Theatre should be about how we live now, not how we used to live

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Theatre should be about how we live now, not how we used to live

Theatre should be made relevant to a contemporary audience, even if the production is on how we used to live or based on past events. The statement “Theatre should be about how we live now not how we used to live”, means to say that the production of Shakespeare’s plays can not be made relevant to a today’s audience.

The production of Hamlet I saw at the Albery Theatre, combined both Shakespearian and universal elements in order to intrigue the contemporary audience. The use of the ‘Hell’, which was a traditional aspect of staging, helped in creating the original elements that ‘Hamlet’ would have had. The use of the trap door, added to the effectiveness the Ghost needed to portray and set up the scene of the grave diggers.

In order for the production to be successful in front of today’s audience, the effect of lighting, set and sound were used to emphasise certain key moments within the production. The circular set rarely changed throughout the play, except when Hamlet changed location. Even though the set would have been made of light wood, it was designed so it looked solid. The shape of the set, gave the feeling of entrapment and enclosure. During the course of the play, the colour of the light that circled the stage changed. As the audience entered the theatre, the colour used was blue. This gave the feeling of gloom and illustrated the coming of a ghost. During the interval, the colour changed to red, which showed how anger and frustration had built up during the events of what the audience had just watched. As the play ended the colour changed to purple, it showed that blood had been shed but it has not been resolved. The use of shadows helped in conveying status, fragility and relationship of the characters on the stage at a given moment.

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The effect of lighting wasn’t developed during Shakespearian times, so lanterns tended to be used. The lanterns eventually caused a fire in the Globe, and lanterns stopped being used. Instead actors were expected to learn imaginative skills to show the sun rise and fall. If the director Michael Boyd, had decided to stick to traditional lighting effects, then the audience would not of benefited this as today’s audience are used to lighting being part of the piece.

The use of lighting was especially significant when it came to the performance of the Ghost. The whole case of purgatory was ...

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