Duffy opens her poem with a comical statement, ‘You run round the back to be in it again’, this refers to how as a child, the speaker took advantage of the technology to appear in the school photograph twice. This shows the speaker as a mischievous child who wished to rebel against the ‘virtuous women’ who would ‘size you up’. In a further act of rebellion, as an adult, the speaker breathed on the glass, ‘making a ghost of her’ history teacher; blurring her in attempt to seize control over her, making her as insignificant as perhaps her teacher made her feel as a student. Lochhead however, refrains from the use of humour as the speaker voices her adolescent experience in a matter of fact style, in order to assert her new found maturity and prove how she is now growing up from the opening statement, ‘Coming into Glasgow/ in our red bus through those green fields.’ Although, despite this the speaker still shows a childish immaturity through her excitement of her adolescent experience, travelling in the red bus for the first time into the city with her friends as she uses the cliché, ‘fourteen years old, dreaming ourselves up, with holiday money burning a hole in our pockets.’
The desire to throw away youth and to grow up in evident also in ‘The Good Teachers’ as the speaker reveals a list of things she used to do as a child in order to make herself appear older and more mature, ‘You roll the waistband/ of your skirt over and over’, the repetition of the latter phrase demonstrating the action itself, ‘all leg, all/ dumb insolence, smoke-rings.’ Through the continued use of the pronoun, ‘you’, we, as the reader can share in Duffy’s adolescent experience as they are actions universal to all teenagers.
Both poems deal with the positive aspects of adolescent experiences, but also with the negative ones as well; in ‘Lanarkshire Girls’ the experience begins uneasy and unpleasant as the speakers recalls how ‘Summer annoyed us… Like a boy with a stick through railings’. This simile is very sensory as it strikes an image in the readers’ head of a boy dragging a stick across railings and the sound it makes is prominent. The bus is trying to exit the rural country as the nature is trying to stop it, making the journey initially difficult, ‘We bent whole treetops/ squeezing through as they rained down twigs.’ This symbolises the transition from adolescence into adulthood and how the girls are struggling to make it. However, when they finally make it out of the country, the tone of the poem changes from annoyance and struggling, to admiration for the city and excitement to be in a new stage of their life and for their new found sense of freedom.
The same is true for the speaker in ‘The Good Teachers’ as Duffy uses the metaphor of ‘a wall you climb’ to describe the transition from adolescent into adulthood. Even in the most positive point of the poem where she expresses her passion and love for both her English teacher and the subject itself is tainted. Her adoration is evident through the repetition of, ‘so much’ and through her actions such as remembering ‘The River’s Tale by Rudyard Kipling by heart’ and by ‘making a poem for’ her teacher. The speaker suggests that even this adolescent experience was tainted as her teacher who she admired is not perfect and her ‘cruel blue’ eye demonstrates this. This symbolises how no adolescent experience is perfect.
Both poems end on very different tones and therefore have different outlooks on adolescent experiences. ‘Lanarkshire Girls’ ends with a feeling of excitement as the bus, ‘spilled’ the girls out dreaming themselves up. Whereas, ‘The Good Teachers’ ends on a tone of regret as the speakers finds truth in what her teachers told her that, ‘you’ll be sorry one day’ for not working hard enough and for racing to throw away their childhoods.