Discuss Hamlet's attitude to death and the afterlife, giving indications to how both contemporary and modern audiences might view it.

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Kimberley Rosie 12JF

Discuss Hamlet’s Attitude to death and the afterlife, giving indications to how both contemporary and modern audiences might view it.

Hamlet a product of Shakespearean times has a different view on death, the afterlife and the divinity of the monarchy to any person today. Everyone in the Elizabethan and Jacobean era believed that there was an afterlife. Everyone believed in God, in witches, fairies and in ghosts. No one saw the dichotomy between their varied beliefs as we do today.

Hamlet, as a result of the time in which he was raised, had a very complex attitude towards life and death. This was due to his religious beliefs and his basic morality. Although Hamlet has reasonably strong religious beliefs, he also lived life in the post- renaissance way. The Renaissance era said that there was, more to life than religion and although religion should not be discarded, other things should be considered.

‘Hamlet’ is a typical post-renaissance drama, with several plots interlacing frequently, to produce a complex composition giving meaning through contrast rather than unfolding each event in a single sequence. All the plots involve characters having to kill other characters for one reason or another. For example Claudius plots to kill Hamlet, and Hamlet plots to kill Claudius.

It is through Hamlet’s turmoil about whether or not to kill Claudius that his views on religion and the supernatural appear. Although Hamlet wants to kill Claudius, he is prevented from doing so by his religious belief that God gives you life, therefore you have no right to take either your own life of that of another. This is also the reason why Hamlet cannot kill himself.

When Hamlet sees Claudius trying to pray, he has a perfect opportunity to kill him but he does not, due once again to the contemporary beliefs about death and the afterlife. He believes that if he kills Claudius whilst he is praying his soul will go straight to Heaven even though he killed old Hamlet. Claudius’ prayers mean that he is in a state of perfect grace, with all his sins forgiven, so therefore, he will go to Heaven. Hamlet obviously does not want this. His father is forced to remain in purgatory and to suffer the misery of wandering the earth night after night because Claudius killed him while he was sleeping and unable to seek redemption. It is not surprising therefore, that Hamlet does not want his stepfather to have the happy ending his father never got. As John Russel Brown says:

‘Within ‘Hamlet’, Shakespeare has created a hero who is compelled instinctively to seek and exact revenge and yet lives in a world created by an all-seeing all powerful, and merciful God.’

When Hamlet kills Polonius, he sees himself as ‘Heavens scourge and minister’, as if his violent and instinctive reaction had been in accordance with Gods will. Such references together with various calls upon ‘God’ or ‘Heavenly powers’, remind an audience of secure moral judgements that call for repentance and mercy or for punishment. They mark the play as contemporary, not belonging to a pre-Christian Denmark, and ensure that Hamlet’s progress in revenge does not move him entirely from customary judgements even though he believes he could ‘drink hot blood’ and envisions evil spreading throughout the world. Therefore here Hamlet is showing that although he is a good Christian follower, he seeks revenge for the murder of his father.

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Laertes, another character to lose his father and his sister, who are both related to Hamlet in one way or another, deals with his feelings for seeking revenge in a very different way to Hamlet.

Although at first Laertes believes that Claudius killed his father, his reaction to his father’s death differs greatly. Laertes does not care about morals very much: To hell, allegiance! Vows, to the blackest devil! Conscience and grace, to the profoundest pit!’ He is prepared to go to Hell to get revenge for his father’s death. He then continues to say.

‘I ...

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