The Significance of Colonialism in William Shakespeare's The Tempest (1610/11), Thomas More's Utopia (1516) and John Smith's A Map of Virginia (1612).

Authors Avatar

Higgins 108221499

The Significance of Colonialism in William Shakespeare’s The Tempest (1610/11), Thomas More’s Utopia (1516) and John Smith’s A Map of Virginia (1612).

Whether it is all consuming character of Prospero, the vainglorious superiority of the Utopians or the savage greed of the first English Virginian colonists; there is a common will exercised in these three literary texts: conquer and take all.  It is my aim in this essay to prove how an underlying theme of colonialism is being operated and advocated in these three texts, as a means of the progression and enrichment of a society specifically European and even more specifically white and English.

To attempt to discuss the discourse of colonialism in these texts, it is important to locate them in the historical and political climate of the time.  During the late 16th and early 17th centuries, England was experiencing a vast array of problems, both internally and externally.  The foremost of these were a ‘private-enterprise seaborne war against Spain’ (James 5), and a litany of potentially subversive Catholics resident within England itself – and of course the newly acquired issue of overpopulation.  ‘An influential group of English courtiers and councillors, including the Earl of Leicester, Sir Francis Walsingham and Sir Walter Raleigh’, (James 5) saw the vision of an expansionist Empire across the sea in the ‘New World’ as the solution to many of these difficulties.  Many plays, pamphlets and images were circulated which accorded with these aspirations.  In fact, accounts of the miraculous survival of members of the company of the ‘Sea Adventure’, wrecked off Bermuda in 1609, are said to have provided Shakespeare with an immediate source for The Tempest (Tmp) (Brown 48), and there is much evidence to suggest that Shakespeare had America ‘in mind’ when writing this play as, the spirit, Ariel’s songs are seen to be based ‘on Algonquian dances and intended Caliban to be representative Indian and Prospero a planter’. (Wilson 333).  Utopia is said to be inspired by accounts of the communistic way of life observed in some of these new found lands, although it is an imaginary world whose backbone is based upon slavery.  Needless to say, Utopia seems to have inspired some of the ideology behind the concept of colonialism during this era, such as this portion from the play Eastwood Ho, which was written by George Chapman, Ben Jonson and John Marston and first performed in London during the summer of 1605.  In this fragment, ‘Captain Seagull’ describes the wealth of the Virginian Indians:

Why, man, all their dripping pans and their chamber pots are pure gold: and all the chains, with which they chain up their streets, are massy gold; all the prisoners they take are fettered in gold; and for rubies and diamonds, they go forth on holidays and gather ‘em by the seashore, to hang on their children’s coats. (James 4)

This description bears an uncanny resemblance to the Utopians treatment of gold, written by More almost a century earlier, and proves that Utopia contributed greatly to the adventurous beliefs associated with these new lands across the ocean.

...they make their chamber pots and close-stools of gold and silver...of the same metals they likewise make chains and fetters for their slaves...They find pearls on their coast, and diamonds and carbuncles on their rocks; they do not look after them, but, if they find them by chance, they polish them, and with them they adorn their children... (More 25)

A Map of Virginia (Virginia) was written by John Smith as a promotional literary piece to encourage new settlers to the Virginia colony, for ‘al is open for labor of a good and wise inhabitant’ (Smith 80).  It is a historical, anthropological and geographical piece of literature which details the people and the commodities of the region and how those commodities may be used and made profitable.  

Consequently it is evident that a theme of colonialism is deep rooted in these texts, as Tmp and Virginia were written at the epicentre of the expansionist age, and Utopia written at the dawn of this era, when news of these new lands and peoples as just beginning to reach English shores and a dream of an empire was being pondered upon.

It is interesting to note that the word colony comes from the Roman ‘colonia’ which meant ‘farm’ or ‘settlement’, and referred to Romans who settled in other lands but still retained their citizenship (Loomba Colonialism 7).  In Tmp, Prospero is ousted from his dukedom of Milan and arrives on the island on which the play is set and sets up his own ‘colonia’ on the isle, after expropriating it from its previous owner, the ‘poisonous slave’ (Shakespeare 1.2.319), Caliban.  This subjugation of Caliban, is justified by Prospero due to the tyranny of his mother, ‘thy wicked dam’ (Shakespeare 1.2.320) Sycorax and to his innate savage behaviour, ‘on whose nature / Nuture can never stick’ (Shakespeare 4.1.188-9).  Although when Prospero first arrived on the isle, relations were quite cordial between the two, as Caliban recounts:

Join now!

When thou cam’st first, / Thou strok’st me and made much of me ; wouldst give me / Water with berries in’t, and teach me how / To name the bigger light and how the less... and then I loved thee, / And showed thee all the qualities o’th’isle...Cursed be that I did so! (Shakespeare 1.2.332-339)

‘Prospero masked his dependence on Caliban for information about the island with displays of physical affection...Once petted, Caliban now remains penned like a pig, but on a rock barren of all food. Tales of initial native hospitality and sharing of fold and resources were ...

This is a preview of the whole essay