Daniel Hutt 04.09.03
POEM COMMENTARY
Jack Mapanje, from “Of Chameleons and God”
This voice in this poem describes a certain character describing the evolution of a dance that he and his fellow tribesmen used to practice constantly back when they were younger. He goes on, talking about how he was the “big dancer” and how he was the original at doing this rain dance. He is comparing himself (or the way him and his fellow tribesmen) used to dance, compared to how his offspring now dance in a more modern age. The description in the first stanza of this poem is informing us about how this dance was done a long time ago. The author uses such descriptions as “with snakes around my neck”, “with spears in these hands” and “in animal skins with amulets rattled with anklets”. By the way he speaks, we can tell that he is quite full of himself, in the second stanza he says “Haven’t my wives at mortars sang me songs of praise, of glory”. The use of energetic language is also put in effect, such as “animal stampede” and “rattled with anklets”. There is a sort of noisy atmosphere that is being but up using such words as “ululate” and mentioning instruments such as “the father drum”. It is made quite obvious that the words “haven’t I” are being repeated several times in all stanzas. This shows us that he is constantly questioning himself about his past, and informs us that he is trying to make a point. What he wants is for the audience to answer those questions with a “yes, you have”. After reading the first two stanzas, we realize that this man thinks quite highly of himself. He asks these “haven’t I” questions already expecting a specific answer, as if it were a rhetorical question.