How are sadness and loss recurrent in poetry down years?Comparing 4 poems

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How are sadness and loss recurrent in poetry down years?

   In this piece of coursework I shall explore how the themes of sadness and loss are recurrent in poetry throughout time. I shall do this by closely analysing two pre-1914 poems and four post-1914 poems and show how these two themes are explored by the poets. The two poems written before 1914 shall be La Belle Dame Sans Merci written by John Keats and The Lady of Shalott written by Alfred, Lord Tennyson. The four poems written after 1914 shall be Modes of Pleasure and Black Jackets, written by Thom Gunn, and Afternoons and Mr Bleaney, written by Philip Larkin. I shall start with the poem La Belle Dame Sans Merci.

   The poem La Belle Dame Sans Merci tells of a knight who is in love with, and has been abandoned by, a beautiful daughter of a faery. The fact that she is a faery is important as at the time this poem is set, faeries were classed a mysterious force, not to be reckoned with. When found, the Knight is said to be “alone and palely loitering” and also “so haggard and woe-begone”.  This shows that he has lost his life, his friends, and is now sad to be so alone. The knight was said to have had a dream where the kings, princes, and warriors all warn “La Belle Dame Sans Merci hath thee in thrall.” Then he dreamt that the Knight was left on a “cold-hill side”, all alone, with nothing. This dream became true when he awake, and this mysterious creature had gone, showing loss. From this, the Knight was distraught- a severe state of sadness.

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   The Lady of Shalott tells the story of a lady’s love for the renowned Knight Sir Lancelot, and the curse she is put under living in the same place for a length of time. She is not aloud out of this ‘prison’ as it will bring a curse upon the lady if she leaves. An example of sadness is knowing she has no saviour, “She hath no loyal knight and true, The Lady of Shalott”. This lady has one major loss, the loss of leading a life, “Or when the moon was overhead, came two young lovers lately wed; ...

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