Themes, motifs, and symbols.

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Themes, Motifs, and Symbols

Themes

Themes are the fundamental and often universal ideas explored in a literary work.

The Struggle between Change and Tradition - As a story about a culture on the verge of change, Things Fall Apart deals with how the prospect and reality of change affect various characters. The tension about whether change should be privileged over tradition often involves questions of personal status. , for example, resists the new political and religious orders because he feels that they are not manly and that he himself will not be manly if he consents to join or even tolerate them. To some extent, Okonkwo's resistance of cultural change is also due to his fear of losing societal status. His sense of self-worth is dependent upon the traditional standards by which society judges him. This system of evaluating the self inspires many of the clan's outcasts to embrace Christianity. Long scorned, these outcasts find in the Christian value system a refuge from the Igbo cultural values that place them below everyone else. In their new community, these converts enjoy a more elevated status.
The villagers in general are caught between resisting and embracing change and they face the dilemma of trying to determine how best to adapt to the reality of change. Many of the villagers are excited about the new opportunities and techniques that the missionaries bring. This European influence, however, threatens to extinguish the need for the mastery of traditional methods of farming, harvesting, building, and cooking. These traditional methods, once crucial for survival, are now, to varying degrees, dispensable. Throughout the novel, Achebe shows how dependent such traditions are upon storytelling and language and thus how quickly the abandonment of the Igbo language for English could lead to the eradication of these traditions.

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Varying Interpretations of Masculinity - Okonkwo's relationship with his late father shapes much of his violent and ambitious demeanor. He wants to rise above his father's legacy of spendthrift, indolent behavior, which he views as weak and therefore feminine. This association is inherent in the clan's language—the narrator mentions that the word for a man who has not taken any of the expensive, prestige-indicating titles is agbala, which also means "woman." But, for the most part, Okonkwo's idea of manliness is not the clan's. He associates masculinity with aggression and feels that anger is the only ...

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