The World of words in Wilfred Owens Anthem For Doomed Youth and Dulce Et Decorum Est
The World of words in Wilfred Owen's 'Anthem For Doomed Youth' and 'Dulce Et Decorum Est' Good morning everyone/teacher. Today im going to talk about the world of words in Wilfred owen's anthem for doomed youth and ducle et decorum est. Words are nothing but the voice of human feelings and emotions. They depict anger, love, despise, acceptance, optimism, pessimism and the list goes on but for a poet, a writer, it is an outpour of his sensitivity. The poet under consideration here has his own special way with words and he expresses an entire galaxy of emotion through well chosen and with arranged words Wilfred Owen was a poet who was widely regarded as one of the best poets of the World War one period. The war poetry, written between 1793 and 1815, was idealistic and also patriotic. Owen started writing anti-war poetry but later he too became a firm supporter of war. The two poems which I am going to be comparing and contrasting are all inspired by war. The poems are Anthem for Doomed Youth and Dulce et Decorum est. Wilfred Owen's poetry has expressed his outrage of war and the sheer pity of the sacrifices of young soldiers made in battle. The patriotic view of war and religion are questioned repeatedly in his poems. He also ponders the purpose for the existence of the human race. Techniques such as juxtaposition, similes and metaphors are also employed into the poems to
Dulce Et Decorum Est and The Soldier: A comparison
Dulce Et Decorum Est and The Soldier: A comparison It is quite possible that never have two poems offered such contrasting opinions on one subject as Dulce et Decorum Est and The Soldier. And the subject, war, is their only connection. Whether or not it is right to die for your country, both poets are vehement in their convictions. It is through the various facets of poetry writing that the authors show their opinions. This is what I shall explore in this essay: which poem more effectively lays down its author's stance on war. In both poems, use of language is paramount to their effectiveness. However, Dulce Et Decorum Est uses a particularly stylised form of tactile language. Where The Soldier is more reflective, Dulce Et Decorum Est is as graphic as it is bitter. Its vivid images stun the reader with one intense depiction after another: "He plunges at me, guttering, choking". This vivid imagery is reinforced by the poet's almost excessive use of onomatopoeia. This onomatopoeia is in keeping with the dark, bitter tone of the entire poem. Words such as "writhing", "sludge" and "trudge" all convey this sense of resentfulness from the poet. The negative comparisons used in the poem correspond with the tone. Lines such as "knock-kneed, coughing like hags", evoke this bitter tone. Another difference in Dulce Et Decorum Est is that it is a lot more emotive because of
Understanding Place and Language in Olive Senior's "Gardening in the Tropics"
Understanding Place and Language in Olive Senior's "Gardening in the Tropics" "On a hilltop, at that, you find yourself drowning, a movement of ebbing and flowing. You recognize early (or too late) that you failed to detach From that mooring. Always, cruelty of choice. Here's the knife. Yourself: Executioner Midwife" - Olive Senior, "Leaving Home", Over the Roofs of the World Gardening in the Tropics exploded onto the literary scene from the pen of Jamaican novelist and poet Olive Senior in 1994. A collection of poems, paralleling the Tropical Garden and landscape with European tropes of an Edenic garden, Gardening in the Tropics covers a wide range of themes, inclusive of which are displacement, loss of personal, national and cultural identity, and a response to colonial and imperial oppression. Her exploration of these themes is however layered and multi-dimensional. In addition to being filled of threads of post-colonialism, her literature also surrounds a fixation on migration and the African diaspora- the historical movement of Africans and their descendants throughout the world. This is consequent of Senior's migration to Canada during the 1970's where much of her works were written. From this remote location, she was able to garner a different perspective on Caribbean life and society, and in essence reconcile a Caribbean past with a North American present
Journeying in Hardy's "At Castle Boterel"
After Emma's death Hardy embarked on a journey to some of their old haunts in Cornwall to rediscover their old love. Considering in detail one poem, discuss ways in which Hardy uses the symbol of journeying in his poetry. "At Castle Boterel", one of the greatest of Hardy's Poems of 1912-13, is an intensely personal poem, yet expresses universal truths on the subjects of loss, reclamation and time. An example of Hardy at his most emotionally evocative and philosophically profound, it chronicles his spiritual, intellectual and emotional journey following the death of his wife. The background to the composition of "At Castle Boterel" is that of a physical journey itself - Hardy's pilgrimage to Cornwall. In the poem this journey is juxtaposed with a past journey, separated by time but not space, taken in a parallel March many years before. The comparative weather conditions belie Hardy's nostalgia for the past: the bleakness of the present "drizzle" and "fading byway" draws a sharp contrast with the "dry March weather" of the former journey. The use of the vivid present in "We climb the road" emphasises the clarity of the memory, blurring, as in many of the Poems of 1912-13, the boundaries between past and present, memory and reality. Hardy's pilgrimage was not just a literal journey, for it was a quest to overcome the boundaries of Time and death through his poetry, an
Compare the presentation of the psychological effects of war on the individual in 'Regeneration' and 'Journey's End'.
Amy Best English Literature - Comparative Coursework Compare the presentation of the psychological effects of war on the individual in 'Regeneration' and 'Journey's End'. Journey's End by R.C. Sherriff, and Pat Barker's Regeneration show many interpretations of the psychological effects of war on the individual. The different genres of literature, the time the texts were written and the diverse styles created by each writer together provide a contrast, helping to show many different presentations of the effects of the First World War. Barker includes the disturbing nightmares that soldiers often had, recounting the horror of death so common in the war and shows how soldiers could even become psychosomatic, becoming paralysed through mental illness. She concentrates on Rivers' attempts to help soldiers psychologically, and through this shows many different characters, both real and imagined, suffering and coping with their own individual psychological effects of war. Sherriff portrays the alcoholism that effected many soldiers involved in the war, and the ways in which men 'coped' psychologically, focusing on trivial things to escape the reality of death. I will study the ways in which the two writers present these effects and how their styles and intentions differ or show similarities. Throughout Journey's End, Sherriff shows the different methods used by the soldiers in
Larkin is often portrayed as being obsessed by death, but High Windows is as much about life as it is about death. How true do you find this statement?
Larkin is often portrayed as being obsessed by death, but High Windows is as much about life as it is about death. How true do you find this statement? Larkin was 52 when High Windows was published and the collection is dominated by poems about the loss of youth, time passing and the imminence of death. Even in poems not explicitly based on these themes, they are still hinted at. Although some of the poems are about youth, some about aging and some on death, in a way all these are referring to mortality. I agree that there are poems, such as Show Saturday and To the Sea, which celebrate aspects of life but there are far fewer poems about life than about death. The Building is one of the bleakest poems, where Larkin describes a hospital and the stark inevitability of death. The poem builds up an atmosphere by the enigmatic treatment of the building; Larkin avoids spelling out that the building is a hospital but treats it as an atheistic cathedral, left in the atheistic society. Larkin begins the account outside the building. It can be seen from far away and resembles a 'lucent comb', emphasising the busyness of the workers and the way in which individuals are depersonalised, like bees in a hive. Its height is repeated in the 4th stanza as evidence of its importance within today's society. The comparison with the 'handsomest hotel' suggests that is far more important to
Look again at Ulysses and write about Tennysons narrative techniques
A: Look again at "Ulysses" and write about Tennyson's narrative techniques In "Ulysses", Tennyson presents the characteristics and attitudes of the eponymous central character through the dynamic form of the dramatic monologue. Through an adroit blending of literary techniques including those of structure, form and language, he seeks to clarify much of the mystique behind the mythological background of Ulysses, and reveal his persona of desire and heroism, alongside his undesirable traits of contemptuousness and hubristic pride. Throughout the poem, its form and structure allow Tennyson to reveal the character of Ulysses as he wishes him to be portrayed. "Ulysses" takes the form of the dramatic monologue, with Tennyson adapting the persona of his mythical character and using this form to reveal Ulysses' character through his own words. This choice of form, combined with the structural use of unrhymed iambic pentameter, or blank verse, allows the poem to adopt a rhythm that is one of the closest imitators of human speech in verse. This makes the words that Tennyson, writes and Ulysses "speaks" take on a much more personal tone and a deeper meaning, fully disclosing his character and attitude in a way that a more artificial and structured form, for example the Spenserian, simply could not achieve. This effect is added to the by the extensive and contrasted uses of enjambment
The idea of the experiment is to determine which equation is correct. There are 2 equations of CuCo3 and I have to find out which gases are given off when CuCo3 is given off.
INTRODUCTION : The idea of the experiment is to determine which equation is correct. There are 2 equations of CuCo3 and I have to find out which gases are given off when CuCo3 is given off. The two equations are .2CuCo3(s) Cu2O +2CO2 +0.5O2 2.CuCO(s) CuO +CO2(g) I am going to heat the CuCO3 check the colour when it is heated, measure the volume of the gas given off and test whether it is oxygen or carbon dioxide by introducing a glowing splint. Background theory: Copper (ii) trioxocarbonate (IV), CuCo3, only exists as basic salts and occurs naturally as malachite (CuCO3.Cu(OH)2) and azurite Cu(OH)2CuCO3. The basic trioxocarbonate (IV) of copper,CuCO3.Cu(OH)2 is precipitated when NaCO3 is added to any copper (II) salt solution. It is blue green, insoluble solid and decomposes into copper (II) and carbon (IV) oxide on heating. It is also attacked by dilute acids to produce carbon (IV) oxide. Copper is a transition element. Copper is an essential component of several enzymes and is also used in electric wiring and °CuO(Copper (II) oxide): It is commonly known as black copper oxide and is obtained by heating in this case CuCO3 or heating the metal in oxygen. Copper (II) oxide is a hydroscopic black solid which is insoluble in water. It is a basic oxide forming copper (II) salts with acids. It decomposes above 1000ºC into copper (I) oxide and oxygen. CuO 2CuO(s) +CO2
