Definition of plagiarism/cheating - Britney and Beethoven.

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Ramy Alani

ENGL 101 : Section 054

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Definition of plagiarism/cheating

Britney and Beethoven

Music has served various cultures and generations as a panacea because it is a medium that can amplify any given purpose. The Turkish Druze create music to intensify their prayer, the Native Americans to invoke rain, educators to instill morals into younger generations, and elevator salespersons to heighten the nuisance of elevator rides. In the case of popular music, the goal of financial gain outweighs all other purposes. Popular music classifies as music that is not art and has achieved a certain amount of media and advertising coverage. The knowledge of popular music is attainable through an argument of what makes an object classify as a work of art and understanding that pop is not art.

An object must pass two classifications to be considered as art. The object in question must be a creation of the artist and communicate a universal and eternal message to the audience. To classify as not being art, popular music must defy at least one of these classifications.

The first classification for an object to classify as art is more objective than the remaining classification. When creating a work, it is fair to say that an artist interjects their ideas, experiences, emotions and thoughts because any work of human creativity is based upon their knowledge. A human cannot deliberately create what he does not know. According to Count Leo Tolstoy, an ideal work of art is one which an artist recalls a feeling, recreates that feeling using a specific form of media, transmits that feeling through the medium, and finally allows the audience to share that experience through the medium (Woolman 196).

Ludwig van Beethoven created “9th Symphony” based upon his experiences of joy whilst humming to himself (Swafford). Britney Spears did not create the song “I’m A Slave For You” based upon her experiences of bondage or a literal expression of teen altruism. In fact, she did not write the song at all (Stitzel). Britney did not interject any of her knowledge onto the piece; therefore, the piece does not reflect any of her experiences. In this case she is not an artist, but a performer because she is expressing a view that is not her own. The people who sing the songs do not necessarily write pop music; therefore, the message of the song is not derived from the experience of the performer. Performers are not eligible to classify artists who can create art. Just as the Native Americans wrote songs with the purpose of invoking rain, songwriters write songs with a message that can quickly appeal to a large number of potential customers. Such an attempt to attain “quick appeal” results in a message that is superficial, facile, and transient.  

The second classification for an object to classify as work of art is that it must communicate a message. Message is defined as a perspective about a certain feeling or experience. In order to classify as art, the message must be universal and eternal. Nearly all humans throughout the centuries can empathize with the underlying message of joy as heard in the “9th Symphony.”

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Beethoven uses music in the form of the “9th Symphony” to express the mood and atmosphere of joy in which words cannot. The message is deemed as being eternal due to the fact that it can be felt at nearly any century at any time. An “eternal message” is crafted in a manner that all humans can relate to it, notwithstanding the surrounding contemporary circumstances. The message in popular music is often superficial and fleeting. More often than not, pop music collections are discarded and forgotten after a few months of playability. Names such as “New Kids on the Block,” “La ...

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