How does the play of the ‘The Woman in Black’ build tension to scare the audience?

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How does the play of the ‘The Woman in Black’ build tension to scare the audience?

The Novel ‘The Woman in black’ written by Susan Hill then adapted by Stephen Mallatratt with a current performance in The Fortune Theatre in London.

The tension is built up by numerous techniques, for example sound effects, lighting, punctuation, how the actor plays the part, the uses of pauses and silence, the climax and anticlimax and the words that the actors choose to use. In the production that I saw in London the adaptation was a very successful one.  At the start in the ‘adaptors notes’ the adaptor refers to “darkness being a powerful ally of terror” which gives us a clue that lighting may be a key aspect on the way that the tension is built up and may play an important part of the play.

        

Sound effects are one of the ways the adaptor uses to scare the audience.  The most common sound effect used is the sound of the pony and trap which is used for the character ‘Keckwick’ (the pony and trap driver) and the ghost pony and trap.  They are both similar so that they confuse not only Kipps but the audience as well.  This is very effective because after we (the audience) are aware that there are two different pony and traps then we wait while the tension builds up to find out whether it’s the ghost or Keckwick the best example of this is when Kipps first hears the ghost pony and trap and he thinks it’s Keckwick but when he calls his name he is ‘baffled’ when there is no sight of anything this is a rhythmic “bump, bump, pause, bump, bump, pause.  Also when we hear the rocking chair it gives the effect that there is somebody else in the House and this confuses us when we hear the “rumble” then it stops, and then it starts again and gets very loud.  This builds tension by all the sounds are very eerie from the pony and trap to the Rocking chair to the loud screams that I heard in the Fortune theatre in London it all adds up to make the play scarier.  

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Lighting effects play a big role as a tension builder and (in the production I saw) a prop.  If we had to create a scary situation we wouldn’t do it in perfect lighting we would do it in a dim light.  The adaptor has already stated the importance of darkness.  When Kipps went looking for a ghost outside with a torch “the lights fade and the only light is from Kipps’ torch”, he is in a very dim light and then he drops and breaks the torch leaving him in complete darkness.  When I saw it in London the ...

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