In what ways was the Pacific war a racist conflict?

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In what ways was the Pacific war a racist conflict?

First of all, its important to realise that the American war with Japan was not intrinsically a racist conflict; by that I mean that there were political, strategic, and military reasons behind the conflict. Japans’ empire building in the decades before the war, and the attack on pearl harbour, meant that an American-Japanese conflict would have been inevitable, regardless of any racial animosity on either side.

Conversely, it can be said that the majority of American and Japanese soldiers held racist views; most Americans believed that they were intrinsically superior to the Japanese, and the Japanese felt that their way of life was superior, and deplored western individualism and capitalism.

One other point should be remembered; things that may seem racist to us today may not have seemed racist at the time of the war. A perception of what constitutes racist thought has changed from the time of the Second World War to today. This makes pinpointing exactly what was racist at the time, or even what is racist today, problematic, and so I think we have to give careful consideration on what is or is not racist.

One way of determining the mood of soldiers and civilians during the war, both in America and Japan, is to look at the propaganda of both sides. This gives us not only an indication of how each side felt, but perhaps more importantly it shows us what the leaders of both sides wanted their people to think.

Both the Japanese and American propaganda during the war tried to depict the enemy negatively, and it used race as the basis for their reasoning. I think that on the whole, the Americans had more vicious and effective propaganda, because they were simply adapting a stereotype  which had existed for years. (talk about the yellow peril here).

AMERICAN PROPAGANDA.

The first thing I should talk about is a series of films, documentaries, commissioned by the US Government, made by Frank Capra. The Series as a whole was called “Why we Fight”, and consisted of 7 separate films. They were produced to be shown to the US troops due to fight in the war, but several of the films were shown to civilians. In fact, such was the success of the films in the eyes of the US government; they were translated into French, Spanish, Russian, and Chinese.

The first film, entitled “Prelude to war”, was first shown in 1942, and actually won an Academy award for being the best documentary that year. The film depicted the Japanese as being hell bent on world domination, a foe that would never surrender, and would not stop fighting until it had conquered the world. One scene of the film actually depicted a conquering Japanese army marching down Pennsylvania Avenue in Washington DC.

Another strong and simple image in the film was that of a white sphere and a black sphere, representing the allied and the axis powers. The narrative talked about “freedom verses slavery” and “civilisation against barbarism”, opposing the “Allied way of life” against the “axis way of Death”.

Another film in the series, released in 1944 was called “The Battle of China”. This simultaneously portrayed the Chinese as heroes and the Japanese as violent, remorseless killers. In typical Capra style, it used elements of the Japanese’s own propaganda and discredited it. In this instance, the commentary in parts of the film was Japans own rhetoric of co-existence and co-prosperity, while the pictures showed the mutilated corpses of Chinese men, women, and children.

The film, which perhaps most clearly shows American racist views towards the Japanese, was made too late to be of any use as a propaganda tool. It was entitled “Know Your Enemy – Japan”, and was finally released on August 9th, 1945, the day the Americans dropped the bomb on Nagasaki. The film was recalled two weeks later.

This film was so late in coming not due to poor planning, because the original idea was drafted in 1942, but because of disagreement about exactly who the enemy was in Japan. The US Government and Capra both wanted to portray the Japanese people as a whole to be the enemy, whereas several scriptwriters for the film wanted to portray the Japanese military leaders as the true enemy, and the Japanese people as normal people under despotic rule.

The film took the form of documenting the long historical build up to the war, and the final scenes depicted a massive American fleet bearing down on a tiny Japan. Along the way, the film used many pieces of captured Japanese documentaries and propaganda films, and also Samurai films and Drama’s from the 1930’s. It was Capra’s way of using the enemy’s own propaganda against them that made his work so effective. The overwhelming image of the Japanese that the film created was that of, in the films own words, “an obedient mass with but a single mind”. Everything in the film showed the Japanese to be regimented and ordered, and the films commentary went on to describe how this showed the Japanese as being unthinking, subservient parts of the Japanese war machine.

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One interesting thing about American propaganda during the war is the different way that the nazi’s were depicted in comparison with the Japanese. It’s fair to state that the Americans held the view that there were bad Germans and good Germans, i.e. Nazi’s and non-nazi’s. With the Japanese however, all were tarred with the same brush. In the Capra films, when detailing some atrocity or attack carried out, for the Germans it was always described as a “Nazi” atrocity, whereas for the Japanese it was described as being simply “Japanese”.

Further evidence of this is shown in ...

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