African Art- Cameroon Grasslands

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        African art stands out from most other art forms found around the world.  African art is so unique because of the unusual supplies that are used to create the art such as beads, shells, and wood.  The use of different carvings and different statues created also benefit to African art’s distinctive style.  However, every region of Africa is known for their own different style of art.  For example, the Cameroon Grasslands have their own particular style of art.  The Cameroon Grasslands are known for various forms of art, but they are most popularly known for their masks created for masquerades.  The Bamileke, the southwest cultural group of the Grasslands, are known for creating elephant masks for their community masquerades.  These elephant masks are used for celebratory reasons, but also hold religious and political importance to the Bamileke region. 

        The elephant masks of the Cameroon Grasslands are most popularly used during the Bamileke elephant masquerades.  These elephant masquerades are also known as ‘mbap mteng.  The dance is associated with the symbolism of the royal power and the rule of the kingdom.  The elephant masks are most commonly worn by men, and are sometimes linked to secret societies.  For example, in the Bamileke community, these elephant masks are linked to “mkeen.  This is Bamileke’s secret society and the elephant mask is the main liturgical garment for a member of the mkeen during the royal and ritual dance of the elephant.  The instruments used to create the music performed during the elephant masquerades are mostly sacred drums and gongs.  The beat of the music is consisted of measured steps, which suggests the way of how an elephant would normally walk.  

        This particular elephant mask is a fitted helmet mask and supposed to be worn completely over the dancer’s head.  Some elephant masks include a head crest which would be located on top on the mask.  Since this elephant mask has a beaded covering on top on the mask, it suggests that there is no attachment or head crest to go with this mask.  When the mask in on, there are two hanging panels.  One panel located in the front and the other located in the back.  These panels help conceal almost the entire body of the dancer.  The dancers wear long dark robes under the mask to cover the remaining parts of their body.  The front panel of the mask is to represent the elephant trunk.  This front panel also has two large stiff circles attached it to located at the top of the mask.  These circles represent the ears of the elephant.  These ears are able to ‘flap’ around when the dancer is moving to give the natural qualities of the elephant.  However, even though the mask is to represent the natural qualities of an elephant, it also has various qualities of a human as well.  For example, the eyes and mouth on the mask is that of a human rather than an elephant.  These human qualities are placed there so that the dancer can visibly see what he is doing but to also accurately represent the king in human form. 

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        This elephant mask made by the Bamileke people is made up of glass beads, raffia splints, and a variation of dyed cloth.  The mask itself is visually stimulating with the use of various colors and designs.  The geometric design found on the elephant mask is to represent a leopard’s pelt.  This mask is to combine the speed of the leopard and the might of an elephant.  The mask is very detailed with many beads making it very attractive and interesting to look at.  Having it be made in such a creative way, it will keep audiences interested in the elephant mask ...

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