Compare and contrast the way in which Pat Barker and R.C. Sheriff present the relationships between men of different class in "Regeneration" and "Journey's End" respectively.

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Compare and contrast the way in which Pat Barker and R.C. Sheriff present the relationships between men of different class in "Regeneration" and "Journey's End" respectively.

Regeneration and Journey's End provide us with two contrasting views on the same subject; namely World War One.

In Regeneration we have the stereotypical conception of early 20th century war - a heroic young officer leading his men to glory with no regard for himself. In contrast to this, Journey's End is a less traditional World War One text, with many characters and scenes included for nothing more than comic relief.

It is fair to say that Regeneration deals with the war in a head on manner rather than dodging the subject of it, whereas in Journey's End, the matter of the war is somewhat disguised - fleeting references to combat amid the humour of Stanhope in his drunken stupor, and the farcical nature of Mason's nature in the trench.

There are many complex and developing interrelationships in both Regeneration and Journey's End. In Regeneration, we see one Siegfried Sassoon, an accomplished and respected military officer, of a very upper class nature befriended by unpublished poet Wilfred Owen, distinctly working class and quite obviously looked down on by Sassoon:
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"Everything about Sassoon intimidated him...the clipped aristocratic voice, sometimes quick, sometimes halting, but always cold, the bored expression, the way he had of not looking at you when he spoke - shyness perhaps, but it seemed like arrogance."

This gives us the impression that Sassoon almost has no time for Owen. This is unexpected, as previously to this, there has been no hint of arrogance from Sassoon, and we as the audience feel that he should be honoured that even in a war neurosis facility, there is someone there who is desperate for him to sign five ...

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