Though the most corrupt character in the world of any play, Valpone's vitality and delight in life make him irresistibly attractive to us" How far do you agree?

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Valpone        20/11/02        Andrea Jones

“Though the most corrupt character in the world of any play, Valpone’s vitality and delight in life make him irresistibly attractive to us” How far do you agree?

It would be almost impossible for the audience of this satiric comedy, Valpone not to be moved, if not shocked by the larger than life, absolutely corrupt character of Valpone. He evokes both disgust and a perverted sense of admiration as we are presented to someone who is so completely vacant in compassion. We are almost in awe of this character who has no fear of punishment for his sins in this world or the next, yet the realisation that his evil is so strong and overbearing that he longs to rape the personification of innocence is chilling and deeply disturbing. Remorseless, loveless and careless, Johnson gives us a character not like any other and sets him in Renaissance Venice, the ideal place and time for such a tyrant and his parasite to thrive.

      Valpones gold is his god, and he in turn worships it as such

 

“Good morning to the day; and, next, my gold!

         Open the shrine, that I may see my saint.”

This opening speech is drenched with religious imagery, this blasphemous language shows no fear of retribution and this is backed up when he reveals that for him hell would be made heaven if he had gold there. Ironically it is the control that money and possessions have over Valpone that bring about his downfall, for while he is deeply cunning, witty and intelligent he continuously overreaches, blinded and seduced by money. We are immediately appealed and appalled by this foreboding fascination for riches for although it is sacrilegious it shows an amazing strength of character to turn his back completely on religion and its threat of eternal punishment. However his misery and stinginess are unbecoming qualities that fail to lure the audience. Here he shows the familiar characteristics of a fox, in that it is the chase not the kill that brings the thrill, i.e. he takes sheer pleasure in fooling his peers, and has no need for the money that he gains in doing so, except perhaps for looking at.

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     Another unattractive quality found in Valpone is his void of affection and love, he exploits his freakish bastard children, using them as a source them for entertainment

        “Call forth my dwarf, my eunuch and my fool

         And let ‘em make me sport”

Johnson has added these abnormals not only as a comic restbite but to give let us see the result of Volpones inner corruption externalised. Even his seemingly pleasant relationship with Mosca is built solely on flattery and humouring each other, they do not love each other, but instead need each other, their parasite and ...

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