The Narrative Code of “Goodfellas”

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The Narrative Code of  “Goodfellas”

Code of Dimensions:

Setting: Brooklyn and Queens, New York.

Time: 1950-1980

Imagery: Majority of the time we see images of drugs, cigars, guns and knives which are used and carried around by the goodfellas. This act as icons, which illustrate what the mafia are renound for and the real job of these characters, is to steal and to kill. City area is the basis of the scenes, where shots in restaurants and in bars are utilised. These are the places where these men negotiate their deals and handle their money as well as eat pasta, drink their whiskies and play poker. Pasta also is symbolic of Italy, where the Mafia originated from portraying that these gangsters are patriotic for their Sicilian roots, which are required to become the ultimate “wise guy”. This imagery provides us with insight into the lives of people within the mafia and the power that they attain by being gangsters.

Atmosphere: A constant tense atmosphere is built up within the film. This indicates the unpredictable lives of these people, and how one minute they have cars, money, rich homes and lots of girls but the next minute they could be in jail or killed.  Also even though a sense of trust is build between the characters towards the start of the film, as the plot thickens we observe that negotiations are made behind each others backs, which indicates mistrust between the characters and the no one can be trusted, not even your soul friends.

Code of action and change:

Plot:

The plot is told in the narrative of Henry Hill (Ray Liotta) – an Irish Sicilian boy who dreams of becoming a wise guy.  Since he was a teenager he had a part time job within the local cab firm to be a messenger boy for the local mobsters within his area. He soon finds himself dropping out of school and associating with this “crew” all the time (problem) His mentor “Paulie” is the ultimate wise guy, who looks after and teaches Henry all the tricks of the trade and Henry soon finds that he has joined this crew in order to make them his second family. He is then introduced to Jimmy (De Niro), who is an associate of Paulie and a notorious thief. Soon Henry finds himself helping Jimmy and his other messenger boy Tommy De Vito (Pesci). The three become a team and complete several amounts of robberies and deals that he is told to complete (problem). Together they make insane amounts of money and live rich and splendid lives – which fulfils Henry’s long-term ambition. Henry then meets a girl (Karen – who also contributes to the narrative of the plot), who he falls in love with and then marries her. However, as he continues to work with Jimmy and Tommy, he finds that life isn’t so great within this gangster world, and even though he lives life with great luxury – he completes things that are irrational and morally wrong (problem). As he continues to complete these “business deals” he finds that he betrays his mentor, his wife, his associates, which jeopardises his “whole cosy existence” (problem).

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Sub Plots:

        The relationship between Karen and Henry – even though their relationship starts of strong, after their marriage, we observe an abrupt deterioration in the level of trust and love within the relationship. This shows the impact that Henry’s career had on their marriage, and how he concealed the truth of his job from her. His associations with other women also acted as a factor for this plot to develop and despite Karen knowing this fact she could not give up on Henry due to the intensity of her love. This evidently shows the role of women, ...

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