Explore the ways Frayn uses multiple genre in his novel 'Spies'

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Explore the ways Frayn uses multiple genre in his novel ‘Spies’.

Throughout ‘Spies’, Frayn introduces us to several key genres. As the reader we are unsure which of these is entirely central to the novel; however, three prominent genres seem to arise. We see ‘Spies’ primarily as a mystery novel, with the unfolding plot of the “German spy”, the truths that are yet to be found and the questions that are left unanswered. ‘Spies’ is also presented as a ‘coming-of-age’ novel: Stephen’s conflicting ideas of childhood and the adult world and his own journey into adolescence. Finally, the novel is portrayed as a work of philosophy: the ‘novel of ideas’. Concepts relating to this genre are conveyed through Frayn’s portrayal of the ambiguity of memory, the confusion of illusion and reality, and perception.

The concept of mystery is introduced to the reader in the very opening chapter of ‘Spies’, and remains with us throughout the novel. Stefan hints of a “secret thing…still waiting to be discovered”, but we are given no idea of what this might be; questions are left unanswered and it seems that even the narrator himself does not know quite why this “familiar breath of sweetness” is a “cue for such powerful feelings”. The mystery here is why the smell of the Liguster and the memories Stefan begins to reveal have affected him so much that he feels he must return to “bring them out into the daylight at last”.

Frayn uses stylistic and linguistic devices to highlight the mystery genre at several points throughout ‘Spies’. As the mystery of the “German spy” commences and unfolds, unsettled thoughts begin to fabricate in the young Stephen’s mind: “the dark of the moon…I can feel it surrounding me, pressing against my eyes…”. The ellipses here hint to the reader that there is something still being left unexplained; a continuity of thought that we are unable to reach. Frayn uses this technique several times in the novel, as thoughts, concepts and ideas begin to form but are left unresolved and incomplete. The oxymoron of “the dark of the moon” also hints at mystery. It is in darkness that the mysterious plot and imaginary meetings of Keith’s mother and “a German courier” will take place, just as the reader is left in ‘darkness’ of the true meaning of most of the ideas explored throughout the novel until the very end.

‘Spies’ is largely based around silences and what is not revealed to the reader, and in this way the genre of mystery is portrayed very clearly. Even as an adult, Stefan is unable to divulge the extent of any his memories until the very end of the novel. He continues to ask questions, wondering how much the young Stephen understood “about what was going on”. His uncertainty causes confusion for the reader, and again the true nature of the events eludes us. The constant change in narration throughout ‘Spies’ also keeps the reader in suspense and adds to the tension built within the mystery genre.

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Although many ideas remain unexplained for chapters at a time in Frayn’s novel, they are often repeated and this highlights the mystery genre, as it makes the reader more impatient to find the answers to questions and the outcome of the plot. Darkness is a recurring theme throughout ‘Spies’: the “night of no moon” is first mentioned as the boys look through Mrs Hayward’s diary. The darkness signifies the unknown, and as the plot develops and the mysterious comings and goings of Mrs Hayward seem more and more suspicious, so darkness becomes a greater feature of the novel. The tunnel ...

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***** This is an excellent essay. The candidate sticks to the essay question throughout. Apt quotations have been selected and analysed in a sophisticated manner.