ClassicNote on The Scarlet Letter

The Custom House: Introductory Sketch

Summary

The Custom House is largely an autobiographical sketch describing Hawthorne's life as an administrator of the Salem Custom House. It was written to enlarge the overall size of The Scarlet Letter, since Hawthorne deemed the story too short to print by itself. It also serves as an excellent essay on society during Hawthorne's times, and allows Hawthorne to pretend to have discovered The Scarlet Letter in the Custom House.

Hawthorne was granted the position of chief executive officer of the Customs House through the President's commission. His analysis of the place is harsh and critical. He describes his staff as a bunch of tottering old men who rarely rise out of their chairs, and who spend each day sleeping or talking softly to one another. Hawthorne tells the reader that he could not bring himself to fire any of them, and so after he assumed leadership things stayed the same.

Hawthorne describes the town of Salem as a port city which failed to mature into a major harbor. The streets and buildings are dilapidated, the townspeople very sober and old, and grass grows between the cobblestones. The Custom House serves the small ship traffic which goes through the port, but is usually a quiet place requiring only minimal amounts of work.

The connection between Salem and the Puritans is made early on in the text. Hawthorne's family originally settled in Salem, and he is a direct descendent of several notable ancestors. He describes his ancestors as severe Puritans decked out in black robes, laying harsh judgment upon people who strayed from their faith. When discussing his ancestors, Hawthorne is both reverent and mocking, jokingly wondering how an idler such as himself could have born from such noble lineage.

Much of the story then deals with long descriptions of the various men with whom he worked in the Customs House. General Miller, the Collector, is the oldest inhabitant, a man who had maintained a stellar career in the military, but who has chosen to work in the Customs House for the remainder of his years. The other man described by Hawthorne is the Inspector. Hawthorne writes that the job was created by the man's father decades earlier, and that he has held the position ever since. The Inspector is the most light-hearted of the workers, constantly laughing and talking in spite of his age.

The upstairs of the Custom House was designed to accommodate a large movement of goods through the port, and is in ill-repair since it soon became extraneous. Hawthorne says that the large upstairs hall was used to store documents, and it is here that he finds an unusual package. The package contains some fabric with a faded letter "A" imprinted on the cloth, and some papers describing the entire story behind the letter. This is the story that Hawthorne claims is the basis for The Scarlet Letter.

Three years after taking his job as Surveyor, General Taylor was elected President of the United States, and Hawthorne received notice of his termination. Hawthorne remarks that he is lucky to have been let go, since it allowed him the time to write out the entire story of The Scarlet Letter. He finishes the The Custom House with a description of his life since leaving his job as Surveyor, and comments that, "it may be, however...that the great-grandchildren of the present race may sometimes think kindly of the scribbler of bygone days..."

Chapter One: The Prison Door

Summary

A large crowd of Puritans stands outside of the prison, waiting for the door to open. The prison is described as a, "wooden jail...already marked with weather-stains and other indications of age which gave a yet darker aspect to its beetle-browed and gloomy front." The iron on the prison is rusting and creates an overall appearance of decay.

Outside of the building, next to the door, a rosebush stands in full bloom. Hawthorne remarks that it is possible, "this rosebush...had sprung up under the footsteps of the sainted Ann Hutchinson, as she entered the prison door." He then plucks one of the roses and offers it to the reader as a "moral blossom" to be found later in the story.

Analysis

This opening chapter introduces several of the images and themes within the story to follow. These images will recur in several settings and serve as metaphors for the underlying conflict.

The prison represents several different symbols. Foremost it is a symbol for the Puritanical severity of law. The description of the prison indicates that it is old, rusted, yet strong with an "iron-clamped oaken door." This represents the rigorous enforcement of laws and the inability to break free of them.

The prison also serves as a metaphor for the authority of the regime, which will not tolerate deviance. Hawthorne directly challenges this notion by throwing the name Ann Hutchinson into the opening pages. Hutchinson was a religious woman who disagreed with the Puritanical teachings, and as a result was imprisoned in Boston. Hawthorne claims that it is possible the beautiful rosebush growing directly at the prison door sprang from her footsteps. This implies that the Puritanical authoritarianism may be too rigid, to the point of obliterating things of beauty.

The rosebush is a symbol of passion. As will later become obvious, Hester Prynne's sin is one of passion, thus linking her crime to the image of the rosebush. Hawthorne also indirectly compares Hester with Ann Hutchinson via the rosebush, and again makes the same parallel in Chapter 13, Another View of Hester.

Hawthorne cleverly links the rosebush to the wilderness surrounding Boston, commenting that the bush may be a remnant of the former forest which covered the area. This is important, because it is only in the forest wilderness where the Puritans' laws fail to have any force. Thus the image of the rosebush serves to foreshadow that some of the passionate wilderness, in the form of Hester Prynne, may have accidentally made its way into Boston.

The rosebush in full bloom indicates that Hester is at the peak of her passion. This parallels the fact that Hester has just born a child as a result of her passion. The child is thus comparable to the blossoms on the rosebush. Hawthorne's comment that the rose may serve as a "moral blossom" in the story is therefore actually saying that Hester's child will serve to provide the moral of the story.

Chapter Two: The Market Place

Summary

The crowd in front of the jail is a mixture of men and women, all maintaining severe looks of disapproval. Several of the women begin to discuss Hester Prynne, and soon vow that Hester would not have received such a light sentence for her crime if they had been the judges. One woman, the ugliest of the group, goes so far as to advocate death for Hester.

Hester emerges from the prison with elegance and a lady-like air to her movements. She clutches her three month old daughter, Pearl. She has sown a large scarlet "A" over her breast, using her finest skill to make the badge of shame appear to be a decoration. Several of the women are outraged when they see how she has chosen to display the letter, and want to rip it off.

Hester is led through the crowd to the scaffold of the pillory. She ascends the stairs and stands, now fully revealed to the crowd, in her position of shame and punishment for the next few hours. Hawthorne compares her beauty and elegance while on the scaffold to an image of Madonna and Child, or Divine Maternity.

The ordeal is strenuous and difficult for Hester. She tries to make the images in front of her vanish by thinking about her past. It is revealed that Hester was born in England and grew up there. She later met a scholar who is slightly deformed, having a left shoulder higher than his right. Her husband, later revealed to be Roger Chillingworth, took her first to Amsterdam, and then sent her to America to await his arrival.

Hester looks out over the crowd and realizes for the first time that her life condemns her to be alone. She looks at her daughter and then fingers the scarlet letter which will remain a part of her from now on. At the thought of her future, she squeezes her daughter so hard that the child cries out in pain.

Analysis

The most prominent part of this chapter is the scarlet letter "A" so brazenly sown onto Hester's clothing. The "A" takes on many meaning during the course of the novel, and even in this scene it immediately means more than just "adultery." The fine stitchwork and gold thread create the perception that the letter is ornamental, or a decoration.

Making the "A" into a thing of beauty offends many bystanders, who comment that, "it were well if we stripped Madame Hester's rich gown off her dainty shoulders." However, as one man observes, "not a stitch in that embroidered letter, but she has felt it in her heart."

The feeling of sympathy, only expressed by one of the characters throughout this scene, is used by Hawthorne to criticize the Puritans for their strictness. The society is too strict in its ways, and Hawthorne shows his contempt for the treatment of Hester by constantly reinforcing how cruelly the people talk about her.

This scene is the first of three scaffold scenes in the novel. In this scene Hester is forced to suffer alone, facing first her past and finally her present. The scene is clever in that it reveals Hester's past, as she was before receiving the infamous letter. It ends with her realization that she must now deal with the letter, "these were her realities - all else had vanished."

Chapter Three: The Recognition

Summary

On the edge of the crowd Hester notices an Indian accompanied by a white man. She recognizes the white man as Roger Chillingworth, her husband, who sent her to America and remained in Amsterdam. Hester fearfully clutches Pearl harder, and again causes her child to cry out in pain.

Roger Chillingworth asks a bystander who Hester is and what her crime was. The man informs him of her past, telling how she was sent to Boston to await her husband, and how she ended up with a child instead. Chillingworth remarks that the man who was her partner in the crime of adultery will eventually be known.

The Reverend Mr. Dimmesdale is exhorted to make Hester tell the gathered crowd who the father is. She refuses and instead tells him that she will bear his shame as well as her own. Dimmesdale cries out, "She will not speak!" and places his hand over his heart. The Reverend Mr. Wilson steps forward and delivers a sermon against sin, after which Hester is allowed to return to the prison.

Analysis

This chapter is largely ironic with respect to the various characters. For example, Roger Chillingworth, Hester's husband, sent her to Boston to wait for him. But when he finally arrives, he discovers his wife has committed adultery.

There is also irony in the way Chillingworth chides Hester. When she first sees him at the edge of the crowd she impulsively reacts with fear. Later, Chillingworth chides her by shouting, "Speak woman, speak and give your child a father!" The irony is that the child's father should have been Chillingworth.

A final irony is the fact that Dimmesdale, the actual father of Pearl, is forced to try and make Hester confess the name of her child's father. She responds by telling him that she will bear both his and her shame, and that her child will never know her earthly father. Dimmesdale then publicly admits defeat and ceases trying to make Hester tell him the name.

Dimmesdale places his hand over his heart in this scene. This gesture will reappear and grow in significance during the course of the novel. In this chapter it is meant to show his distress in failing to make Hester tell him who the father of Pearl is. However, this is also the gesture that Hester makes when remembering the scarlet letter. Hawthorne brilliantly connects Hester's openly displayed shame with Dimmesdale's secret shame by having both characters touch the spot where the scarlet letter is displayed.

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The Indian standing at the edge of the crowd introduces the division between the stark Puritanical world and the wilderness beyond. Inside the city of Boston, the laws are upheld and morals are kept intact. Once in the forest the laws no longer pertain, and the Indian represents the savage and wild nature of the area outside of Boston. The Indian also foreshadows the dilemma facing Hester, who must find a way to simultaneously live with her immorality while also existing as part of the moral utopia within Boston.

Chapter Four: The Interview

Summary

After Hester returns ...

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