France has been lost by ‘want of men and money’ and England too might be lost if the Tudors cannot get men to fight. Shakespeare is the recruiting sergeant who urges men to enlist. All arguments against confronting the enemy are demolished in the stylised encounter of Talbot and son, when Young John faces inevitable death in ‘a terrible and unavoided danger’. The enticement of flight is equated with the shame of dishonour of illegitimacy in ‘make a bastard and a shame of me’. It is noticeable that the scandalous act of desecrating the corpses of the Talbot’s is first, mooted by the Bastard of Orleans. The temptation of returning for revenge is countered in ‘ne'er return again’ suggesting that the opportunity to fight will not be presented on another occasion. The possibility of ‘apparent death of Talbot the elder is refuted by the inevitability of the death of Talbot the elder. That shame of refusal to encounter can be wiped out by the previous honours of an older generation is invalidated by the fact of extinction of that honour in the retreat. The excuse of 'flying for vantage’ is countered by the inevitable lack of eyewitnesses to the event. The repartee is made more poignant by the rapid interchange in rhyming couplets, each objection being expeditiously and forcefully disposed of. The eventual demise of the Talbot’s is marked by the personification of ‘Death’ who is addressed on three occasions in quick succession making him almost palpably present on stage. ‘Death’ is aligned with the enemy in ‘Imagine him a Frenchman and thy foe’ and made mortal in ‘then Death had died today’. The continuation of rhyming couplets adds to the emotional appeal that ‘Death’ is not to be feared, that glory is worth dying for and that England's call cannot be refused. After viewing these scenes, no son could refuse to enlist and no father could refuse consent.
A civil war too requires combatants and if you want to avoid internal battles, as in Tudor England you must, a convenient stratagem Is to employ an inefficient recruiting sergeant. Queen Margaret, leading her troops at Tewksbury to make English fight English, fills the role admirably. The nautical imagery of her address is asserted in terms of wreckage:
What though the mast be now blown overboard
The cable broke, the holding anchor lost,
And half our sailors swallowed in the flood
(III Henry VI 5/3 46)
'Blood, toil and tears’ may have stimulated a twentieth century population but ‘quicksand’, ‘ragged fatal rock’ and ‘ruthless sea’ would discourage potential participants from any era. The nautical imagery is compounded with funereal images in ‘tearful eyes’, ‘sit and wail their loss’ reminiscent of Richard II ‘with rainy eyes shed tears upon the bosom of the earth’. Puns on ‘shrouds’ and ‘course’ (similar to cors a corpse) complete the lugubrious imagery. The tone of the speech is rhetorical but each demand, instead of suggesting the anticipated negative, tends to provoke a positive response. ‘What though the mast be now blown overboard?' far from eliciting bravado tends to depress. The offered substitute, young Ned (referred to in the diminutive) is condemned as ‘unskilled’ and ‘a fearful lad’. The alliteration in the replacement allies ‘friends of France’ bears a remarkable similarity to the French ‘fiends’ mentioned in the early part of the tetralogy. The oration climaxes with a refrain from the prince asking for anyone with a trepidatious spirit to depart. The invitation lacks the power of Henry V's similar rhetoric, which offers the inducement of ‘The fewer men the greater share of honour’. Overall the scene is reminiscent of a funeral without the accustomed promise of resurrection or fulfilment.
Warwick prophesies that the struggle ‘between the Red Rose and the White’ will despatch ‘a thousand souls to death and deadly night’ and Shakespeare marks the internecine struggle between the two houses with the imagery of slaughter. As the nobles squabble, France is lost, Ireland is in rebellion and Cade purports to take over the state precipitating civil war. Cade and his followers are symbols of disorder; they represent a society where ‘seven halfpenny loaves are sold for a penny’ not a state of affairs to be wished for by one affluent enough to pay for a theatre ticket in Tudor England. The rebellion is symbolised by Dick the butcher in ‘struck down like an ox' and ‘throat cut like a calf'. All fall before him ‘like sheep and oxen’. Cade flatters him by saying ‘though behavs't thyself as if thou hads’t been in thine own slaughterhouse’ and his reward is a licence to kill.
The consequence of civil war is alluded to when the opposing sides of Lancaster and York confront each other in Parliament and threaten to turn the palace of Westminster itself into an abattoir in ‘to make a shambles of the parliament house’. After the two sides have met in battle, the kingdom is despoiled. Henry's realm is a "slaughter house, his subjects slain".
The responsibility for this state of affairs belongs to those who take up arms for as Warwick says:
Who finds the heifer dead, and bleeding fresh, and sees fast by a butcher with an axe, But will suspect 'twas he that made the slaughter?
(11 Henry VI 3121187189)
Queen Margaret indicates King Edward as the slaughterer in "yonder stands the wolf that makes the spoil", an ironic comment on her detractor who cites her as ‘the shewolf of France’. Margaret also refers to the Yorkists as ‘Butchers and villains! Bloody cannibals’ and indeed Richard threatens to ‘hew my way out with a bloody axe’. Richard himself refers to Clifford as ‘butcher’ in berating him for the murder of Rutland.
King Henry exemplifies the victims of the slaughter in losing first his kingdom and then his life. Gloucester may be taken as symbolic of the kingdom which Henry will eventually lose and which he bemoans in terms of a calf which ‘the butcher takes away’ ... ‘bearing it to the bloody slaughterhouse’. Henry's inactivity is responsible for much of the carnage, yet he claims he ‘can do nought’ and bemoans the fact ‘with sad unhelpful tears’. Even when he faces death, Henry pleads helplessness in saying:
‘So first the harmless sheep doth yield his fleece.
And next his throat unto the butcher's knife
(III Henry V1 5/6/89)
By linking Henry's inaction with the butchery imagery, Shakespeare makes him guilty by default of complicity in the civil war and thereby advocates to his audience. The necessity to be vigorous in eliminating the causes of civil war.
Henry's actual act of resignation comes when he sits on a molehill, symbolically giving himself up to the earth as in Richard II when Richard says ‘let us sit upon the ground, and tell sad stories of the death of kings’. Henry's sad story is of the battle, which he shows in the imagery of the contending forces of wind and sea, neither of which can overcome the other nor be vanquished by it. The unending war and Henry's inaction are further linked in Henry's constant petitioning to God which is in the form of ‘thy will be done’. Prayer is evidently worthless when abdicating responsibility and is effective only when demanding forgiveness as in ‘think not upon the fault my father made in compassing the crown!’. Proximity to religious sentiments is not always advantageous as is evidenced by the duplicitous Richard plotting to seize the crown while flanked by two bishops. The result of civil war, the deaths of fathers and sons, is linked to Henry's surrender in the exclamatory petitions ‘0 God’ from the bereaved who, like Henry, resign responsibility and demand pity as in ‘0, pity, God, this miserable age!’. These words are echoed by the choruslike Henry in ‘0, pity, pity, gentle heaven pity’. The resignatory attitude and over trust in God have fulfilled Warwick’s prophecy, which Henry poignantly repeats ‘If you contend, a thousand lives must wither’.
Shakespeare's message is didactic: He preaches an intrepid resolution in facing an alien enemy. Shakespeare, like Lord Say, uses words to vanquish enemies for
Great men have reaching hands: oft have I struck those that I never saw, and struck them dead.
(II Henry V1 4/7/7778)
In the case of civil war Shakespeare's message is that, for your own safety and for England's, you should not participate. Moreover all who do take part are butchers and the agents of civil unrest and massacre. Furthermore, those who weaken in the prevention of domestic contention are guilty by default of England's afflictions.