There is another issue which should be addressed about the film the viewing public and what group is it aimed at. At the moment the majority of the fans are older men who have read the books. I wish to change this and make the film enjoyable to everyone. With the film being a 15 I believe we could fit in all the things we need without getting into too much trouble and with this age restriction we have a much bigger audience than the normally 18 rated films on the market.
In conclusion I think I have a great idea on my hands and I would highly recommend you do fund my film project .This is a once in a lifetime opportunity to recreate one of the best series of books of all time and the underlying question is,
“Can you afford not to fund my project?”
Screenplay-Pandora Tommorrow
It is a cold winter evening; the story begins in a secluded part of the Swiss Alps a snowy secluded mountain range. There is a mini blizzard/snowstorm which sets the scene and starts the opening scene off. The sky is dark and murky as the sun is blocked out by thick clouds. This makes it hard to see with the blizzard also affecting the viewer’s sight.
Camera- pans across top of mountains. High angle and looks down on the mountain range at long distance.
Sound-slow peaceful music is heard as the camera pans across the mountain range.
Captions appear on screen to highlight the location of the setting and the time.
The blizzard continues to rage on until it seems to die down and starts to clear up. Military bunkers and Buildings emerge from the side of one of the mountains and seem to glow in the murky atmosphere. The buildings are inhabited and on the side of the main building there is a spotlight probing the landscape indicating people are inside.
Camera-slowly moves in and focuses onto the buildings.
As blizzard clears we are able to see around the building from the lights inside emitting a warm glow. Two armed guards are seen scanning the distance behind the camera looking for something with interest. Guards shiver and appear to be cold. They walk around and scan the distance behind the camera.
Sound-wind whistling and blowing
Camera-Focuses in on soldiers, straight on two shot angle
The guards seem troubled and walk around the buildings and seem weary of their surroundings.
Captions-Used because soldiers appear to be speaking in Punjabi
Guard 1: What was that?
Silence…
Sound-eerie music plays in background
Camera- softly fades to a medium shot showing the guards as they continue their search. Camera stays at a high angle looking down on the two guards.
Camera- cuts to a widescreen view of one of the guards heads. We are seeing things through the scope of a gun and a Point of view shot is used.
The scope of the mysterious gun follows the guards head as it moves maintaining pinpoint accuracy even thought it is zoomed in from quite a far distance. The scope isn’t very bright and it is sharply focused on the guards head.
Sound-Heartbeat sound is softly repeating in the background and gradually builds up. We also hear distinctive breathing reminiscent of Darth Vader in Star Wars.
Camera-Zooms far out in an extreme long shot
We see a bright light fill up the dark gloomy sky, there has been an explosion in one side of the building and it has caused chaos. Boulders from the mountain above it are caused by the explosion to crash down and destroy parts of the buildings. The explosion illuminates the landscape for a split second. Debris falls all over the place and scatters across the landscape. The two guards seem to have been killed in the explosion.
Sound- Loud explosive noise caused by the explosion and the boulders will also generate a loud sound by crashing to the floor; this will also cause alarms to go off in the background.
Camera-changes to a medium shot.
Guards come running out from the burning buildings and shelter behind fallen debris from what seems to be something in the distance. They scan the landscape for something.
Camera-pans across guards from close range making their facial expressions apparent. Then changes to a medium shot from a straight on angle showing them looking into the distance.
The guards incoherently speak amongst themselves.
Guard 3: Something or Someone is out there!
Sound-Soundtrack to the film plays, ‘X gon give it to ya’ by DMX. Song starts off slowly and softly.
Camera-extreme close up of guards face
The guards face seems tense and we see that he is scared and fearful. He looks into the camera.
Guard 4: What the Hell!
Camera-cuts to a medium shot
The guard has been impaled by some sort of large metal spike that has been thrown at him.
Sound: song ‘X gon give it to ya’ ends here.
Sound-Loud screeching noise like a chalk board being scratched is heard as the metal spike pierces the guard’s body and the guard is heard screaming in agony.
Guard 4: Arghhhhhhhhhh!
Camera-closes in on the guards face as a Close up shot is used.
Sound-slow sad music is played.
We see the guards sunglasses fall off and see the extent of the pain in his eyes as he continues to scream for help, the other guards try in vain to help him. The guard falls to his knees and sheds a tear before he takes his last gasp for air.
Camera-Screen blacks out as the guard dies.
Camera-cuts to the other heavily armed guards in a medium shot from a low angle.
Sound-Machine gun firing sounds and guards screaming in anger.
Guard 3: Come and get me too!
3 remaining guards are shown rapidly shooting fanatically into the distance and areas surrounding them.
Silence…
Sound-song ‘Bad boys 4 life’ is played by P. Diddy
After shooting wildly the guards calm down and all remove their protective head equipment. They are clearly being hunted by someone or something and try to eliminate the threat by shooting wildly into the surrounding areas.
Camera- extreme close up on the guards eyes and pans across each of the guards faces from a straight on angle.
Camera-shifts out to a medium shot showing all the guards bodies including the one dead guard.
Guard 5: Take that you son of a b***h!
The guards drop their weapons and all gather round the fallen corpse.
Sound-‘Bad boys 4 life’ fades and finishes.
Camera-Medium shot from high angle.
Two of the guards pick up the body and two of them carry it inside as guard 2 is left outside to inspect the damage done to the building.
Sound-wind continues to whistle and the alarms in the background turn off
Camera-slowly closes in to an over the shoulder shot as we are seeing from another person’s perspective who is slowly closing in on the guard this time from behind.
Sound-drumbeat again softly building up
As the camera closes in on the guard it has become apparent that he is being followed and is unaware of it at this time. We see things from an over the shoulder perspective and do not see who is actually following him.
Camera-Close up from a straight on angle on guards head and shoulders.
A gun comes out of nowhere and appears next to the guard’s head. The guard tries to scream for help but his mouth is covered by a hand from behind.
Sam Fisher: Boo…
Camera-Screen fades to black.
Sound-as the screen is pitch black we hear two gun shots go off from a silenced pistol. ‘In the club instrumental’ by 50 Cent plays as the beginning, credits roll from top to the bottom of the screen.
End of opening scene…
Casting
In the opening scene the are only 7 roles available 6 of them being guards of the KH3L4 Foundation and one being Sam Fisher who we only see a glimpse of at the end of the opening scene. Below I have chosen the guards roles and possible role candidates.
Guard 1-I think Arnold Schwarzenegger should be used as he personifies everything muscular and strong.
Guard 2-Sylvester Stallone he is yet again muscular and his mere presence on a film is bound to roll in the money.
Even though these two only make cameo appearances in the opening scene this is very useful as they can attract higher audiences with their mere presence. Also we do not want to waste money because these actors are very pricey and over using the two of them will only cost more. These two can also make the guards of the KH3L4 Foundation seem strong and not easy to kill.
Guard 3, 4, 5, 6-these roles should be taken by 4 trained armed specialists as it involves the use of firearms they must also have some acting experience.
I have chosen not too specially pick any people in particular as these are only cameo roles in the opening scene and these guards will not be shown again. It would be costly hiring big budget actors only for them to be killed off in 5 minutes.
For the main role I have chosen:
Sam Fisher-Harrison Ford I have chosen this well established veteran of acting and action adventure films to be the hero. I have chosen him because I want that rugged veteran look to maintain the element of realism. He is also a great actor and can adapt to any situation. He can also yet again bring in massive audiences with his sheer presence and I would like to give him one last action film to be remembered by.
Censorship
Report
To set the scene of a calm, peaceful, and natural environment I have chosen the Swiss Alps as the setting. It is a secluded location and would be perfect for an underground organisation. The frame starts off by a snowstorm and blizzard immediately setting the scene that we are in a peaceful location. As the camera pans across the mountains elegantly in an extreme long shot to show the sheer size of them the audience will not expect any major developments to take place but this is all about to change.
In the next frame two guards appear in startled voices this again reassures the audience that something is about to happen but still we have no idea to what is exactly going to happen. Low lighting is used a lot to show the darkness and to portray the area around the buildings as dark or bad. This is where music starts to play a factor as eerie music is played in the background to again reassure the audience something isn’t right.
All throughout the opening scene the camera stays at a high angle looking down on the guards and their actions. This will give the audience the impression that the guards are being watched and the high angle makes them seem weak even thought they are heavily armed and appear to be very muscular.
Everything remains quiet and calm until abruptly there is an explosion in frame 4 which takes the viewer by surprise as the loud sound and bright light is used to make the viewer jump. This will show the viewer this is just the start of the shocks and thrills in the film to come. Again an extreme long shot is used to show the sheer power and force of the explosion as it illuminates the sky. Special effects are used foe example the use of slow motion as the explosion happens are used here to make the explosion seem as real as possible and maintain the films element of realism.
Sound again is used to suspense the audience as tension building music plays softly in frame 5 just teasing the audience as if maybe another event like the explosion will occur.
An extreme close up on the guards face is very effective as it shows his facial expressions and make the audience believe his emotion fully. This is effectively used in frames 6, 9, 10 and 12. I have continued to use high angles looking down on the guards to make them seem weak and that they are being watched.
In frame 8 the song ‘Bad boys 4 life’ is used to make the guards seem ruthless in there quest to kill the mysterious person who is hunting them. This also firmly establishes them as the heel characters.
Lighting is also used to effect throughout especially in frame 10 where it is used to show the guards face and coincided with the sad music we as an audience even though we know these guards are the bad guys feel sorry for them.
Finally in the last scene we still don’t get to see the man who is hunting these guards only his hand and gun, this will keep the element of intrigue and willingness to see who the character is. At the end Sam says ‘Boo’ at this point the comical side of the story appears and the audience find out that all along it was a human. As the screen fades out and we hear gun shots the humour is immediately taken away from the scene and this again reassures the audience that they are watching a realistic action adventure.