The actor who would play Ejlert Lövborg would be 33 years old. He would be quite slim, with short dark hair, bright green eyes, and a short beard. He would be dressed in a dark, fitting, three piece suit, “quite new,” with a matching top hat. He would be pale, with definitive cheekbones. He would have fast paced delivery of lines and a low pitch. His most prized possession would be the manuscript for his new book, which is his ‘child’ with Thea Elvsted.
As a rehearsal process I would ask the actors to write down their previous relationship before the actual written play starts. I would ask them to improvise scenes which are linked with there previous lives. For example when Hedda was about to shoot Ejlert when they were younger. I would also ask the actors to write their biography for their characters.
During Act two where Hedda and Lövborg first meet in the play, Lövborg “seems a little embarrassed.” I would direct the actor playing Hedda to show her boredom with Brack and Tesman just before Lövborg enters. When Lövborg comes in, Hedda’s change in mood would be sudden, her eyes would light up and her body language would show excitement. Hedda would be stimulated by the situation unfolding before her. When Thea arrives she will be able to play. As Hedda takes the album from the desk, I would direct the actor to not look at Lövborg but at Brack and Tesman. As she sits Lövborg would move closer and take a seat next to her, “not once” taking “his eyes off her.” Then whispering to her, “Hedda…Gabler.” His expression would show that he is still in love with her. As Hedda’s next line, “Now! Sh!” would be said with a smile, she’s happy she still has a hold over him and she can manipulate him. We see how Lövborg is still infatuated with her as he is disgusted with Hedda that she has thrown herself “away like that.” He also calls her “dearest Hedda” and “darling Hedda,” the actor would show how he wishes the best for her, and his desire to be loved by Hedda.
When Mrs. Elvsted enters Hedda will be happy as she is now able to see how her actions will affect people’s lives. Although she doesn’t quite expect Mrs. Elvsted and Lövborg to be as close. “He says I’ve inspired him, too,” Hedda’s reaction to this line would be envy, she wanted to be the inspiration, she wanted to be at the heart of something exciting, instead she is bored all day. When Lövborg declines the punch, he would look to Mrs. Elvsted with an expression of enthusiasm, Hedda would just look straight on at him with a false expression of admiration. Then Hedda smoothly changes tactic by adding that he must drink “because of other people.” As Mrs. Elvsted realises that Hedda is beginning to win the fight, the changes in status and moods between the characters would gain momentum. After Hedda says that Mrs. Elvsted came around in “a state of desperation,” She would calm herself and relax back into the chair, whilst smiling between Mrs. Elvsted and Lövborg, and nod at Lövborg next line. “Desperation,” Lövborg would sit bolt up looking between Hedda and Mrs. Elvsted with a questioning look. The sudden turn in the situation would give Hedda joy, and fuel her to go on, “Your going to a party,” she has again found how to control Lövborg.
In the final part of Act three, Hedda and Lövborg say goodbye for the last time. Just as Lövborg is “about to leave,” Hedda reaches her hand out in his direction and says, “No! Wait!” She moves across to the desk, and begins unlocking the pistol case as she says her following line. He stands there, motionless watching her, hoping she has the answer to all that is wrong, a look of hope in him. As she turns from the desk Lövborg is slightly disappointed that Hedda is carrying a pistol, she hands it to him slowly as she says, “do you recognise it?” He takes a slightly angry tone as he remarks that Hedda “should have used it” before. Hedda clasps her hands around his during the line “well…! You use it now,” showing a small but significant sign of affection for Lövborg. When he leaves she would move slowly over to the stove momentarily stopping to retrieve the manuscript. The pulling up a chair she would begin to burn the manuscript, page by page, ripping each one with an audible tear. Saying her lines slowly with a sneer.
During her time with Lövborg, we see that Hedda Gabler can show affection for others, and we also see her most manipulative side. The softly spoken “vine leaves” image shows how Hedda controls others to gain the perfect circumstances for her dull life, these ideals of love give her happiness. When her ideals are not met, then her attitude changes and the characters are put into place until she is happy with what is happening around her.
