Quotes from All My Sons
Quotes from All My Sons CHARACTORS Joe Keller "I saw your factory on the way from the stations. It looks like general motors"p150 Allusion-Savy businessman "Well that's only your business, Chris"p100 Inability to stand up to Kate "in hopeless fury, looks at her, turns around, goes up the porch, and into the house slamming screen door violently behind him" p126 Shows he can be neurotic "Chris... Chris, I did it for you...For you! A business for you."p158 Keller deals with guilt by blaming others and unfortunately taints his love for his son "A man can't be a Jesus in this world"p169 Allusion He is realistic but slightly jaded you can try to fulfil your moral and social responsibility "I'm his father and he's my son and if there's something bigger than that I'll put a bullet in my head!"p163 Dramatic irony and prolepsis- family is the most important thing for him commendable but leads to his downfall as he convinces himself that he shipped the cylinder heads for his family rather than himself "(Chris with admiration) Joe McGuts"p116 He is very brave "But I think to him they were all my sons. And I guess they were" p170 Recognition that he has social responsibility can't live with the realisation "I can't sleep here; I'll feel better if I go"p170 He shows determination there is a metaphorical recognition that he needs to die he is admirable even in death
"A view from the bridge".
"A view from the bridge" is a play scripted by Arthur Miller in 1955. The play is based in a city called Brooklyn which is situated in the state of New York. A view from the bridge is presented to the audience by a prominent character called Alfieri. Alfieri is the most significant character in the play because he is known as a good lawyer, a good friend to Eddie Carbone (a longshoreman) and surprisingly he is also the narrator. Alfieri is obviously the most significant character in the play. Alfieri as a character is known as a well respected lawyer and a close friend to Eddie. Throughout all the play Alfieri is helping Eddie with all his problems. "I know it Mr Alfieri, the guy ain't right". Alfieri does not only help Eddie, he also helps his niece, Catherine. Catherine has strangely fallen in love with an immigrant from Sicily called Rodolpho and has promised to marry him in the near future. She speaks to Alfieri about Eddie's disapproval of the wedding and how he doesn't like Rodolpho. Without letting the audience know, Alfieri is showing himself as an educated and intelligent man by staying neutral and not taking sides in all the situations he had come across. Another one of Alfieri's roles in the play is a narrator. A narrator is an important role in any play, and to be a character and a narrator is very distinct. Throughout all of the play he introduces the scenes
An Analysis of the Dramatic Impact of the Restaurant Scene in Death of a Salesman - Death of a Salesman was first performed in 1947 and was seen to be a powerful and moving piece of drama. I will now be going through the appeal and the impact of the pla
This document was downloaded from Coursework.Info - The UK's Coursework Database - http://www.coursework.info/ HOSSEIN AMINI 4H NWCW2 DRAMA COURSEWORK: LITERATURE An Analysis of the Dramatic Impact of the Restaurant Scene in Death of a Salesman Death of a Salesman was first performed in 1949 and was seen to be a powerful and moving piece of drama. I will now be going through the appeal and the impact of the play. First of all, the book of Death of a Salesman can be said to be a universal book, in the sense that it has broad range of themes and is a book for everybody. It has all sorts of aspects, and real life situations that one has to take in mind. Lets first look at the characters. Willy Loman is an insecure and self-deluding travelling salesman. Despite him desperately searching through his past, he is not the typical tragic hero that we have come to depict. He is rather a man who doesn’t achieve self-realization and self-knowledge. He fails to realize his personal failure, and an emotional and spiritual understanding of himself. Willy’s crucial problem is the failure to understand the anguished love that is offered to him. This is the real problem, and tragedy of the play. In the end, he is forced to making the most extreme sacrifice to allow Biff to follow the American Dream. In the end, we remember him by his quote that he made to Charley,
Character Analysis - Willy Loman
Emily Rugg Character Analysis Willy Loman Arthur Miller introduces us to the character of Willy through the stage directions at the start of the play. Our first impression of Willy is that of an old, tired, hardworking man who gets home after everybody is in bed. We then learn that he has mood swings and massive dreams. As soon as Willy enters the house we get the feeling that something is wrong with the fact that he is home, as Linda calls "with some trepidation". She then asks him if he has crashed the car again. This implies that he has done it before and is a danger on the road. When talking to Linda about what happened when he was driving he says "I cant seem to - keep my mind to it". This gives us the first indication about his state of mind, and, as he finds it hard to get the words out, that he shows some difficulty in telling the truth about his failure. We learn of his inner dream of living in the countryside and growing carrots, but he is hiding this dream under the dream of being successful as a businessman. A bit later we get an idea of how successful Willy is. Willy tries to blame his unsuccessfulness on the fact the Frank Wagner is no longer alive and his son, Howard, does not like him. We then learn that Biff, his favourite son, works on a farm. Willy does not approve of this and says "How can he find himself on a farm? Is that a life? A farmland?" This
The Crucible Revision Notes
The crucible The crucible 1950 America Contemporary Good God Capitalists Governments in America Christian Western world Evil Devil Communism Terrorism Asylum seekers 1. Hard way of life – hard to create an existence 2. People appointed to find people who were not attending church- almost like a crime 3. Live in a close community to protect them from things in the land 4. The old disciplines start to become irrelevant – people start to feel safe 5. People left cos of harsh persecution to start a new life 6. Repressed society Conflict: . Puritans and those who are rebelling against the puritan way of life 2. Between landscape – puritans saw it as barbaric (vicious, fatal) 3. Land war – Thomas Putnam and Francus Nurse 4. Conflict of the people against the Theocracy 5. Conflict of neighbour against neighbour 6. Outlet for wrong doing 7. Vengeance for old grudges 8. Conflict of ones conscious 9. The witch hunt became an excuse to: 0. Repress those who sought greater individual freedom 1. Became an excuse for some to express their guilt publicly 2. An excuse to seek vengeance on long held grievances against neighbours (Thomas Putnam) 3. Gain land, land lust (Thomas Putnam) 4. Based on jealousy (Anna Putnam) 5. Grieving for her dead baby Barbaric frontier: Cruel and brutal Subjugated: To bring under control; conquer. Subservient:
A View From The Bridge involves the audience and their emotions.
Many hundreds of years ago, the ancient Greeks produced the first theatre. This theatre, at first, had no actors, and the numerous chorus figures told the whole story, which was usually a tragedy. Later, in the 6th century B.C., Thespis introduced the actor. The chorus figure was still in plays - he now commented on the action, divided it into scenes and linked these scenes together by covering any action that the audience didn't see during a time gap. He represents sanity, reason and compassion in modern plays. The choric figure usually talks more standard English, and this is true in this play, where Alfieri is much more articulate than most of the characters. Arthur Miller has used this characteristic in Alfieri to divide each act into unofficial scenes, and inform the audience on any missed action. As David Thacker, a Director said, Alfieri is the "mechanism by which the play unfolds." A View From The Bridge involves the audience and their emotions. Arthur Miller has used various methods to keep these emotions controlled. He has used calm scenes between those of high tension and emotion, but the main method is the chorus figure. The audience listen to Alfieri, for many reasons. They respect his opinion because he is a Lawyer, but they also like his character and can connect with his position in the play. I believe that the chorus character in this play has the "View
Alfieri - A view from the bridge.
In Greek tragedies, there was usually a chorus. This was a group of people who would inform the audience on the happenings in the play. Similar to a narrator, except a lot of people and not just one person. As Miller based his play on Greek tragedies, he used this idea of a chorus. However, Miller twisted the 'rules' of a chorus, by only having an individual to play the part. His name is Alfieri. Not only is Alfieri a chorus, but he is also a character involved in the drama. He is very different from the other characters in the play. This is because he is a lawyer, and "a lawyer means the law" Arthur Miller intended his play to have an impact and a blatant storyline, and easy for the audience to understand. To do this effectively, he uses Alfieri as a narrator, it helps keep the play more focused, and is less complex for the audience to understand the issues that are going on. By using Alfieri, Miller makes the play a lot shorter. Instead of having to act out the history and past of the Italian Immigrants and how they behave, Miller uses Alfieri to describe it, which takes up less time. When a scene finishes, Alfieri would come on, and then when the next scene starts, it could be two weeks later. So in this way, all the acting that would have had to happen between those two weeks, would be described and not acted out. "He came to me two days later. Arthur Miller also lets
Exploring the importance of religion to the community of Salem
Exploring the importance of religion to the community of Salem During the 1600s the Puritan community in England and was being gravely persecuted. The persecution was mainly due to the revolutionary view of the religion that the monarchy of the time had. The Puritan section of the protestant religion supported poor and uneducated people while at the same time attacking the power of Bishops. Puritan members of parliament were arrested if they did not agree with the official line. All known Puritans in England were spied on by Elizabeth's secret police, and Puritan meetings were broken up by militia. The persecution stiffened the Puritans morale and some sort of action became inevitable. The persecution eventually caused many Puritans to flee to America, where they founded several colonies. The small town of Salem was founded in 1626 and its name comes from the holy city of Jerusalem. The events that appear in the play took place around 40 years later. The fact that the thousands of Puritans left Europe purely because of their religion shows how unbelievably devoted those people were. It seems that the devotion to their religion became the people of Salem's downfall. Following the Bible through a literal interpretation caused obvious problems between the people and the church as well as between the people themselves. It was clear that some people knew that there religious
"The Crucible yields a number of scenes which are prime examples of Arthur Millers powerful talent as a dramatic writer" . Discuss this statement in respect of 2 or 3 key scenes in "The Crucible".
"The Crucible yields a number of scenes which are prime examples of Arthur Millers powerful talent as a dramatic writer" . Discuss this statement in respect of 2 or 3 key scenes in "The Crucible". The crucible provides us with an example of a masterpiece of dramatic writing. In this play Arthur Miller gives us a stimulating example of the use of a variety of theatrical techniques. His most powerful scenes in "The Crucible" have common characteristics: very effective use of stage actions, long build-ups of suspense that come crashing down in thundering climaxes, intense displays of emotion and an abundance of dramatic irony. These are my three chosen scenes: p46-50:"Tituba........Devil!", p98-100:"She thinks.......Oh God" and p101-105:"You will.....Mr Hale!". Because of the importance of these scenes as key moments in the play Miller makes them dramatically superb so that the "No,sir" by Elizabeth that decides the outcome of dozens of lives and of her own and her husband's, John Proctor is also the climax of the most effective build-up of suspense in the play. The effectivness of these scenes is also enhanced by powerful characters such as John Proctor and Danforth who display such intensity in their emotions and actions that the audience can not help but be moved. But most of all, these scenes show Miller's theatrical qualities so that by the end of each of these scenes we
Joe Keller is a tragic hero
All My Sons by Arthur Miller has been described as "a play about the generation gap". How far would you agree that the source of the tragedy and its consequences is the gulf that lies between the values and outlook of Joe and those of his sons? The modernism model challenged pre-existing socio-cultural norms and was exemplified by the discussion of social relationships in early twentieth century literature. The concept of modernism developed from refutation of creationism and reinforced self identity and self consciousness as a form of expression. Moreover, the modernism paradigm is inherently intertwined with culture and Eysteinsson and Liska argue that in terms of literary criticism, "modernism constitutes one of the most prominent fields of literary studies today" (Eysteinsson and Liska, 2007:1). Indeed, leading anthologist Rainey asserts that in literary terms "modernists were giants, monsters of nature who loomed so large that contemporaries could only gape at them in awe" (Rainey 2007, p.xix) However, whilst modernism is instrumental in approaching literary context, it is evident that "it is however, a field that stands in a very ambiguous relationship to the present literary and cultural situation...... scholars and critics are seeking to draw a balance sheet with modernism" (Eysteinsson and Liska, 2007:1). Indeed, Arthur Miller's play "All My Sons" (1947) has