As the two central characters in the novel, George and Lennie epitomise the average itinerant worker in the sense that they are unskilled workers attempting to survive in a harsh economic climate. Itinerant workers are generally considered as being at the base of an economy, so by illustrating their plight Steinbeck is in fact devaluing the superstructure as the novel highlights the tough living conditions they are subjected to in order increment the wealth of the bourgeoisie. Steinbeck uses George’s perspective to further illustrate his perceived mistreatment of lower economic groups in society. ‘Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They don’t belong no place… They ain’t got nothing to look ahead to’ is the overpowering message at the end of the novel as all of the characters are subjected to hardship, tragedy and loneliness yet none are presented as facing a better outlook.
This theme of loneliness and isolation also supports the Marxist theory of ‘The forces of production’. Whilst most of the characters in the novel are working at an unforgiving labour intensive job - they are still at the bottom of the economic hierarchy. Steinbeck constantly reiterates the loneliness of the characters’ lives in order to highlight that although they are a major force of production there is an absence of enjoyment in the lives of the itinerant workers as they are not properly rewarded for their contributions to the economy. Coupled with the temporary nature of their employment, the workers are shown to be dislocated from reality and other people, living lonely existences and spending what little they earn on perverse pleasures such as gambling and prostitutes. This desire for false gratification could be a symbol for the lack of substance in the workers lives, or in other words Steinbeck’s perceived alienation of ranch workers.
Karl Marx believed that workers in capitalist states such as the U.S.A where ‘Of Mice and Men’ is set are psychologically estranged from their work as they do not see the fruits of their work, instead they merely repeat one step of a cycle and are paid a fixed wage which is not relative to the profit the product they create gains. This theory is adopted by Steinbeck as the itinerant nature of the ranch workers job is shown to cause a separation from nature, leaving the workers disillusioned. The workers are given one task to fulfil, for example hauling the crop, and then they repeat this step over and over again until they move to another ranch – never seeing the result of their hard work. This industrialisation of the workers is depicted as having a detrimental effect on the workers psychology by Steinbeck and being the causation for their unhappiness. George and Lennie’s dream to ‘live of the fatta the land’ also forces itself into the fervent desires of Candy and Crooks which supports Marx’s belief that humans yearn for a relationship with nature. In this light, George is shown to resist bourgeoisie values which would stipulate that the industrialisation of workers is necessary for a healthy society which would be based on the assumption that profit is the most important motive – not the mental well-being of the workers.
Curley’s wife could be seen as a symbol for those crushed by dominant ideologies and bourgeoisie values. Curley’s wife is portrayed as a vain and attention seeking character in life yet after her tragic death she is also a source of sympathy as Steinbeck shows her in a different light. ‘She was pretty and simple, and her face was sweet and young’ contrasts with the flirtatious, provocative and callous woman who endangered Lennie and cruelly threatened to have Crook’s hanged. Steinbeck is implying that the flaws in her character were created and compounded by the system she was born into. The fact that she is not named in the novel is an overt statement of how undervalued she is in society and this contrasts with the dominant ideology at time which is that everybody has equal opportunities to become ‘successful’. Instead of attempting to make the best of life within her means, she dreamed of the ‘high life’ - advertised by purveyors of bourgeoisie values in order to preserve a capitalistic state. This meant she accepted the harsh reality of her predicament in the belief she would soon escape it.