How does Williams present Blanche in Scene 1 and 2 of a Streetcar Named Desire?

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How does Williams present Blanch in Scene 1 and 2 of a Streetcar Named Desire?

        Williams immediately presents Blanche Dubois as an outsider, one who is “incongruous” to the setting of the French Quarter, not only in her delicate appearance, but in her prejudices against the working class. He also reveals her the fragility in her character, shown not only in her “delicate beauty” but also foreshadowing her weak mental health. Williams explores Blanche’s difficulty to fit in in Scenes 1 and 2 of a Streetcar named Desire.

        Blanche is presented as an outsider in the world of Stanley and Stella. Her name itself translates to white in French which displays nominative determinism as it holds connotations of purity and innocence. However, as we learn later, this is ironic in the case of Blanche. The play begins with Blanche arriving at the chaotic Elysian Fields. Her dainty image “in a white suit with a fluffy bodice” contrasts with “the atmosphere of decay” that surrounds New Orleans. This juxtaposes Blanche’s obsession with cleanliness as she is often bathing in the play. This could be linked to Blanche wanting to present herself as pure and delicately beautiful in order to “wash” or hide away everything that has tarnished her past. She asks Stella to “look at [her] figure”, which shows that relies on compliments as “reassurance” for her looks. She desperately attempts to uphold a refined reputation and appearance of superiority. This is also shown in her potential alcoholism when she hides that she “tosses down” a “half tumbler of whisky” before replacing it carefully and later taking more. This suggests that she has had a rough past and has turned to alcohol frequently in the past to calm her “nerves”. This dramatic irony highlights to the audience that she is an untrustworthy and manipulative woman under her innocent appearance. The emphasis that she puts on keeping this disguise foreshadows the distress she feels when Stanley exposes the reality.

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        Blanche is shown to be driven by desire and led by attraction. Williams uses the metaphor of a “moth”, who is constantly attracted to the light but ultimately killed by this pursuit. Ironically, the harshness of light is a running theme throughout the play. Blanche both avoids the light to hide herself, and is drawn to it. Her tendency to do this foreshadows that it may lead her astray later on in the play. This theme is also symbolised in Blanche’s journey on a streetcar named Desire, and onto Cemeteries. This suggests that her fate at the end of ...

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