Describe and explain how Shakespeare chose to craft the scenes Act 4 Scene 3 - Act 5 Scene 1 in "Romeo and Juliet

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Claire Cram 10x1  English Assignment  23rd February 2004

Describe and explain how Shakespeare chose to craft the scenes Act 4 Scene 3 – Act 5 Scene 1 in “Romeo and Juliet”, and the effect that this is likely to have on their performance.

The Scenes Act 4 Scene 3 - Act 5 Scene 1 in “Romeo and Juliet” can be performed in a variety of different ways. However the way in which Shakespeare wrote the play and the literary devices that he used within the play such as imagery, characterization and certain theatrical devices can and will never change. The only way that these literary devices differ from performance to performance is the way in which they are portrayed and interpreted. In theory, every individual can read the same play, with the same literary devices and choose to perform it in a different style or manner. It is this personal interpretation of the play, which is the most important factor that can help to decide whether or not the performance will be a success.

        These chosen scenes are possibly some of the most tense and dramatic of the whole play and in order to create this atmosphere Shakespeare has used various forms of imagery including similies.

Or if I live, is it not very like

The horrible conceit of death and night,

Act 4 Scene 3, Lines 36 and 37.

Juliet says this in her soliloquy and it reinforces the audience’s belief that she is so opposed to her impending marriage with Paris that she is prepared to die. In her mind the thought of living is just as bad, if not worse than dying as there is no light or hope ahead. Without imagery this tense and uneasy atmosphere would not exist and the audience would not be as interested in the play.

In Shakespearian times imagery was one of the most important aspects of a play as scenery and props were limited. The audience needed to be able to believe that they were in the play. In a Midsummer Night’s Dream the audience had to be able to imagine that it was the dead of the night and that there was a sinister atmosphere. This would have been hard if there had not been any imagery as many theatres in Shakespearian times were outside and without a roof. The famous Globe theatre is no exception to this and performances, which were held there were always in the day as at night it was too dark. Without imagery plays such as a “Midsummer Night’s Dream” and “Romeo and Juliet” would not be as realistic or as popular. A successful performance of a play should not be decided through the use of visual aids such as scenery or props but through the speech of the characters and the writer’s ability to create another world. However in modern times where modern audiences expect visual aids such as scenery and props they should be made to compliment the imagery within the text.  

If I were directing “Romeo and Juliet” I would choose to dim the lights during Juliet’s soliloquy in Act 4 Scene 3 and have the only form of light as a candle, which Juliet would be holding. This would add to the tense atmosphere and the reflections of the candle’s flame would create an eerie view of Juliet in her flowing white nightdress. Without comparisons like this between two complete opposites like life and death a performance of Romeo and Juliet would not be as original and shocking as Shakespeare intended it to be. This portrayal of Juliet’s character would compliment the sinister topic of her soliloquy and again add to the uneasy atmosphere.

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My dismal scene I needs must act alone.

Come, vial.

Act 4 Scene 3, Lines 19 and 20.

This quote shows the sinister atmosphere of Juliet’s soliloquy and her state of mind. She knows that she is not in the ideal situation and she wants to be alone so that she can think about all of the possible outcomes of drinking the poison. It is at this point in the play when the audience realise that Juliet is serious about taking the poison.

        Juxtaposition is a theatrical device used to give effective comparisons and throughout “Romeo and Juliet” ...

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