In No Exit, by Jean-Paul Sartre - review

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Tecnológico de Monterrey

Alejandra Cavazos 783915 Abelardo Solís 913015

Modern World Literature of the Twentieth Century

Professor Donna Marie Kabalen

October 14, 2003

     In No Exit, by Jean-Paul Sartre, the three main characters, Garcin, Inez and Estelle, must face the harsh reality that is presented to them unexpectedly. The play takes place in hell, where all the characters have been sent after their individual deaths and must now learn to cope with each other for eternity. After a while, they realize that they have nothing in common from their respective pasts, but they are certainly put together for one reason, to pay for their sins. Their common sense tells them that they are there to suffer, and that the best way to let time pass-by peacefully is by ignoring each other. However, their confinement forces them to interact with each other, beginning their eternal punishment. Throughout the play they will acknowledge that punishment in hell is not physical but as well mental, as it is obvious to them that the only torture they are receiving comes from each other’s cruelty. This paper will analyze how man’s cruelty to his fellow man can be more of a torture than any other.

     Inez and Garcin find out in a very satirical way about their respective roles in the chamber. First, Garcin believes that Valet is the torturer. Then, Inez thinks likewise about Garcin until Garcin disproves this and tells her that he is not the torturer by merely a fellow companion. “Inez: You? Why, the torturer, of course. Garcin: Well, that’s a good one! Too comic for words. I the torturer! So you came in, had a look at me, and thought I was one of the staff. Of course, it’s that silly fellow’s fault; he should have introduced us. A torturer indeed! I’m Joseph Garcin, journalist and man of letters by profession. And as we’re both in the same boat, so to speak, might I ask you, Mrs. – ?” (8) Their mutual introduction was very deceiving, they made out themselves as being very nice and respectable people who apparently had no reason to be in this situation. The fact that Garcin’s introduction included his profession denotes how he expects himself to be respected and he was careful in portraying a good image of himself.

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     Inez and Garcin questioning about each other’s past seem too tense. Garcin is merely referring to superficial facts about Estelle’s past and suddenly daydreams. Garcin then comments about how he was thinking about his past life and suddenly argues with Inez. “Garcin: I was setting my life in order. You may laugh, but you’d do better to follow my example. Inez: No need. My life’s in perfect order. It tidied itself up nicely of its own accord. So I needn’t bother about it now. Garcin: Really? You imagine it’s so simple as that.” (12,13) Inez insists about how ...

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