Analyse Roths writing in pages 127-130 The fate of Alvin is one of the fundamental strands of the novel which are entwined at its conclusion, showing how the people around Philip (and Philip himself) have been affected by the Lindbergh administration.
analyse roth’s writing in pages 127-130
The fate of Alvin is one of the fundamental strands of the novel which are entwined at its conclusion, showing how the people around Philip (and Philip himself) have been affected by the Lindbergh administration, by the hypothetical synonymy of American patriotism and fascism. Throughout the novel, Roth balances political upheaval with personal turmoil, contrasting a formal retrospection imbued with political and psychoanalytical awareness against the simple anxiety of a child trying to piece together a sense of circumstance from an increasingly dysfunctional family. In the given passage, the balance is heavily on the side of the child’s fear at personal events, but still manages to convey the wider sentiments central to Roth’s conjecture being fully realised.
The sense of “perpetual fear”, of uncertainty and anxiety, is prevalent throughout the novel, burgeoning and retreating with Philip’s own awareness of danger or change. Prior to the given passage, Philip expresses his uncertainty in how he should react to Alvin’s arrival, asking his mother what to do. This uncertainty is repeated within the section when, “imitating Sandy”, Philip runs to greet him. This uncertainty is omnipresent in the novel, and Roth making the reader aware of his own uncertainty is one of the main ways in which it is exhibited. His fear is again shown by his thoughts of Little Robert, the homeless amputee which he occasionally passes on the way to Herman’s place of work. Philip fears that Alvin will become an outcast, a social reject who people do not regard as a human, as he did with regards to Little Robert, “the living stump”. His entry into Philip’s nightmares explicitly demonstrates this fear. Again, Roth is showing the reader the multiple fears which Lindbergh has introduced into Philip’s family.