Discuss 3 contrasting passages within the 3rd movement of Mahler 4 which paint an image of Heaven.
Discuss 3 contrasting passages within the 3rd movement of Mahler 4 which paint an image of Heaven.
Mahler’s 4th symphony creates an iconic view of the religious place of eternal life, with the entire symphony subtly leading towards the 4th movement (the 4th movement is a song; a child (soprano) presents a sunny, naive vision of Heaven and describes the feast being prepared for all the saints). One may gather from this that the idea of Heaven plays an important role in this symphony. Indeed, the idea depicted by Mahler of transcending mankind after death is a very prominent idea, particularly in the 3rd movement.
From the opening, the third movement of Mahler’s 4th symphony paints an image of great peace and tranquillity; the warmth and stability of the lower strings and the rich homophonic texture radiates an image of calm. In order to bring about the idea of a transcendental movement towards the Gods, Mahler introduces different instruments in accordance with their pitch and timbre. The lower strings the lead into the 2nd violins (at b.17, played “sul D” for a richer, thicker sound), which in turn lead into the woodwind (an airy timbre, perhaps to illustrate the ascent to heaven). The rising melody, alongside the changing timbre of the sounding instruments, emphasises the ascent towards Heaven and eternal peace. In b.31, the 1st violins are on a very top D, being played pianissimo. The serene sound quality of this scoring technique emphasises the idea of perfect tranquillity, on the way towards Heaven. This very delicate section never rises to more than piano in dynamics, and it is this which highlights the idea of calm. The harmonics on the harp, in addition to the extended cadential figure, enforce the suggestion of peace and the image of heaven.