Dance - the use of improvisation.

The workshops we attended throughout the improvising stage of the dance gave us an insight and experience into the technique and genre of contact improvisation. We came to realise that the main principle of the technique was to support each other's weight in action and to manipulate around one another. We then began to put the dance into context and decided upon using marked off areas for each group to perform in to show the restricted area if we created a room. This idea was became our stimulus the balcony scene from; 'Where angels fear to tread'. We adapted the idea of 3 cubicles and used the areas to resemble rooms in a hall of residence and a lift. Through the use of stimulus we began to build the scaffolding that we would then develop and evolve to form a final piece of work. The piece began with a significant link to drama; we did this through the use of dialogue. This dialogue added to the build up of tension in the opening scenes. As the layers of dialogue were built up and the noise became louder the tension increased until it was released as a climax when the groups dispersed to perform the trios and duets .The accompaniment "WOOZY" highlighted the dialogue due to the use of words throughout it, it also increased the intensity of the discussions. As the music is faded in it eventually drowns out the spoken dialogue of the performers and a physical conversation rather than a verbal one begins.

One particular trio was louder and more aggressive then other groups. They broke down barriers and kinespheres of other performers through the loudness of their movements and the intensity of their sequence of dance. The dance was an argument between lovers and the sheer volume of the fight was being heard by residents throughout the building as it moved out of the kinesphere of the trio in the room and into the general space of the corridor (as most fights tend to) they intruded on the personal space of others boundaries.

This outraged the residents so much that they began to encircle the trio moving central stage. The residents then all turned their backs on the trio, making their outrage towards them clear to the audience. The female member of the group then breaks away from the men as a sign of her independence and loyalty to the women. She then reinforces this idea of feminism by projecting a statement.

The other women who have now dispersed and left the men in a huddle centre stage. They copy the statement declared by the female performing it in canon and then to sign to the audience their unity they repeat the motif in unison.

The men are resembled as the weaker sex and are bewildered by the departure of the women. To show their dependence they perform a sequence of motifs containing slow movements, which are often performed towards the floor.

The women then encircle the men again and move further away this time before they turn out symbolising the vacuum between the sexes and also making sure that the audience could see all the performers.

It was clear by the feed back given by the audience that they had understood the performances, the intention of the devised piece and they commented on the clarity of the movements, which made it easy to understand the story line .The audience also commented on our use of eye contact they said it made it easier to distinguish between the roles of the performers. It was reassuring to hear that our initial intentions and overall aim of the group piece had been a success and through this we learnt that through confidence, experience and trust physical barriers can be broken down.