Hamlet's Tragic Flaw leading to his Demise

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Karen Lee

Professor Wetzel

English 4U

8 January 2005

Hamlet Essay:

Hamlet’s Tragic Flaw leading to his Demise

William Shakespeare’s tragedy plays have fascinated people from the time of the renaissance to present modern times. All his tragedy plays are five acts long, and the climax of the play occurs in the third act. In each and every tragedy play there is a tragic hero who bears a tragic flaw. Every tragic hero usually possesses valor characteristics such as bravery, honesty, intelligence, and so on. In the Shakespearean tragedy Hamlet the tragic hero is Hamlet. He is an emotionally scarred young man trying to avenge the murder of his father, the king. The ghost of Hamlet's father appears to Hamlet, telling him that he was murdered by his brother, Claudius, who has now become the king. Claudius has also married Gertrude, the old king's widow and Hamlet's mother. Hamlet’s tragic flaw is caused by his intelligence, intellect, and over excessive contemplation of his actions entirely too much, that it becomes too good for his own good. In the end his flaw of procrastination resonates clearly, after he meets his demise.

        Given the situation that Hamlet finds himself in. He controls his grief and bitterness, when in the eye of the public. However, when in private he lashes out in a passionate soliloquy-revealing that his heart is nearly broken from his mother’s hasty remarriage to his uncle. In this emotional pain, Hamlet contemplates suicide to resolve the pain that he must suffer while on this earth. But, he realizes that his religion forbids suicide– “His canon ‘gainst self-slaughter. O God! O God!” (I, ii, 132). Here, Hamlet double thinks his action of committing suicide, and ends up not following through because it is against a religious law.

The second time he procrastinates is during the end of the second act. From the first act the ghost of Hamlet's father appears to Hamlet, telling him that he was murdered by his brother, Claudius. Hamlet ignores this knowledge that he knows, and still wants to prove Claudius’ guilt. He decides to devise a trap for Claudius, forcing the king to watch a play whose plot closely resembles the murder of Hamlet’s father. If the king is guilty, Hamlet thinks, Claudius will surely show some visible sign of guilt when he sees his sin re-enacted on stage. Then, Hamlet reasons, he will obtain definitive proof of Claudius’s guilt. “The play’s the thing,” he declares, “wherein I’ll catch the conscience of the king” (II.ii.581–582). All this thinking and obsessing over proving Claudius’ guilt, again stops him from focussing on his purpose. As a matter a fact, a whole act is used to plot this play out, and even then, the play is not executed until the third act.

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        The third time he procrastinates is during the beginning of the third act. The most famous line in English literature “To be, or not to be: that is the question” (III.i.56) is declared by Hamlet, and this marks the start of another soliloquy. In this soliloquy again he contemplates suicide and death, to rid his pains of living on earth, similar to the first soliloquy. Basically Hamlet is asking “Should I kill myself?” .Again he double thinks this question and is not willing to kill himself because he of “the dread of something after death” (III, i,78). Hamlet is unsure ...

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