Hardy's use of Pathetic Fallacy
"In Hardy's hands, setting is more than mere location - it is a tool for developing both characters and themes." Evidence that Hardy chooses his locations for reasons far beyond geographical significance is apparent throughout Tess of the D'Urbervilles. In Chapter 20 in particular, the natural environment seems to act as a metaphor for Tess' character. The chapter begins "The season developed and matured." This gives the impression that the surroundings have, at the very least, womanly qualities, and it seems sensible, therefore to apply this to Tess in light of Hardy's defence of her purity and womanhood. Much of this chapter centres on description and nature, and Tess herself is effortlessly woven into both of these. Hardy uses the metaphor of a river to describe Tess and Angel's early experiences of one another: "All the while they were converging, under an irresistible law, as surely as two streams in one vale." As Tess has already mean shown as a very natural being in previous parts of the novel, this implies that she is drawing Angel towards her in a way that causes him to become more 'of nature' as well. Hardy alludes to the idea that this is the beginning of something, commenting on the couple's forth coming relationship before it has begun: "The grey half-tones of daybreak are not the grey half-tones of the day's close, though their degree of shade may be the
In Tess of the DUrbervilles, how does Hardy present Tess and Angels relationship as one that is destined to fail?
In Tess of the D'Urbervilles, how does Hardy present Tess and Angel's relationship as one that is destined to fail? In Hardy's tragic novel, nothing is as clear as it seems. Although Alec D'Urberville was the ostensible instigator of the protagonist Tess Durbeyfield's downfall, it must be argued that Angel Clare plays just as a significant role in her destruction. Initial contemporary readings saw Tess and Angel's relationship as doomed by Tess' past, while more modern interpretations point to Angel's decision to leave for the failure of the marriage. Throughout the novel, Hardy makes great use of foreshadowing in order to emphasise how the numerous tragedies in his protagonist's life cumulate in disaster. This has never been more apparent than with Tess and Angel: as a keystone of the novel, their relationship is haunted by the spectre of the past all the way through. By introducing Angel almost as soon as he establishes Tess' character, Hardy makes it clear from the outset that this relationship will be more significant than any other.. It is evident that Angel and Tess will fall in love, but what is even more arresting is Angel's initial and lasting impression that Tess is the epitome of purity and maidenhood. Hardy starkly emphasises Tess' virginal aspects through compound nominal phrases such as "white shape" and "pretty maiden", creating the lasting image of her as a
Thomas Hardy - analysis of three poems. Afterwards, During wind and rain and After a journey.
English Literature: ASSIGNMENT G 'Afterwards' An epitaph is an inscription upon a tomb, in few verses for the casual observer to read carefully. It is usually carved in stone and is very synthetic. The Elegy is much more lengthy than an epitaph. The two genres differ not only in lengths, but also in subject matter, since the epitaph is a 'report' concerning the deceased, the elegy is an expression of 'mourners'' sorrow. As for the setting and space, the epitaph is part of a spatial monument, the elegy of a temporal ritual. Epitaphs are normally about the deeds and qualities of a particular deceased person and they claim our attention; whereas funeral elegies are about the thoughts and feelings of those who mourn. "Afterwards" has an elegiac quality and embodies numerous sensory impressions and language used is emblematic of Hardy's style. It is mostly complex in meaning. Rhythm, rhyme and punctuation, not only give an appropriately solemn, funereal quality to the poem, but these also guide the reader to the final climax of the poem 'Till they rise again, as they were a new bell's boom'. As with many other poems, the structure gives a sense of diminuendo; from 'Present' to 'Future' or to even 'eternity' as implied by the former verse. The poem opens with an image of the personified 'Present' that 'latches' behind the speaker. Hardy uses the word 'postern' which probably is
The Mayor of Casterbridge - Henchard Vs Farfrae
The Mayor of Casterbridge - English Essay Henchard Vs Farfrae "Farfrae's good fortune is a result of Henchard's ill luck." Consider this view, commenting upon Hardy's use of; * Characterisation * Language * Historical and social background * Craft in the structure of the novel Thomas Hardy wrote the novel 'The Mayor of Casterbridge' in 1886. Two of the main characters, Donald Farfrae and Michael Henchard have a contrast in luck and Hardy uses characterisation, language, historical and social background and a craft in the structure of his novel to help bring across this point. During this essay I am going to comment upon how Hardy does this and further consider the view that, Farfrae's good fortune is a result of Henchard's ill luck. Throughout the novel there are many examples of Farfrae's good fortune resulting in Henchard's ill luck. One of the most important examples in the book is when Henchard and Farfrae both gamble on the weather. Henchard is told that the weather will be awful and the harvest would be ruined so he buys up all the grain early hoping to sell it off for more. Farfrae on the other hand risks the weather hoping it'll be a good harvest. When the weather turns out good and Henchard has to sell his grain off for even less than he brought it for, he becomes bankrupt and looses everything. Whereas Farfrae makes a lot of money on the good harvest and
Which Character in Hardy's "Tess Of The D'Urbervilles" Do You Have the Most Sympathy For: Alec or Angel?
Tracey O'Hara WHICH CHARACTER DO YOU HAVE THE MOST SYMPATHY FOR: ALEC OR ANGEL? Alec and Angel are the principle male characters in Tess Of The D'Urbervillles, who have a direct impact on the destiny and ultimate tragedy of the heroine Tess. Hardy skilfully creates two complex and contrasting characters whose relationships with Tess evolve and mature in distinctive ways. I will analyse how their personality traits and temperaments affect their relationships with, and treatment of Tess. Hardy's introduction of Alec and Angel gives us an indication of their physical appearance, complex characteristics, and future destiny. Angel's first appearance is at 'The May-Day dance', where Tess is one of the maids. He appears to be a 'desultory tentative student' who is still finding his way in life and 'the entrance to his professional grove'. This indicates his youthfulness and openness of mind and spirit. In contrast to his brothers Angel stays to 'have a fling' with the girls in the field, showing his individuality and resistance to conform. When leaving the field he noticed Tess and was sorry that 'he had not observed' her sooner as he would have wished to 'inquire her name'. Angel unknowingly rejected Tess for the first time. Our first introduction to Alec, a false D'Urberville, is at his home 'The slopes' with its artificial name and settings. His appearance is stereotypical of
Tess says, Once victim, always victim thats the law. In the light of this remark, explore ways in which Hardy presents Tesss experiences in Tess of the DUrbervilles.
Tess says, 'Once victim, always victim - that's the law.' In the light of this remark, explore ways in which Hardy presents Tess's experiences in Tess of the D'Urbervilles. Thomas Hardy wrote "Tess of the D'Urbervilles" in 1891 during the height of the Victorian ideals where society was restrictive to individuals and appeared controlling to its members. Tess is a modern character, who is the easiest victim of circumstance, society and male idealism. She fights the hardest fight yet is destroyed by her ravaging self-destructive sense of guilt, life denial and the cruelty of two men. Tess Durbeyfield is a victim of external and incomprehensive forces. Passive and yielding, unsuspicious and fundamentally pure, she suffers a weakness of will and reason, struggling against a fate that is too strong for her. It is primarily the death of the horse, Prince, the Durbeyfield's main source of livelihood that commences the web of circumstance that envelops Tess. Tess views herself as the cause of her families economic downfall, "Nobody blamed Tess as she blamed herself... she regarded herself in the light of a murderess." The use of 'nobody' at the beginning of the sentence emphasises the extent of the guilt Tess feels since she believes that she is responsible for the loss of her family's livelihood. As Anne Mickelson persuasively argues Tess is, "trained from childhood to fit
Explore the role of nature in the first three sections of the novel "Tess of the d'Urbervilles"
Explore the role of nature in the first three opening sections of the novel "Tess of the d'Urbevilles" In the first three opening sections of "Tess of the D'Urbervilles", nature plays many a significant role. It acts as a storytelling device, helping the plot of the story to move and develop; it acts as a mirror for Tess' feelings and the feelings of others; it adds atmosphere to the plot itself. Most importantly, it plays a major role in Tess' wellbeing, but this role is often thwarted by the actions of man and the actions of man's Church - the two are often in conflict, and these sections often explore this. We first see Tess taking part in an activity, "clubwalking", with many of her friends and surrounding neighbours. All the people taking part are women, and it is a very simple activity; it is only them and the surrounding nature. This suggests that they share a harmony with their surroundings, and also that it is very feminine and pure, much like Tess at the beginning of the novel. As Tess emerges from this, we associate nature with her almost immediately. Angel also appears from this setting, with his two brothers, and he seems more connected with nature than he does with their religion. His brothers seem uptight and stuffy - "dancing with a troop of country hoydens!" being an indication of this - whilst he seems more carefree and willing to interact. In this way,