James Joyce: An Exhaustion at the
Gurpreet Singh 1st Period English Mr. Little December 5th, 2003 James Joyce: An Exhaustion at the "Araby" I doubt there are book logs that commence with a note directing a reader, specifically you, even though I get the impression from Mr. Little to whom riding between pairs of glasses suggesting that in order to gather a bounty against my beloved head I must be obliged to fathoming on how to receive topic sentences with cradling arms and craters of dimples (have to love formalities, even of those lolling head-stumps, after all, it keeps NATO all trite and content with tying bow ties as a substitute for tying "no comments" with the press, or if there are annotations, they habitually orbit around: NATO headquarters dinner order for "take out the Chinese" was grossly misunderstood). Nevertheless, off it goes: this specific book log was completed in a week's time past upon that of receiving an anthology of Joyce's works, and thus focuses on a signature piece that I would be akin to exhausting minus any previous impressions received from Joyce's complementary works as that of the portrait. The following is a hub of focus for a sole work that I first put my eyes on, one I inherently had the benefit of, and then again, a reassurance that Mr. Singh did not instigate a recall of Joyce's added works; they merely came after. And for all the rock we taste as Mother Earth, the
What is the connection between the "artist" and "young man" of Stephen Dedalus' character in A Portrait of the artist as a young man? * How does Stephen make difficult moral and aesthetic choices that help to define his character?
Stephen's Character and Aesthetic Theory in “A Portrait of the Artist as a Young Man” Submitted to: Aroop Saha Assistant Professor Department of English Stamford University Bangladesh Submitted by: Halima Tabassum ID: ENG 063-07441 Department of English Stamford University Bangladesh Dedication I would like to dedicate my thesis to my Supervisor— Aroop Saha whose love, affection, encouragement, and blessings of days and nights have always been a source of inspiration for me. Declaration I certify that the work presented in this dissertation is my original work to the best of my knowledge and belief. The contributions of other sources and information have been acknowledged wherever they have been used. I, hereby, declare that I have not submitted this material, either in a whole or part, previously or concurrently in this or any other institution. Signature: Halima Tabassum ID: ENG 06307441 November, 2021 Acknowledgement First, I would like to thank almighty Allah for completing my Thesis paper on time and for giving me the physical and mental strength. I immensely thank my thesis supervisor Mr. Aroop Saha for her supportive guidance and precise responses. Without her support and guidance, it would have been very difficult for me to complete the thesis on time. I would like to thank my friend Shamima Sultana for helping me out spontaneously,
DUBLINERS - What picture do you think that Joyce gives of growing up in Dublin in the era when the book was written?
ENGLISH GCSE COURSEWORK - DUBLINERS Q) What picture do you think that Joyce gives of growing up in Dublin in the era when the book was written? A) While Joyce was growing up in Ireland he became disenchanted with his nation and the oppressive influence the Catholic Church had over the country. Joyce's intention when writing the book was to write a moral history of his country and he chose Dublin as it seemed to him to be the "centre of the paralysis" that seized it. The stories at the beginning of Dubliners are about youth and as the story progresses they concern older people and the last book is called The Dead. To answer this question I am going to use three of the short stories from Dubliners; An Encounter, Araby and Eveline. I have chosen these three stories as they are near the start of the book and thus detail young people's lives in Dublin, a feature of the book I can, as a teenager, identify with. ARABY This is the first of these stories and there are several elements within that hint at the dull lifestyle experienced by the young boy that the story focuses upon. Near the start of the book it talks about how one boy's parents "went to 8 o'clock Mass every morning", leaving the boy behind on his own. This shows the dominant effect that religion had upon Irish family life at that time and how it took up much of peoples' time, in this case meaning that the
Discuss Joyce’s treatment of the theme of paralysis in the stories on childhood in his novel Dubliners.
Discuss Joyce's treatment of the theme of paralysis in the stories on childhood in his novel Dubliners. "My intention was to write a chapter of the moral history of my country and I chose Dublin for the scene because that city seemed to me the centre of paralysis." In Dubliners James Joyce has written fifteen short stories, all of which display some sort of paralysis within life in Dublin. These are expressed in many forms, through different types of stories, which split the book up into five sections. The first section consists of the first three stories, which are all on childhood, while the next four stories are all about adolescence. The next section, which includes the stories: A Little Cloud, Counterparts, Clay and A Painful Case are all about middle age. The penultimate section is about public life and includes three stories, and then The Dead acts as an epilogue in the book, as the final section. Paralysis is shown through different forms of life all within Dublin. These are mainly childhood, often through the older generation, who themselves suffer paralysis. The church causes paralysis along with death. Everyone suffers some sort of paralysis in Dublin and Clive Hart writes of Dubliners: "In Dubliners one pattern comes to fare time after time: the protagonist of a story (whether an individual or a group) is placed in a position, which reveals the direction he must
Discuss Joyce's treatment of women in Dubliners, Portrait and selected chapters of Ulysses.
Joyce Essay Q. Discuss Joyce's treatment of women in Dubliners, Portrait and selected chapters of Ulysses. Joyce's depiction of women is characterised by a high degree of self-consciousness, perhaps even more so than in the rest of his work. The self-consciousness emerges as an awareness of both genre and linguistic expectations. Contrasting highly self-conscious, isolated literary men (or men with literary aspirations) with women who follow more romantic models, even stereotypes. In Dubliners, Joyce utilizes a clichéd story of doomed love ending in death - physical or spiritual - in "A Painful Case" and in "The Dead." The former holds far more to these conventions and can be read as a precursor to the more sophisticated techniques in the latter, which draws the reader's attention to the cliché only to redirect it. Nevertheless, it is Joyce's achievement here, his subversion of genre that takes the main stage, and the women in the stories to fade into the background. Furthermore, In Joyce's canon women are both desirable objects and the subject of desire or as Henke (1990: P.2) states 'the incomparable other who remains mysterious and enigmatic.' She also mentions that his female characters frequently embody 'that imaginary maternal presence that the unconscious constructs as a corollary to the pleasure principal of infantile need.' Traditionally readers and
Analysis of Eveline
Analysis of Eveline James Joyce's "Eveline", one of the short stories in "The Dubliners" , is a tale based upon the friction which can exist between familial and romantic love , the conflicts between the opposite choices of perpetuating the status quo versus initiating irreversible change , and the agonies that are experienced when pivotal decisions have to be made and powerful but divergent emotions inevitably collide. The plot is not complex. The story opens - we see a young woman who is agonising over a vital life choice. She is bored and overworked , victimised and threatened by her aggressive and occasionally drunken father yet she has been offered the chance of salvation from these circumstances by a potential lover who would transport her far away perhaps never to return. Her decision as to whether to take this chance causes her much distress as she wrestles with the arguments for both staying and going. In the end she decides to stay , perhaps no less anguished , perhaps in the future to regret what might have been ; we are not told - the story closes. Such has been the basic theme , with of course some variations , for countless stories , anecdotes , legends , dramas , novels (ancient and modern) , and even fairy tales. Twist the ending and we have the story of "Cinderella" ; modify the father to a crippled husband and we have the basis for "Lady Chatterley's
An analytical study of 'The Pit and The Pendulum', 'An Encounter' and 'The Pedestrian', focusing on the themes of paralysis, entrapment and isolation
An analytical study of 'The Pit and The Pendulum', 'An Encounter' and 'The Pedestrian', focusing on the themes of paralysis, entrapment and isolation The texts chosen for this study are: 'The Pit and The Pendulum' by Edgar Allan Poe and 'An Encounter' by James Joyce which, I feel, are appropriate as they provide comprehensive coverage of the themes analysed whilst managing to cover a historical period of some seventy years1. Poe's piece is a dark, Gothic work which deals, in great depth, with the notion of both mental and physical paralysis encompassed in an entrapping and isolated atmosphere. Joyce, on the other hand, takes a characteristically more diverse and subtle approach to the concept of paralysis, cunningly concealing the theme within the stagnant surroundings of his Dublin. Verbal 'entrapment' is furthermore offered in the form of a dubious elderly man. The story 'An Encounter' by James Joyce amply exhibits many stylistic features associated with the modernist author - for example the use of epiphany or writing through first person narrative, with inner monologue to highlight the consciousness of the protagonist and also subtly divulge the feelings of others to the perhaps more 'aware' readership. However, Poe, on the contrary, chooses to play the cards of shock and terror in a style which is far more explicit and gruesome in comparison with Joyce's incorporation
The plight of the individual is most pertinently expressed through the plight of women in Dubliners. Discuss.
'The plight of the individual is most pertinently expressed through the plight of women in Dubliners'. Discuss. I believe that this statement is true. Many of the short stories in James Joyce's 'Dubliners' do seem to portray an environment which is distinctly misogynistic and where women are marginalised and forced to conform to the expectations of patriarchal Dublin. Some of the main ways in which the plight of women in 'Dubliners' is expressed are patriarchal oppression, the besmirching of feminine ideals and degradation. Historically this was the case in early 20th century Dublin that female citizens of the city were downtrodden and suppressed. For example, up until the 1870s, generally, women did not own any of their possessions. Out of wedlock their fathers had control over them and then when they married their belongings went to their husband. Also, even at the time when Joyce was writing there was still not universal suffrage in England or Ireland, indeed, it was only until after the war that the British government finally gave in to the pressure of the suffragettes. These facts give us an idea of how society, up until quite recently, was very male dominant and so it is likely that if Joyce is writing in his period then the dominance of men and therefore the suppression of women will come through in his work. However, that is not to say that the plight of men is not
Depiction of childhood in 'Dubliners'
The depiction of childhood in 'Dubliners' is a bleak one; the child narrators and characters are usually depicted as victims in some sense. How far do you agree with this view? James Joyce described 'Dubliners' as a 'nicely polished looking glass', through which he offers the society of Dublin in the early 20th century a chance to 'have a good look at themselves'. At the time, Joyce employed a modernist style of writing in 'Dubliners', Wallace Gray identifies that: 'the modernist is hostile to city life, finding that it degrades and demeans its citizens...the modernist finds culture itself to be drab and shallow, and this attitude prevails in Joyce's stories' i This can be seen to be true in the stories depicting childhood as Dublin society is clearly identifiable as having a negative impact on the individual citizens as they struggle to deal with the events which greet them as children and adolescents, although this theme does continue throughout the novel. In order to fully portray the broad spectrum of people who were impacted by both social and religious aspects in Dublin at this time, Joyce implements the structure of a bildungsroman - the first four clearly identifiable as dealing with aspects of childhood and adolescence. By examining these four stories the reader not only gets an overall perspective of what childhood was like, but more fundamentally how adults can
Joyce Intended Dubliners to betray the soul of that paralysis which many consider a city and aims to do this through his nicely polished looking glass. How is this portrayal of Ireland achieved in the texts you have studied?
Joyce “Intended Dubliners to betray the soul of that paralysis which many consider a city” and aims to do this through his “nicely polished looking glass”. How is this portrayal of Ireland achieved in the texts you have studied? “I call the series Dubliners to betray the soul of that hemiplegia or paralysis which many consider a city.” – James Joyce [1]. Before discussing the portrayal of Ireland in Dubliners, it is important to note Joyce’s aversion for Ireland. Joyce’s ‘nicely looking polish glass’ [2] is integral as a motif in itself. The idea of a ‘looking glass’ reiterates his own true perception of Ireland, but more importantly what he considers the real and true Ireland. By referring to Dubliners and the portrayal of Ireland as betraying ‘the soul of that hemiplegia which many consider a city’, Joyce separates himself from any associations to his motherland. It is clear then, that there is an undeniable sense of tension and antipathy that we as readers expect from Joyce. It can be argued that similar to Joyce’s depiction in Dubliners, Brian Friel attempts to hold up his own ‘looking glass’ in Dancing at Lughnasa. Friel in response to a question about 19th century Russian authors once commented: “The characters in the plays behave as if their old certainties were as sustaining as ever, even though they know in their hearts that