Compare and contrast the historical, social and cultural context of both

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Arandeep Heer        

Compare and contrast the historical, social and cultural context of both

‘Art’ by Yasmina Reza and ‘The Good Person of Szechuan’

Both ‘Art’ by Yasmina Reza and ‘The Good Person of Szechuan’ by Bertolt Brecht have been performed worldwide, both playwrights also having the same interest in examining society and the world we live in today. Whilst ‘Art’ raises a diversity of questions about friendship and art, ‘The Good Person of Szechuan’ portrays a society of exploitations, evidently showing us how money can order morality.

‘Art’ by Yasmina Reza is a comedy which explores friendship through the vehicle of art. The plays narrative revolves around three friends, Serge, Marc and Yvan. Serge who expresses a thorough love in art, buys a large, expensive, white canvas painting. However, Marc is sickened by the painting, who thinks of it as a “White piece of shit”,  and throughout the play we see how their long- time relationship suffers as a result of them both having different views about what they consider to be ‘art’. Yvan, the third of the friends, is caught in the middle of this disagreement; he tries to satisfy both of them. The play mainly is structured into monologues and duologues, and one dialogue amongst all three characters. The setting of the play at the beginning and the end, and for the majority of the scenes is set in Serge’s flat, where the audience can see the painting clearly.

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‘The Good Person of Szechuan’ is about a prostitute called Shen Te. One day she is visited by three gods who are very content with her hospitality, in which they think it is a sign of her goodness. As a reward for her generosity, the gods give her some money. Brecht challenges audiences by setting her out as the Good person, who acts as a moral guide throughout the play. Where many would judge her due to her profession, Brecht encourages audiences to not be so quick to judge someone but examine the evidence.

‘Art’ which was premiered ...

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