Mitchells Gone With the Wind is a very important movie. It shows blacks in a light that went along with stereotypes at the time.

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McNease

Chloe McNease

AAS 385

Professor McCall

7 April 2012

Gone With the Wind

        Gone with the Wind is a very important movie in American history. It tells the story of the Civil War and its aftermath, while at the same time providing the viewer with a very complicated love story. Intertwined in this story is the story of many black characters. They are stereotypical characters but at the same time they defy some of the beliefs about them. Mitchell presents us with many black stock characters such as the mammy, brute, and contented slave. They way they are portrayed however is in a very negative light.

        There are a few stock characters presented in this film, the main one being Mammy. She is portrayed as heavyset, masculine, sassy, and served as a surrogate mother to the O’Hara children. She had no full identity; she had no real name and no last name. She is the loyal housekeeper who remained with the O’Hara’s even after she had been emancipated. Therefore, she also represents the contented slave who preferred to remain with their master. She is faithful and protective of the family. She is seen giving advice to Scarlett regarding Ashley, helping her with her garments, and making sassy remarks.

        Big Sam represented the physical black brute. He is big, strong, and a threat to white womanhood. His name show s what stock character he represents. Mitchell couldn’t just name him Sam, she had to put the word big at the beginning to stress his size and how much of a threat he is. He is one of the only black characters who do not represent the contented slave. When he is emancipated, he leaves the plantation immediately. Although Big Sam is a black brute he does something in the film that defied beliefs at the time. Black brutes were seen as aggressive and a threat, but in the scene where Scarlett is attacked Big Sam comes to the rescue. He fights off her aggressors and takes Scarlett to safety. He could have joined the men or he could have kept quiet and walked away, but he didn’t he chose to step in and do what he thought was right. This goes against what people thought of black brutes at the time.

        The characters of Pork, Prissy, Uncle Peter, and Dilcey all represent contented slaves. They were shown as loyal to their master and incapable of being independent. The names Pork and Prissy were chosen for specific reasons. It seems as if Mitchell chose the name Pork for a comedic reason. She wanted people to laugh at his name and at him. She chose the name Prissy for a completely different reason. She wanted the name to contradict the behavior of the actual character. It could have also been for comedic relief because it is clear the name didn’t fit her. Prissy is defined as excessively prim or proper. Blacks weren’t viewed as proper at all; in fact they were viewed as disgusting, lacking manners, and improper. Prissy fits in with the community of memory that blacks were foolish, unintelligent, and incapable of being independent. Specifically her famous line where she says, “I don’t know nothin’ bout birthin’ babies!” The stock characters of the free slave, the intellectual black brute, the tragic mulatto, the buffoon, and the sambo were not present in this film.

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        The white characters were all given what were known as sophisticated names. A few examples are Rhett, Scarlett, Melanie, Ellen, Stuart, Beau, etc. Most importantly they were given last names. I do however find it interesting that Mitchell chose the name Scarlett. Scarlett is defined as a bright-red color inclining toward orange. However, a scarlet woman is defined as a whore, prostitute, and sexually promiscuous. I do not think that the latter definition is the reason Mitchell chose the name but I find it very interesting that Scarlett’s character is always with a different man.

        I feel that this ...

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