Analysis of Rhetoric in "Into the Wild" by Jon Krakauer
Enns The author of any novel has a vital role in the portrayal of his subject to the audience. Author Jon Krakauer is no exception to this principle. In his 1996 novel Into the Wild, Krakauer masterfully manipulates the elements of rhetoric in order to convince his audience that his subject, the elusive Chris McCandless, was not merely a crazy, arrogant and ignorant kid and that McCandless’ quest for truth in the wild is the same quest that every man goes through. Krakauer writes under the assumption that the majority of his audience has a negative perception of McCandless, seeing him to be one of the “others,” a category of crazy adventures whose suicidal predispositions lead them to meet their fate in the wild. Krakauer contradicts this through the use of different rhetorical appeals- to logos, pathos, and ethos. He uses emotions and logic in order to prove to the audience that no, Chris McCandless was not who the audience believed him to be and that there is much, much more to the story than a single gravestone in the Alaskan wilderness. The most obvious rhetorical appeal in this novel is Krakauer’s appeal to logos, which he establishes through the use of factual evidence. When describing McCandless’ family history and past achievements, Krakauer notes that “… Chris graduated from Emory University in Atlanta, where he’d been a columnist for, and editor
In what ways and to what extent does the concept of Spain's Golden Age apply more specifically to the reign of Philip II than to the whole period 1474 - 1598?
In what ways and to what extent does the concept of Spain's Golden Age apply more specifically to the reign of Philip II than to the whole period 1474 - 1598? Justify your answer by reference to the similarities and differences you detect between the periods before and after the accession of Philip in 1556 The concept of a Golden Age is a highly contested issue among modern and contempory historians. There is debate over the dates of such an age, or even its existence at all. Working on the assumption that a golden age occurred in some form, to deduce whether it was more specifically under Philip's reign, we must look at the condition of Spain in key areas before and after Philip's accession in 1556. If differences arise a judgement must be made on whether they were an improvement for Spain, or signify a decline. The keys issues include religion, the military, territory, the economy, law and order and the organisation of government. The Golden Age over all should be the period where most of these concerns have reached their peak. The point of entry into the Golden Age in terms of the army is complex, and depends on the definition, i.e. whether it is the number of troops or their individual skills, loyalty and motivation which determines it. In the period 1525 - 1536, the army was highly thought of and comprised of members of the aristocracy fighting for social pride and
Offender Profiling...............USA or UK?
Aneeq Mushtaq Offender Profiling...............USA or UK? Offender profiling aims to present a composite description of a perpetrator, based on biographical and behavioural cues that can lead to the apprehension of that perpetrator. Profiling techniques have been used to narrow the focus of an investigation (by specifying the perpetrators location, sex or age) or to provide suggestions for interviewing suspects (McCann, 1992). As a result of collecting data and analysing evidence, the use of such techniques have led to arrests of serious criminals such as John Duffy (UK), who murdered his victims near railways (Canter 1989). This assignment will aim to compare and contrast the FBI's 'Crime Scene Analysis' of offender profiling with that of David Canter's 'Five Factor Model. The strengths and weaknesses of each approach will be highlighted including the main differences between profiling in the USA and UK. Due to the rapid increase of serial murders and rapes in the USA within the 1970's, the FBI invented the first systematic approach of offender profiling. Counteracting the rising numbers of serial murders lead to the development to the Behavioural Sciences Unit (BSU). BSU interviewed 36 convicted sexually orientated murderers and classified them into organised (average / above average intelligence, crime planned) or disorganised (low intelligence, messy crime scene,
A Christmas Carol How Does Scrooge Change Through Staves 1 - 5?
A Christmas Carol How Does Scrooge Change Through Staves 1 - 5? By Louise Sophocleous A Christmas carol is a moral story and focuses upon the redemption of the most hardened miser Ebeneezer Scrooge. In stave one he is presented as selfish, rude, angry and lonely. 'Warning all human sympathy to keep its distance.' he is thoroughly dislikeable. Through the attentions of Marley's ghost and the journey Scrooge takes through the past present and future Scrooge changes and becomes likable. He recovers his sense of joy in the world and this transforms all aspects of his life. How he reacts to people how he reacts to his setting, to Christmas and how he spends his money. It is a miraculous transformation. Dickens is saying that no matter how cruel, hard, old, bitter and unpleasant you are there is good in you and you can change. In stave 1 Scrooge is seen as a 'squeezing, wrenching, grasping, scrapping, clutching, covetous old sinner'. Dickens stresses the coldness of Scrooges bearing. 'He carried his own low temperature with him'. His atmosphere is like constant winter. However it also describes him as 'solitary as an oyster' and this image gives a hint that he is protecting himself and is scared of the world. His hatred is a defence. He is cruel to his Clerk who whom he will not allow more than one coal for the fire. A contrast is made between Scrooge and his cheerful nephew.
How does the character Sheila Birlings change in the play An Inspector Calls?
How does the character "Sheila Birling's" change in the play 'An Inspector Calls'? The play 'An Inspector Calls' was written in 1945 by J.B. Priestly, but it was set in 1912. At this time society was capitalist, there were very strong distinctions between upper and lower class people, industry and agriculture were privately owned and wealth was not shared equally. The play centers on the Birling family headed by Arthur Birling who is a wealthy factory owner. At the start of the play the Birling family is celebrating happily Sheila's engagement to Gerald Croft. However, the mood changes when Inspector Goole arrives and informs them about the suicide of a young woman named Eva Smith. Sheila Birling is the daughter of Mr. and Mrs. Birling is described at the start as "a pretty girl in her early twenties, very pleased with life and rather excited", most probably because of her engagement to Gerald Croft. Her hopes and plans for the future are to have a happy married life with her husband-to-be. Early in the play her mother informs her about married life claiming that men "spend nearly all their time and energy on business". However, Sheila does not agree and she warns Gerald, "so you be careful", which shows that she wants her fiancé to be attentive towards her. When we meet Sheila she seems to be satisfied with life; she is also from a comfortable family and so is Gerald.
From the study of ‘The Merchant of Venice’ is shylock presented as a villain or victim? To what extent will this view have changed from that of the original audience?
From the study of 'The Merchant of Venice' is shylock presented as a villain or victim? To what extent will this view have changed from that of the original audience? The play is set in the late 15th century and is mainly about the character of shylock a money lending Jew; he is trying to live a simplistic life as a simplistic character in Venice a country that would have despised and alienated Jewish people. Christians very much believed in their religion/faith and would have disliked any Jewish person. Therefore the original audience would have hated shylock because of his religious beliefs and his job of money lending, as Christians wouldn't have been able to this job, as it would disagree with their belief. Shakespeare captured the way Jews were portrayed in this play well and managed to display it in a certain way, which wouldn't offend, but captured both sympathy and understanding from the audience at the time. Shakespeare play would be looked at in a very different way in a modern performance as the audience wouldn't discriminate towards Jews/ shylock as Christians are taught differently to when the play was originally written and children would have learnt about different religions and cultures and could cope with a Jewish character. Shylock's first appearance in the play is in act 1 scene 3 and his first line is; " Three thousand ducats", this could be taken by
Supermarkets in UK - An oligopily
Introduction to super markets The "normal" way to buy food has changed dramatically over the last half century, with the small independent shops such as butchers, greengrocers, fishmongers and bakers which dominated the High Street in the 1950s disappearing and being replaced by the ubiquitous supermarket. Today, 60% of British shoppers purchase most of their groceries in one weekly shop. The growth of the sector over the last fifty years has been remarkable. In 1950 the multiple supermarkets represented just 20% of the food retail market. By 1961 this had risen to 27%; by 1971 to 44%. As the trend continued, a generation has grown up relying on the convenience and choice of supermarket food. Of course some independent retailers went out of business, but the consumer is king - and consumers felt that the price was worth paying. But the price tag got higher. Between 1997 and 2002 more than 13,000 specialist stores around the UK - including newsagents, Post Offices, grocers, bakers, butchers - closed, unable to cope with the competition from the multiples. A recent study by the Institute of Grocery Distribution revealed that 2,157 independent shops went out of business or became part of a larger company in 2004, compared with a previous annual average of around 300 a year. Traffic congestion rocketed as more large stores were constructed out of town. Tales abounded of the
Describe the importance of Sheila's role in the play An inspector calls.
Describe the importance of Sheila's role in the play.-Michael Rowell At the beginning Sheila was not one of the main characters as Birling takes centre stage. Setting on the play seemed revolved around the characters. The older furniture in the living room matched the aging and upper class type that is Birling. During the play Sheila is the only concerned and totally serious character to the situation. There are some well linked scenes in the play setting a mood for Sheila with the marriage, her husband to be Gerald. The pink light in the house makes Shila feel more relaxed as the set looks almost like a love scene. During the play, Sheila is the main link between the Inspector and the Audience. She constantly changes and develops as the Story is told. From a happy normal women whose about to get married, changing stance with knowledge of the affair becoming disappointed and heart broken and then finding out that she had contributed to the Eva Smiths death making her emotions dramatic and to the audience she is the thoughtful character that everyone loves. There is great irony in Sheila's character as when the Inspector first comes round and as he is questioning Birling, she says how mean he is like "I think it was a mean thing to do" and "But these girls aren't cheap labour- there people" which is her having a go at Birling still going along with what the audience is
Theodore Adorno's notions of 'standardisation' and 'pseudo-individualism' might be applied to contemporary pop music - Do you see any problems or shortcomings from this approach?
Basing your discussion on an analysis of at least 2 contemporary artists or bands, consider the ways that Theodore Adorno's notions of 'standardisation' and 'pseudo-individualism' might be applied to contemporary pop music. Do you see any problems or shortcomings from this approach? Popular Culture has enticed much research; with the increase of media studies there are a number of minds picking apart what they see. With icons filing up and saturating mediums such as television, magazines, radio stations to name a few, the celebrity filled industry is undoubtedly causing a stir amongst the masses. Theodore Adorno (1903-69) emigrated to England in 1934 to escape Nazism. He lived in the United States of America for 10 years, (1938-48) before returning to Frankfurt, where he was a member at the 'Frankfurt Institute of Social Research'. Theodore Adorno was a key figure in the study of popular music and had intrinsic Marxist view on the capital nature of society. Adorno believed that the culture industry "is the central agency in contemporary capitalism for the production and satisfaction of false needs". (Adorno, T and Horkheimer, M. 1977, p349). He argues that popular music is a mass-produced and shallow standardised part of the culture industry. This would suggest that all aspects of popular music including types of songs, song lyrics and parts of songs e.g. chorus,
The Character of Daisy Buchanan in the novel "The Great Gatsby" by F.Scott Fitzgerald
The Character of Daisy Buchanan in the novel "The Great Gatsby" by F.Scott Fitzgerald Daisy is The Great Gatsby's most enigmatic, and perhaps most disappointing, character. Although Fitzgerald does much to make her a character worthy of Gatsby's unlimited devotion, in the end she reveals herself for what she really is. Despite her beauty and charm, Daisy is merely a selfish, shallow, and in fact, hurtful, woman. Gatsby loves her (or at least the idea of her) with such vitality and determination that readers would like, in many senses, to see her be worthy of his devotion. Although Fitzgerald carefully builds Daisy's character with associations of light, purity, and innocence, when all is said and done, she is the opposite from what she presents herself to be. From Nick's first visit, Daisy is associated with otherworldliness. Nick calls on her at her house and initially finds her (and Jordan Baker, who is in many ways an unmarried version of Daisy) dressed all in white, sitting on an "enormous couch . . . buoyed up as though upon an anchored balloon . . . [her dress] rippling and fluttering as it [she] had just been blown back in after a short flight around the house." From this moment, Daisy becomes like an angel on earth. She is routinely linked with the color white (a white dress, white flowers, white car, and so on) always at the height of fashion and addressing people
