In William Shakespeare's play, Macbeth, the protagonist, Macbeth, becomes a tragic hero as a result of suffering from a fatal flaw that eventually leads to his own death. Macbeth possesses many characteristics of a tragic hero,

Macbeth: The Foul Hero and Fair Villain Tragic heroes have been a part of literature for many years, and are a common figure in many of Shakespeare's works. A tragic hero is defined as a person of noble birth, who possesses a character flaw, which eventually leads to his or her own downfall. In William Shakespeare's play, Macbeth, the protagonist, Macbeth, becomes a tragic hero as a result of suffering from a fatal flaw that eventually leads to his own death. Macbeth possesses many characteristics of a tragic hero, which include: being of noble birth, bringing about his own downfall by a choice, and undergoing meaningful suffering. It is because of these characteristics that Macbeth's character of a noble man changes into a violent individual. Firstly, in the beginning of this Shakespearean play, Macbeth's noble status is seen. Before he is introduced, Duncan and Ross speak of his courage and greatness. Duncan is thrilled to hear of Macbeth's victory over Norway and he tells Ross to go and greet his worthy cousin over his triumph in the battle. It is Macbeth's bravery that easily wins him the trust and love of King Duncan. By defending his nation and having no fear for his own life, Macbeth, in the king's eyes, deserved the title of Thane of Cawdor. Because Macbeth is already crowned with the title of Thane of Glamis, his new title, Thane of Cawdor makes him more noble than

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  • Level: AS and A Level
  • Subject: English
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Show the importance, to the play, of the opening scene and the two scenes in which Macbeth meets the witches.

Macbeth Coursework Show the importance, to the play, of the opening scene and the two scenes in which Macbeth meets the witches. The witches are a vital ingredient in Macbeth, as they encourage Macbeth's tragic downfall. The extent to which they are responsible for his eventual downfall is an issue that I will explore at length in this essay. The play creates the inevitable question 'are they real'? They play an important role bringing an unsettling atmosphere, which creates a frightened response from the audience. The play arouses thoughts of good and evil, and also has many references that stay faithful to the Elizabethan beliefs. In this essay I wish to explore the true roles of the weird sisters. From the beginning of the play the witches display their knowledge of Macbeth's weakness. "There to meet with Macbeth," this excerpt is taken from act 1 scene 1. Commencing from this we are aware from the beginning that the witches know Macbeth, even if he does not know them. Throughout the play they abuse their supernatural knowledge of Macbeth. "By the pricking of my thumbs, something wicked this way comes; open locks, whoever knocks." They strive to crack him so he will give into his ambition. Some people believe that the witches are fully responsible for the murder and if the witches had not have enticed Macbeth then he would not have murdered Duncan. I,

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  • Level: AS and A Level
  • Subject: English
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Macbeth - Act I, Scene vii, Lines 1-28.

MACBETH Mark Tiberio January 5, 2004 English 20 IB Period 4 Act I, Scene vii, Lines 1-28 Ambition is a force that plays a major role in everyone's life. In William Shakespeare's Macbeth, he explores the dangerous and destructive powers of unrestrained ambition. He demonstrates the extent that ambition can dominate ones life. Shakespeare uses one of Macbeth's soliloquies, in Act I, scene vii, lines 1-28 to open the door for the major theme of ambition that he develops later on in the play. Ambition is a strength that can lead one to great prosperity, however, if unchecked, it can also lead to great misfortune. In Act I, scene vii, lines 1-28 Macbeth is found debating whether or not to kill the king. He has just left the banquet he is holding in Duncan's honour because he needs time to consider his dilemma. He wants the throne but is appalled by the thought of killing the king saying "If it were done when 'tis done, then 'twere well / It were done quickly. If th'assassination / Could trammel up the consequence, and catch / With his surcease success: that but this blow / Might be the be-all and the end-all, here, / But here upon this bank and shoal of time, / We'd jump the life to come. But in these cases / We still have judgement here, that we but teach / Bloody instructions which, being taught, return / To plague th'inventor. This even-handed justice / Commends

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  • Level: AS and A Level
  • Subject: English
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Relationship between Macbeth and Banquo

Explain how the actors playing Macbeth and Banquo should behave towards each other and give reasons why I think the actor playing Macbeth should bear in mind that Macbeth is a victim as well as a villain, and this should influence his gestures, how he stands and where he looks. The actor playing Banquo should reveal his suspicions gradually to the audience while seeming to be polite. At the beginning of act 1 scene 3 the actors playing Macbeth and Banquo should come in being the best of friends, joking around and having their arms around each other. We can tell they are best friends at the start because Banquo calls Macbeth 'my noble partner' this gives you the impression that they are good friends. After the witches have vanished and Macbeth is proclaimed thane of Cawdor the actors should start hiding things from each other and make this noticeable by starting to stand further apart. At this point Macbeth and Banquo do not trust each other as much anymore we can tell this because Macbeth starts speaking aside and talking to himself and the audience. 'Glamis and thane of Cawdor: the greatest is behind', This suggests that he does not trust Banquo as much anymore because he is talking to himself, which show he is going mad, and it sounds like he is plotting to do something. Although Macbeth is starting not to trust Banquo, Banquo still is loyal to Macbeth. 'The

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  • Level: AS and A Level
  • Subject: English
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Character Analysis of Macbeth

Character analysis of Macbeth In the play we can easily see that Macbeth is driven by ambition and later on in the play tortured by his regrets which manifest a great deal of inner conflicts seen in his soliloquies. Macbeth is a man dominated by a strong moral sense, a man who has a profoundly sensitive conscience and who knows at each stage the moral consequences of committing murder Macbeth at the beginning of the play is mentally stable and a good man but due to certain influences (supernatural and normal) and his own flaw being his ''vaulting ambition''. His values and his better aspects begin to dwindle under his growing desire for power. Macbeth is an example of a normal man that has done a monstrous deed and from this deed giving rise to regret and paranoia, signalling his decline which eventually led to his tragic downfall. There are many redeeming qualities of his character and Macbeth is essentially a good man but ultimately is the architect of his undoing. At the beginning of the play he is first qualities are introduce to us by the bleeding captain explaining his heroic performance and valour shown on the battle. He is described as ''great'' and ''valour's minion'' which shows that he is very willing to serve his king and country and strives to help Scotland to the best of his abilities and all these merits gained during his battles help his ambition to grow. 'I

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  • Level: AS and A Level
  • Subject: English
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How adequate is 'tragedy of ambition' as a description of Macbeth?

How adequate is 'tragedy of ambition' as a description of Macbeth? Tragedy of ambition is indeed at the very heart of, and is the very essence of Macbeth. While other themes flow through the text and contribute to the downfall of Macbeth, ambition remains the fueling desire that plagues Macbeth throughout the duration of the play. In tragedy, the responder views the fall of a hero, and the events causing this descent. The text is focused on Macbeth's main flaw, ambition, or the desire to achieve his goals and dreams, as the cause of his tragedy. His ambition was to become king, and this is central to the text, although his ruin was also due to circumstance, including the encouragement given to him by the witches and Lady Macbeth. Therefore, while the decline of Macbeth is due to a combination of factors, it is his desire to become king that leads him to treason, murder, despair, and ultimately, his own demise. This is shown using various techniques, which include: soliloquies, hubris, dialogue, paradox, conflict and dramatic irony. In the text, we are first presented with the idea that Macbeth has the potential to be more than he already is through the witches. By calling him Thane of Cawdor, and informing him that he "shalt be king hereafter," they serve to strengthen the desire that already exists in his heart. When he is actually given the title of Thane of Cawdor, he

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  • Level: AS and A Level
  • Subject: English
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Discuss Shakespeare's presentation of the witches in Macbeth. How dramatically effective is the presentation-?

English literature Assignment B Response to a Shakespeare play Title:- Discuss Shakespeare's presentation of the witches in Macbeth. How dramatically effective is the presentation-? You should consider:~ - Their function and importance in the play; - The dramatic methods used by Shakespeare to present the witches - The reactions of other characters - Audience reaction (Then and now) When Shakespeare was writing plays in the 17TH Century many people had strong beliefs in witches and other supernatural creatures. The play Macbeth is written for King James, he employed Macbeth to write plays and other forms of entertainment for him. Seeing that supernatural beings and witches were very relevant and to the fore in the 17th Century, Shakespeare's Macbeth would have interested King James and other audiences. Shakespeare includes the witches, as they are known to be a physical embodiment of evil in the play and around this period of time. The witches give the impression that they represent temptation, an example of this is when they (the witches) tell Macbeth he will become King, leading him on to carry out severe acts of evil. Witches were a representation of Supernaturalism and evil and it the 17th Century they didn't raise any questions over reality vs. appearance. We are told of the witches' wickedness when we are initially presented with a picture of

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  • Level: AS and A Level
  • Subject: English
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To what extent can Lady Macbeth be seen as a female gothic protagonist at the start of the play?

Octavia Connolly 6SLH (Mrs Layton) To what extent can Lady Macbeth be seen as a female gothic protagonist at the start of the play? At first meeting, Lady Macbeth appears to us as a ruthless predator, an emancipated woman driven by an all-consuming passion and displaying perfectly, the antithesis of womanhood. She has, it seems, acquired all the necessary requirements to fill the role of a female gothic protagonist. Whether or not she utilises these factors to the full extent and can really be called the protagonist will be discussed in further detail. Her character is not unveiled until Act I Scene V where, with the use of three speeches, she exposes the workings of her mind and lay it out for the audience. Her second speech displays perfectly the idea of Lady Macbeth as a ruthless predator. She calls on the supernatural to ‘unsex me here, And fill me from the crown to the toe top-full Of direst cruelty!’ She asks them to ‘Stop up the access and passage to remorse’ and to ‘make thick’ her blood. Here she displays a woman incapable of any feelings of love or amity, but it is important to think of her before she makes this request. If it is necessary for her to ask for the remittal of her remorse, then she must have had the ability to feel such feelings beforehand. We are given no background information on this woman and it is therefore difficult to say if she

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  • Level: AS and A Level
  • Subject: English
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Macbeth - the dilemma of whether to kill the King or not.

Macbeth Essay In the play “Macbeth” by William Shakespeare, the character of Macbeth struggle with his conscience. The internal struggle within Macbeth regarding whether or not to kill the king causes his dilemma and this is further exaggerated through the central concerns of the battle of good and evil; the fall of man; equivocation and loyalty vs. ambition. Shakespeare engages our sympathy for Macbeth through the use of several expositions which effectively portray the dilemma that Macbeth faces. One way through which the dilemma is created is through the witches prophecies. Until this point Macbeth has not even considered becoming king and he is introduced as a brave and valiant soldier who is trusted by the king. Macbeth is initially a very noble and good character but later on in the play we realise that his obsession with power turns him into an evil character. Macbeth is told by the witches that he will gain three titles: “All hail Macbeth… Thane of Glamis All hail Macbeth… Thane of Cawdor All hail Macbeth, that shalt be kind hereafter” The witches’ three prophecies are central to the downfall of Macbeth. He has the first title from birth and has also gained the second title but he is not aware of this. Shakespeare uses dramatic irony to convey this. Macbeth makes it clear that it is equally unlikely that he will gain Thane of Cawdor as it is that

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  • Level: AS and A Level
  • Subject: English
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Macbeth Comparison - the contrast between Macbeth and Banquo

Macbeth Comparison Essay “Macbeth” by William Shakespeare is a play in which a central concern is clarified by the contrast between two characters, Macbeth and Banquo. They are noble and well respected soldiers who react very differently after receiving a prophecy regarding their futures. Through their actions, the dramatist explores the theme of the corrupting power of unchecked ambition, whose negative effects strongly emphasises the contrast between the characters. Prior to the prophecy, Macbeth and Banquo are introduced as admirable figures in Act 1, scene 2. After leading their men to victory in battle, they are described as “As sparrow eagles, or the hare the lion.” A lion would never fear a hare, so too an eagle a sparrow. This suggests that Macbeth and Banquo are incredibly fearless warriors who can always fight their way to victory on the battlefront. Furthermore, Macbeth is also compared to “Bellona’s bridegroom.” Bellona was the Roman goddess of War, emphasising that Macbeth is a godlike figure of war who is strong and mighty on the battlefield. We are introduced to the play’s central concern in Act 1, scene 3 when the two characters react very differently to the prophecies given by three witches. After receiving the prophecy, Banquo sees Macbeth “start,” which shows that Macbeth flinches as he feels fear, suggesting he immediately imagines

  • Word count: 2076
  • Level: AS and A Level
  • Subject: English
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