Gender and Class in "Keep the Aspidistra Flying" by George Orwell and "The First Lady Chatterley" by D.H. Lawrence

Authors Avatar

An extract from Orwell’s notebooks recounts how as a boy he used to sit and listen to his mother and her friends conversations about men. He tells how he formed the impression from listening to these discussions that women thought all men to be “large, ugly, smelly and ridiculous” and that men mistreated women in all that they did, but mainly by forcing themselves upon them sexually; in Orwell’s words “as a cock would do a hen.” The opening of chapter six seems to echo this and while it is tongue-in-cheek; it’s obvious from this passage that Orwell was addressing primarily a male audience. His women seem to slot fairly easily into just a few categories; the passive and self-sacrificing, the ridiculous, and the hard and judgmental.

The lower-class women who visit the McKechnie library are described as ‘dim-witted’ and read trashy novels but low-rate female authors while Mrs. Wisbeach and the librarian at the end seem to represent the women Orwell describes in his notebook; judgmental and self-imposing with an apparent dislike of men. Rosemary, Julia and Gordon’s mother are docile and self-sacrificing women. It seems their self-sacrifice is intended to be an admirable quality in them, or in Rosemary in particular, as her passivity and yielding to Gordon’s unreasonable demands is praised as “good-nature” in her. Both Gordon’s mother and Rosemary take potentially serious risks for the sake of Gordon. His mother, in a sense, knowingly risks her life with a fatal outcome both to keep up the middle-class appearances which the novel is so concerned with, but also so that Gordon will get the best possible chance for making money. Rosemary forgives Gordon for what can arguably be construed as an attempted rape and submits to his wishes not to use contraception, which he describes as “filthy cold-blooded precautions” telling him: “The baby. I’ll risk it. You can do what you like with me.” It’s not clear whether Rosemary’s motives, if she had any, for falling pregnant are a noble last attempt to jumpstart Gordon out of his apathy and depression, having intuitively felt that it wasn’t really what he wanted, or whether Orwell deliberately depicted this as a manipulative attempt by Rosemary to trap Gordon into marrying her.

Join now!

In both novels, discomfort is experienced by the characters when they step outside of their own class domain. Connie and Ravelston, when they associate themselves with people who are of a lower class with them, feel distinctly uncomfortable and fearful. With Parkin and Connie, although their sexuality brings them together there is a deep-rooted ideological division that they can’t overcome. This manifests itself in Parkins faith in Socialism and Connie’s inability to care about the working classes. Connie’s education and Parkin’s experience of servility and working life are such an inherent, developed part of themselves that it can’t be changed ...

This is a preview of the whole essay