30/04/07
Afsor Ullah 11p English Coursework
Alfred Hitchcock:
The Auteur
The acknowledged master of the thriller genre he significantly developed, Alfred Hitchcock was also a brilliant technician who skilfully blended sex, suspense and humour. He began his filmmaking career in 1919 illustrating title cards for silent films at Paramount's Famous Players-Lasky studio in London. There he learned scripting, editing and art direction, and rose to assistant director in 1922. Hitchcock got his first break when he was asked to direct The Pleasure Garden, which would be his first complete film as director. The picture was a slight melodrama, but it obtained good reviews and brought attention to Hitchcock as a capable director. Other films followed and soon Hitchcock had earned the title ‘auteur’ due to his unique style and techniques. However, what exactly makes Alfred Hitchcock acceptable enough to be comprehended, as ‘auteur’ will be he focal point of this essay. This will include a close observation of the unique way movie-making elements were used by Hitchcock to earn him the title ‘auteur’ instead of director.
If the word ‘Auteur’ was to be observed under a French dictionary we are able to see it is French for ‘author’. However in terms of directing, it is used to describe ‘a director who has obtained the status of an artist or author’. French critics originally used the word to define a certain pattern and style a director had in his films. Moreover the director would have distinctive camera angles, use of sound, lighting, narrative and generic elements that cause the recognition of their movies from others.
Looking at contemporary directors who have been labelled ‘Auteur’ we can see they all have a certain element, which they exercise in all their films. For example the Oscar award-winning director, James Cameron, has established himself as a leading sci-fi auteur and a visionary of cinematic special effects. He craftily mixes and matches genre principles, effective cultural signifiers and top-notch effects to comment on both big issues like fears of nuclear holocaust and interpersonal relationships, transforming spectacles into personal films. Each film, however, ups the gamble, pushing the limits of what is affordable and what is cutting-edge. A key theme of a Cameron film is the loss of humanity because of modern technology. Examples of his films that maintain this description are films like The Terminator, Terminator 2: Judgement Day, Titanic and the Aliens series. Another well-known director, Quentin Tarantino can also be categorized as ‘auteur’. Tarantino has combined sex, action and has gangster style themes. Tarantino writes in a novelistic way that irritates as many as it enthrals. His characters reside in a world where people talk more than they act and are given generous opportunities to wield verbal swords in witty, indirect word barrages. Reading Tarantino is not unlike reading a play written for the stage. The characters talk in rapid fire, listen, and talk some more. In other words, Tarantino breaks every rule taught to students of screenwriting the world over. Story structure is the area Tarantino really takes Hollywood to task. He typically employs an answers first, questions later approach, involving the reader in the aftermath of events that will be explained later. In "Reservoir Dogs," he starts with the mortally wounded Mr. Orange in the backseat of a car. Who this man is and how he got there are not fully revealed until the middle of Act II. The coffee shop robbery that begins "Pulp Fiction" isn't threaded to the main plot until the very end and thus Tarantino can be seen as an auteur due to this unique style of filming.