GCSE Drama: Summative Task: Designer Option

Introduction I will be exploring the role of a designer in the play 'Romeo & Juliet' by William Shakespeare. The play is set in China but the storyline is slightly different although the ending is the same as in all tragedies. This is because of designing purposes as this will enable me to use different types of designs in costumes, the set etc and it will also fit in with the Chinese cultures and general circumstances which were very different to Shakespeare's Elizabethan setting. The Capulets are the governing body of China and rule the country The Montagues are British settlers who have, like many times in history, tried to conquer China. The prince is the governor of the French army who successfully conquered China before the English did. Despite hat, he has still given Capulet, the emperor of China, the responsibility of running the Chinese empire. All these changes will influence the design of the costumes as well as the set. The differences in make-up will be vast and will be clearly visible between the English and Chinese characters. Set Design I chose a rotating stage on which to put my set and created a set in which all of the four sides would act as a background in order to accommodate the scenes. The idea came from 'Our House' by John Godber, where the set is hanging from the ceiling and the stage is rotatable which allows for quick scene changes and quick set

  • Word count: 3352
  • Level: GCSE
  • Subject: Drama
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How would you direct the characters in the yellow bird scene?

How would you direct the characters in the yellow bird scene? 'The Crucible' is a exhilarating play, which is based on the true events that happened in Salem, Massachusetts in 1692 when a group of teenage girls started to mess with witchcraft and faked being caught by the 'devil'; the girls created a horrific witch hysteria. It shows how the courts where run unfairly in the 17th centaury, and it shows how the court has such a big affect on the village's society. Arthur Miller has written the play in an effectual way and uses factual events to show the audience what really happened and how Salem and McCarthyism are parallel. Act 3 pages 86-96 is set in the courtroom, where the characters, Mary Warren, Parris, John Proctor, Danforth, Abigail, Mercy, Hathorne, Suzanna, Herrick, Cheever, and Hale are present. These characters are all present in the courtroom because they are all part of the village society affected by the lies caused by Abigail and her followers. The page starts with Danforth asking Mary to faint to prove that she can faint whenever she wants, to prove that Abigail and her followers can also pretend to see spirits. Mary is torn whether to tell the truth about Abigail lying about seeing the spirits, with this she may be facing a death sentence and she would go through the torment of Abigail getting revenge on her, or to go along with Abigail and not face a death

  • Word count: 3124
  • Level: GCSE
  • Subject: Drama
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the empty space

The Empty Space, By Peter Brook. Having read The Empty Space by Peter Brook. I will be discussing all that I have learnt about the different form of theatre he discusses. He tries to categories theatre into four different types of theatre. These categories are; The Deadly Theatre, The Holy Theatre, The Rough Theatre and finally, The Immediate Theatre. The first category I shall be discussing is The Deadly Theatre. Firstly The Deadly Theatre, this is the form of theatre we see most often. As theatre audience are falling around the world and this is because it fails to entertain. However the author does appreciate that occasionally there are new movements with good writers. The author goes on to compare theatre as a whore. He believes that its art is dirty and robs your money and doesn't deliver the entertainment required to warrant an expensive admittance. Mr Brooks makes the statement that there is no true theatre joy as The Deadly Theatre is not only found in the commercial West End or Broadway but also is making its way into Opera and even Shakespeare. This is because Brooks makes the very true statement that even though universally we find these Shakespearean productions marvellous to look at with their grand sets, costumes and are drawn to the theatre because a popular actor maybe in it. However if we were to sit through the production the majority would be truly bored

  • Word count: 2660
  • Level: GCSE
  • Subject: Drama
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Antigonie How I would set the first choral movement

Antigonie How I would set the first choral movement Antigonie is a Greek tragedy written by Sophocles written before or in 442 BC. It is chronologically the third of the three Theban plays but was written first.[1] The play expands on the Theban legend that predated it. Traditionally a play like Antigonie would have been preformed during festivals to thousands of people. Greek plays like this usually contained up too three actors and a large chorus who would narrate all the events and keep the audience up to date. This chorus was usually full of ordinary people from the village. Antigone would have traditionally been preformed in an Amphitheater, with the audience in a semicircle around the performers, who would have acted the play out on a raised platform as well as a smaller area lower down. For this reason if I was staging a performance of Antigonie I would choose to hold it in the round. I would still have a raised platform for the principal actors to perform on, but would position the chorus all around the bottom of this platform. This would work well for two reasons, one because the chorus would be able to interact with the audience and the actors and two because it enables them to remain central to the action, but still appear less important then the other actors, who would be playing the Gods as well as various kings and queens. The first line the chorus speak

  • Word count: 2083
  • Level: GCSE
  • Subject: Drama
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Written Comparison with Blood Brothers and Educating Rita

Written Comparison with Blood Brothers and Educating Rita My practical work in July 2009 was for option 2: acting. It was a piece of practical acting coursework and was based on the theme of class. The coursework was focused on Educating Rita and Blood Brothers which were both written by Willy Russell and both set in the 80's; we studied both of these in class and our coursework was to perform a section of Blood Brothers. My contribution to the performance was playing Mrs Johnstone in Blood Brothers from the beginning of the play to the song 'Easy Terms'. This section of the play is very significant because it is when Mrs Johnstone makes a binding agreement to give Mrs Lyons one of her babies, which later results in what the story of the play is all about. In my performance I mimed to the song 'Marilyn Monroe' and to Mrs Johnstones and Mrs Lyons duet. I had to put on an accent and learn to mime to songs. I had experience being a cleaner and having so many children that I had no money to look after them. I experienced being 'pregnant' because I had to have a cushion under my top to make it look like I was pregnant. To help me in my work I looked for information from Educating Rita because I found that Julie Walters played the character Rita very realistically. She put on an appropriate accent and showed how class changes people. I focused on how Julie Walters played Rita

  • Word count: 1926
  • Level: GCSE
  • Subject: Drama
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Billy Liar: How to play Rita in her first scene

Set Text Essay - Billy Liar 6a) I have been using the Nelson Thornes Dramascripts edition of Billy Liar. I will discuss how I would play Rita in the selected scene. In this particular scene, I think it is important to show how aggravating the character of Rita is to everyone else on stage, and while I want the audience to understand this too, it is also a scene rich in moments with comic potential. For most of the section, Rita is pushy and aggressive; however there are occasional moments when she almost lets her guard down. I wish to explore the subtextual side of Rita's personality including the motives for her wanting the engagement ring from Billy. I view Rita as more complex than she may appear on first impressions, and instead of solely wanting the ring to show off, she may desire the ring to give her a feeling of belonging, to prove to herself and those around her that she can be loved, as in places, she could be seen as a deeply insecure character. At the beginning of the selected section, when Rita first makes her entrance, I want the audience to see how Rita does anything to get what she wants, even if it entails storming into a stranger's house. I would also want the audience to see that she is a formidable character, who will stop at nothing to achieve her goal. I would enter onto the stage by striding from the back of the room, through the gap in the middle

  • Word count: 1896
  • Level: GCSE
  • Subject: Drama
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monolouge I am really popular, my very best friend is Violet Bing and my desire is Jake OConnor the school hottie. I had everything I got from my parents and my life WAS brilliant.

TRAPPED! Part 1 * I could hear the police sirens from a mile away from my house and that very moment I started to think what will happen to me, to my unborn baby, will he come with some disability problem or something like that, and at that moment I started to think what will happen my father, will they arrest him for what he done to me? For all the abuse and torture, what will happen to my once loving father who trapped me in this basement...... Katie 'Kate' Smith Chapter 1 Hey! My name is Katie Smith, call me Kate everybody does. I live in New York, Manhattan. I love it there. I go to Oxford High School and I'm in 12th grade (senior year and last year of school, YIPEE!!!), I am 17 yrs old. Well what else can I say I love cars and I am well organized. I have hazelish brown eyes to lure boys in to my traps (he he), light brown hair, every girl in this school is jealous of me and every boy in this school want me. I am really popular, my very best friend is Violet Bing and my desire is Jake O'Connor the school hottie. I had everything I got from my parents and my life WAS brilliant. Well there goes the bell, better get a move on before I get in trouble. "Katie, hey Katie!" called Violet from across the room. I walked quietly to her; my cheeks were red as roses. "Did you have to do that?" I said with a husky tone. "Do what?" she replied puzzled "Call name out so

  • Word count: 1840
  • Level: GCSE
  • Subject: Drama
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Essay comparing short story Paths(TM) with improvised drama developed from news article Mystery o

Essay comparing short story 'Paths' with improvised drama developed from news article 'Mystery of Dead Young Female' In this essay I am going to be comparing a short story 'Paths' with the improvised version of 'Mystery of Dead Young Female'. 'Paths' is about a boy who decides to go home through the woods, where he finds different paths and does not know which way to go. He finds a girl from the 19th Century and tries to go back in their time, but he can't as soon as he gets close to the exit of the woods to a different time he can't move he gets paralyzed. So he goes back to were he met the girl and she comes along and then they find someone else there, who they think is from the Viking time, but he is from the future and then Kevin runs home. The 'Mystery of Dead Young Female', is used with a bit of improvisation, it is from an article in Southwold Gazette, 19th January, 1869. This is about a young woman found in the porch of a church; she is dead and knows one has bothered to identify her. And they all try not to get involves when they did see her and she approached the Manor House and everyone living in there denied seeing her. We improvised from this, which was developed as part of GCSE Drama Course, in June 2006. 'Paths' is written by John Christopher, he uses a mixture of people from the past, present and future, which is a good way to write a book as many writers

  • Word count: 1717
  • Level: GCSE
  • Subject: Drama
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Job Description

Basic Job Description Production Manager The job of the production manager is to assemble and lead the production staff, the stage manager also decides how much each department gets he's in charge of the money. The Production Manager will deliver the working budget to the financier during the "prep" period, therefore setting the business plan of the project. Typically, Producers are responsible for the cost-related decisions on above-the-line (primarily cast) issues, while the Production Manager is responsible for the below-the-line (production period) costs. The Film Director will usually have final decision on Cinematographer, Costume Designer, Production Designer, and Film Editor), and the UPM will make the deals and hire the remaining crew. Stage Manager Stage Managers are responsible for the running of the show when it is 'up' or has started. Although the Deputy Stage Manager is often the one who 'calls the show' - which means tells the technicians what to do. The Stage Manager is responsible for organizing the production, communicating across different disciplines, and keeping everything running smoothly Assistant Stage Manager An ASM or assistant stage manager is a theater technician who is responsible for keeping track of cast members, sets, and miscellaneous details during rehearsals and production of a stage performance. During the running of a show, they are

  • Word count: 1606
  • Level: GCSE
  • Subject: Drama
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Drama coursework write up

Drama Coursework Meaning of scene On 29th January, 1979 Brenda Ann Spencer carried out a shooting spree at Cleveland Elementary School in San Diego, California. The school was across the street from Spencer's house, from which she fired the shots. She used a rifle that she had recently been given for Christmas by her father. When Ann's killing spree ended she was questioned whom she wanted to shoot, she said, "I like red and blue jackets". When asked why, she shrugged and replied, "I don't like Mondays. This livens up the day." She also said, "I had no reason for it, and it was just a lot of fun"; "It was just like shooting ducks in a pond"' and the children looked like a herd of cows standing around; it was really easy pickings." At the time of the shootings, Brenda Ann Spencer was 16 years old. Many people were injured in the unfortunate event; Principal Burton Wragg and head custodian Mike Suchar were killed and eight children and a police officer sustained wounds. Our task was to create and perform monologues from the viewpoint of two characters that were badly affected by the tragic incident that occurred. I chose to play the character of Brenda's father while Sarah chose to play the role of the wife of the headmaster who lost his life on that day. We intentionally chose to play contrasting characters; Brenda's father was quite close to her while the headmaster's

  • Word count: 1342
  • Level: GCSE
  • Subject: Drama
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