To what extent is it true to say that the Countryside is presented in an idealised way? Discuss in reference to "The Mower" compared to "Gardens".

The Garden itself, in modern interpretation would connote a place of beauty and tranquillity. Marvell however looks upon the Garden as an unnatural place, the religious connotations of the Garden of Eden- a place of sin where the ‘Luxurious man’-Adam, ‘Did after him the world seduce’, fell causing the world to fall after him. This reference to the original sin plainly displays the narrators or rather Marvell’s disdain and disapproval of Gardens. The further Allusion of the idea of man being ‘luxurious’ which is another religious reference to lust- one of the seven deadly sins, serves to further highlight the fact that Marvell views the Garden as ‘adulterate’ and a combination of ‘forbidden mixtures’ which he warns the reader against.

This juxtaposition of the Garden and the Countryside shows that Marvell does indeed present an idealised version of the Countryside. He only portrays the good which can be found within the Countryside, and fails to accept the beauty of the Garden but instead insists on its gaudy nature.

The Countryside on the other hand is portrayed to be a ‘wild and fragrant innocence’. Where the ‘sweet fields do lie forgot’ by the foolish and ‘stupified’ man. The contrast in these adjectives used to describe the Countryside, in comparison with those used to describe the Garden, alone shows that it is an idealised place. Marvell only see’s the evils in the foreign and ‘sovereign thing’ that is the Garden. In this historical context, Marvell takes the post-colonial view of the Garden. The use of the word ‘strange’ and the reference to the evil Sultan’s harem shows that the narrator views the Garden as having been tampered and modified; with a ‘strange’ foreign and nasty quality.

The narrator’s idealised view of the Countryside is biased and fanciful. The Countryside is depicted as ‘plain and pure’ in contrast to the ‘proud’ and ‘uncertain’ Garden. The reference to the supernatural ‘fauns and fairies’ which excel at maintaining the natural beauty of the ‘…meadows till’. This view of how nature should be left to its own nurturing hand to tend to it instead of the corruptive hand of man which has created the garden of ‘vice’, further shows an idealised view. The use of semantic fields for innocence and purity when describing the Countryside and the contrasting portrayal of the Garden further serves to idealise the Countryside as a perfect place.