Chocolat analysis

In the movie “Chocolat” we first encounter Vianne with her daughter Anouk as they brave the harsh wind and settle into the new village. She is bound by the ways of her mother cheetah:

“She was one of the wanderers … she moved with the north wind … from place to place dispensing natural remedies … never settling down.”

We hear how Vianne and Anouk have travelled from city to city also bound by the same north wind. The wind itself carries a musical overtone of strong wind instruments and the light playing of the piano, which is played whenever the wind is present. This delicate playing is used to call Vianne into moving on. This condition is apparent as the film maker focuses on the positioning of the urn next to Vianne`s bed as if it was a constant reminder of her inherited ways. Soon after the north wind called Vianne we see her talking, as she is packing her suitcase, to the urn as if her mother was still alive:

“Of course … of course … whatever you like mamma.”

To reinstate this unspoken bond the same piano and wind instrument sounds are played in the background of the dim lighted room. It is only after Anouk`s and Vianne`s struggle on top of the stairs when we see the ashes fall and the bond broken. We view the urn tumble in slow motion, in quiet fear if the moment. This scene is valuable because it allows Vianne to re-evaluate her own situation. The wind continues to call desire for what is thought to be Vianne. Although Vianne hears this she ignores its calling for her and in one brief moment release what is left of her mothers ashes into the noisy north wind, thus freeing cheetah from her limitations in the urn. After months pass we see Vianne still in the chocolate store with her happiness completed with Roux’s return.

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We soon are shown the characteristics of the mayor of the village Comte de Reynaud.

This is told through the camera work as it is situated high above as if to say his ancestors are looking over his every move. He believes in self control and opposes Vianne as she is compromising with his authority and the morals that the towns people should live by.

He is faced with another demon, that of his wife. It is shown that all that is left of the marriage to his wife is a black and white photo of the ...

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