Intern for Contrabandit.com

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        For the past 10 weeks of the Fall 2004 quarter, I’ve had the opportunity to work as intern for Contrabandit.com. Contrabandit ran by West Coast political and cultural editor of the Source Ryan Ford aims to provide an uninhabited voice for the hip-hop community as well as inform most of the Minority readers of politics, social and educational news and issues that occur in the world. As a History major, with my interest in Film and Television journalism, Contrabandit has allowed me to study contemporary and cultural history through the medium of Hip-Hop music. I looked at this internship as a starting point to acquiring work experience and possibly advancing into working within the field of entertainment journalism. But as an African-American student at UCLA, Contrabandit has allowed me to chronicle events within hip-hop as they happen and apply the broader historical significance as they occur.

        Being an African-American student, I view hip-hop as not only just a musical art form, but also as a voice and representation of an entire community. Unlike Jazz and R&B, Hip-Hop was a genre truly formed out of the African-American community after the post-civil rights movement and really feels uncorrupted by mainstream pop culture, where it sets the trend, instead of following the pack. When covering the medium of Hip-Hop music, I discovered how far reaching and expansive it has become and with my education at UCLA I’ve been able to view hip-hop from scholarly approach.

        The main theme I’ve noticed throughout my internship has been Hip-Hop music’s growth and the changes that become of it as it has become an acceptable musical genre generating billions of dollars for the recording industry studios. The three biggest new stories that I was able to cover were the Eminem-Michael Jackson confrontation, Russell Simmons’ Hip-Hop Summit Action Network’s Presidential voter registration campaign, and the violent incident that occurred at the Vibe Awards. On the surface there just current events that needed to be covered to feel up space on the website, but with  little probing they actually had far reaching and historical impact on the website, Hip-Hop music and with me in developing my critical writing skills and applying historical analysis from my UCLA course and history major.

Jackson boots Eminem off BET (published October 12, 2004)

That article resulted in an immediate phone call from my editor, as well as a lecture from him on the role and responsibility of a journalist. He proclaimed my article was blatantly bias and that I was leading the reader to take one point of view or side on the issue, but my job instead was to report the facts in a news story. Which, as my editor expressed to me, is something that’s continues to occur since he beginning of entertainment, and its should not be allowed despite the fact Eminem makes a very good living off of doing “Black Music” much like Elvis, but again, difference being, Elvis never insulted a African-American musical icon like Michael Jackson, like Eminem has. I’m sure this issue will be glanced over, much like the controversy of the tapes being made public by Hip-Hop magazine “the Source”, where what occurred was an investigation into why Eminem recorded these racist lyrics, but the Source was attacked for bringing this issue to the public.

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        I must admit, just looking on the surface of the controversy I was quick to pass judgment upon BET for what I saw as its hypocrisy by stating it would not air videos disrespectful of any celebrity. Considering that’s how they made their notoriety during the whole east coast-west coast beef that many attribute to the deaths of Tupac Shakur and Christopher “Biggie” Wallace. But my editor expressed to me that I needed take it into context along with Eminem’s previously uncovered studio recording where he’s referring to African-American men as “niggers” and African-American women as “black bitches” in a ...

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