King, dramatic irony is used effectively to demonstrate and emphasize a character's disloyalty, ignorance, and blindness. 1st Argument: - In Oedipus the King, dramatic irony is incorporated into the text to emphasize Oedipus's and Jocasta's disloyalty towards the Gods. - To demonstrate their unfaithfulness, Oedipus and Jocasta continually reject the prophecies that the oracles deliver. - Ironic because in an attempt to comfort Oedipus, Jocasta tells him that the prophecies from the Gods are powerless, yet at the beginning of the next scene, we notice her praying sincerely to the Gods that she had just mocked. - "A
Literary Elements in The Bluest Eye
The Effectiveness of Literary Elements in Autumn In 1970, Toni Morrison published an intense novel, The Bluest Eye, to show the world the effects that internal racism had on African American families during the 1940s. The novel begins during the month of autumn, a time of confusion, contempt, and corruption in the life of the young narrator, Claudia. In the course of this portion of the story, Morrison eloquently portrays the potential effectiveness of literature through her master use of literary elements. Setting, mood, tone, and imagery are among the most prominent elements used to convey the harshness of the character's lives in this rather contentious plot. During the course of autumn, Morrison takes the reader through the numerous settings in the lives of the novel's characters, including the McTeer home, the Breedlove Apartment, and the whorehouse directly above the apartment. All of which are located in Lorain, Ohio. The McTeer house, home to Mr. and Mrs. McTeer, Claudia, Frieda, and, for some time, Pecola, is conveyed to be a somewhat adequate living space for the family; however, it is by no means comfortable. Claudia describes the space as being old, cold, green, peopled by roaches and mice; yet, this dwelling was a white man's mansion compared to the retched condition of the Breedlove apartment. Hidden in the frame of an abandoned store, resided the equally
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SHOULD AESCHYLUS' "AGAMEMNON" BE CALLED "CLYTAEMNESTRA"?
Tosin Abdullai. SHOULD AESCHYLUS' "AGAMEMNON" BE CALLED "CLYTAEMNESTRA"? In considering whether the play should be titled Clytaemnestra, one must try to look at how important Clytemnestra is in the development of the play and without argument; Clytaemnestra does play a prominent role in unravelling the plot of the play. There is no doubt that Clytaemnestra contributes inevitably to the development of the play. This, in my opinion is due to the fact that her character is presented the most times through out the play; similarly to Electra, who unlike her, is named after the play. This thereby allows her to portray her feelings more than that of any other characters in the play. We are able to see this through her use of language which most of the time, consists of elements of sarcasm and irony. For example, "I could see you suffer more than all; the hours that slept with me could ever bear". This is ironic in the sense that she has obviously not been missing Agamemnon, as she was bedding with another man, Aegisthus. Secondly, the uniqueness of Clytaemnestra is also a justifiable reason for making her character, the title of the play. Clytemnestra is presented as a contrast to a typical Greek woman. In other words, she sorts of takes over the role of the man in the play which is very bold and courageous, as gender was a big issue in the time of the ancient Greeks. This is
Compare and Contrast how Aristophanes depicts Euripides in "The Frogs" and "The Poet and The Women".
Richard Lawson Miss Francis Classical Civilisation Coursework Compare and Contrast how Aristophanes depicts Euripides in "The Frogs" and "The Poet and The Women". Aristophanes and Euripides were poets in Athens during the Peloponnesian War. They had very different writing styles. Euripides was the older and he wrote Greek Tragedy and Comedy. He was one of the three important tragedy writers of the time, the others were Aeschylus an Scophocles. Euripides introduced new methods of handling the traditional myths, for example he used realism in his subject matter and was interested in the way women thought and how they acted. This is shown in his plays "Hippolytus" and "The Trojan Women". Aristophanes wrote comedies in which inventive situations and colourful language were typical. His poems were mainly concerned with situation which was topical at that time. He satirized politicians and scholars and parodied his fellow poets. He used political and social fantasy a great deal as in the women's sex strike in "Lysistrata". Aristophanes wrote two parodies which featured the tragic poet Euripides. These were "The Poet and the Women" and the "Frogs". Euripides died before Aristophanes wrote the "Frogs" and so he was able to make the parody greater. Aristophenes wrote "The Poet and the Women" while Euripides was still alive and a respected and famous author.
Using the plays of Aristophanes (Lysistrata), Sophocles (Oedipus) and Euripides (Medea), we are able to discuss some major themes and concerns present in Greek Drama, such as women, fate, and other underlying themes.
Source Analysis: Part Two C Using the plays of Aristophanes (Lysistrata), Sophocles (Oedipus) and Euripides (Medea), we are able to discuss some major themes and concerns present in Greek Drama, such as women, fate, and other underlying themes. One of the most prominent, and perhaps the most controversial themes present in Greek Drama is the position of women in Greek Society. These three writers have different opinions of women, and this is reflected in their plays. Euripides, in Medea, presents a view of women as sex-crazed creatures. This is emphasised by Jason (569-72), when he says: 'you women/ Have reached a state where, if all's well with your sex-life,/ You've everything you wish for; but when that goes wrong,/ At once all that is best and noblest turns to gall.' Women in Lysistrata add to this view when they exclaim: 'I'll...walk through fire, or anything - but to give up sex, never!' (166). Furthermore, women are portrayed as inherently dishonest. This is expressed when Medea tells the Chorus: 'We were born women - useless for honest purposes, / But in all kinds of evil, skilled practitioners' (407). Women are also presented as emotional rather than rational in their responses to situations. For all the Chorus' protests about Medea killing her children, when they actually heard her murdering them, lamented: 'the miserable mother , cursed, miserable woman' (1278),