Compare and contrast "The Wars" and "The Handmaid's Tale".
Steve Sharpe Ms. Bridgeman ENG 4U1 January 16, 2004 Although "The Wars" and "The Handmaid's Tale" occur during different time periods, the two societies have many similarities, which are criticized in the novels. The high-ranking officers in "The Wars" exploit the soldiers, as the government officials in "The Handmaid's Tale" exploit women and men who do not follow the ideals of the Gileadean society. The families of the soldiers in "The Wars" and all underprivileged citizens in "The Handmaid's Tale" often remain ignorant to the occurrences within their own societies. The ideals and morals of modern society are violated in both novels. Despite taking place in different time periods, similar societal aspects are criticized in "The Wars" and "The Handmaid's Tale". Citizens in "The Wars and 'The Handmaid's Tale" are severely disadvantaged by those in power, be it the high-ranking officers in "The Wars" or the unprivileged individuals in "The Handmaid's Tale". In "The Wars", Soldiers are often put in situations that jeopardize their lives, but better the cause of the government. One such incidence occurs when Robert Ross and his fellow soldiers are told by Captain Leather to put gun beds into a crater close to the German lines. Robert "wanted to say the forward positions were crazy...he wanted to say that the guns would sink in the mud. But he didn't say anything." (Findley
In the Grimm fairytale "The Lady and The Lion," L. Frank Baum's fantasy work, The Wizard of Oz, and J.R.R. Tolkien's fantasy work The Hobbit, the concept of a promise is a prominent and important theme in maintaining one's honour.
It is traditionally believed that a person's word represents a binding contract, with one's honour at stake in the process. However, not always is this moral code of conduct followed, with possible repercussions to pay. In the Grimm fairytale "The Lady and The Lion," L. Frank Baum's fantasy work, The Wizard of Oz, and J.R.R. Tolkien's fantasy work The Hobbit, the concept of a promise is a prominent and important theme in maintaining one's honour. As The Hobbit's Bilbo says, "A promise is a promise," and it is through the comparison of both fairytales and fantasy works that the idea of the promise is one in which a person's word is golden, or at least needs to be for an ultimate sense of goodness to ensue. The character of Bilbo in The Hobbit, is a good example of one that embodies the idea of promise fulfillment. He is a simple fellow that dislikes excitement and adventure, however, he is still convinced by the wizard Gandalf and the party of dwarves to assist them on their journey to recover their lost gold. They require a crafty burglar, something that Bilbo knows nothing about, but still adheres to due to much convincing on the parts of the dwarves; he felt that he would agree to anything if it would lead this numerous dwarven guests out of his house. Yet, it is his hubris, his inner pride which compels him to actually commit to helping them, despite the dangers involved.
A hoof smashed through an old rotten log in the roughage of the forest floor. The large black horse was galloping at a tremendous rate
Mon A hoof smashed through an old rotten log in the roughage of the forest floor. The large black horse was galloping at a tremendous rate almost in a hurry to reach its final destination. The rider and horse were draped in all black and even though the rider was quite timid in physical appearance he had almost a great power in his aura. Even though the rider was travelling at such a great speed it was what seemed like hours before he reached his final destination. The rider dismounted with an air of caution and lifted his hood from around his face. He was a young man but with experiences beyond his years. In front of the rider was a large clearing in the dismal symmetrical forestry everywhere else. In the centre was a large willow with no leaves and a blackened bark. "So here it is, the oracle, the tree of mon". "AKIRA, AKIRA. Wake up lazy" nana was at the door of the room looking across at Akira as he slowly but eventually came round and woke up. "By the way Akira, the oracle seeks conference with you". He jolted looking both anxious and compelled "but why nana" but she only repeated "He seeks conference with you" and hastily left the room. Akira hurried to get dressed and hastily left the house. Round the back he found Pandora, his horse, which he quickly saddled and rode toward the forest and within minutes he was bowed before the willow in the great clearing. "Mighty
Don't drink milk on Somerville road
Don't drink milk on Somerville road "Welcome to Somerville", says Keith as he cruises past the sign in the fully loaded removal van. Keith just moved here from pilkington isle in the north of Carolina. "Mum", Keith mutters in a tired way, well they had been traveling for 16 hours non-stop. "Will their be any friends here for me to go with", his mother replies," well darling, I did see some people around here in the 4th grade, but sadly one of them was deceased by some chickens and then rats started eating him right infront of me, terrible sight, I nearly fainted". 2 days later when the reapers had moved in, Keith decided to go exploring, Keith Reaper was a weird young man with a short fuse and a exciting imagination. He decided to go to the post office to buy a carton of milk, Keith always drunken milk, ever since he was 2 years old. As he walked down the street people started staring at him in a strange way. Finally 2 boys came up to him, Keith looked up at the staggering height of the boys, they were black with their jogging bottoms down to their waist and pants up to their belly-buttons, a cigarette in one hand and a bottle of beer in the other. "Hey shorty", boomed one of the yuppies, Keith recognized they were yuppies from the flick knife one of the boys had sticking out of his pocket, and the way each one started on every person that walked by. "Where do you think
I am going to discuss the poems 'Strong Man' and 'Grandmother's Cactus' both which were written by Tony Curtis.
Coursework Thursday, 07 February 2002 I am going to discuss the poems 'Strong Man' and 'Grandmother's Cactus' both which were written by Tony Curtis. Both the poems are concerned with love and death 'Strong Man is about a loving father who is extremely strong and gets weaker in age and then dies', but as he gets weaker he still has a strong spirit. My grandmother's cactus is about a grandmother that was a real character she had loads of different experiences and had a 'Strong' personality. Some times she made people dislike her because she arguing a lot with family and neighbours but her grandson always loved her. Her grandson who wrote the poem, had bought her a present when he was in 'Primary School', which was a cactus, he had bought this from 'The royal welsh show.' This cactus becomes a very important symbol to the grandson after the grandmother dies the cactus reminds him of his grandmother. In 'Strong Man' the poet isn't one of the man's sons because he mentions "you" and "your" but it is still a very personal poem. In the first verse the poet shows that the man is strong. By showing the man doing lots of things that are extremely hard to do, like punching nails into wood "with a clenched fist." The poet uses the image of the father being like a three. I think this is a good because we think of trees be large,
With close reference to at least three appropriate poems, discuss and illustrate the different ways language is used in Tudor and Elizabethan love poetry.
With close reference to at least three appropriate poems, discuss and illustrate the different ways language is used in Tudor and Elizabethan love poetry. This period in history, which was approximately between the years of 1540 and 1600, saw an explosion of literature, particularly in the genres of drama and poetry. Shakespeare, the dominant and most famous writer of this period, is regarded by many as the greatest ever writer in the English language. Although the period is recognised for its great dramatic works, poetry experienced a certain renaissance. This provided an outlet for the fantastic growth of the language as a whole. The Elizabethans, much like their society, favoured structure, order and decoration. Indeed as Puttnam put it in his "The Art of Poesy", "Our vulgar poesy cannot show itself either gallant or gorgeous if anything be left naked and bare." As well as describing the then reigning monarch's dress sense, this provides an important insight into how the Elizabethans saw themselves as poets. This attitude is certainly in agreement with the Elizabethan fervour for the sonnet. A precise structure is adhered to. It was Shakespeare who was the leading exponent of the form writing 154 of them. As with the majority of other Elizabethan poetry, the poetic efforts were centred primarily on the sentiments and expressions of life. Since the response is focused on
Who is the real monster, Frankenstein or his creation?
Who is the real monster, Frankenstein or his creation? Mary Shelly's Frankenstein is designed as a gothic horror novel but deals with serious moral issues. Written in 1818, a time when breakthroughs and discoveries in the scientific world were common and often of great importance, the book shows how desire for knowledge entwined with humanity's ability to quickly reject what seems ugly or that which they don't understand, can unfold into a tragic tale with several fatal altercations. Whilst playing the role of a negligent God, Victor Frankenstein brings into existence a hideous being, which he rejects at birth, his creation lacking teachings of moral values commits murder. But can either Frankenstein or his creation be named monsters for acting on strong human emotions? The book itself is written as a series of letters, by using this unique method we can more easily adjust to the story and feel more connected to the characters, this means we can better understand the motivations of Victor and his creation. The conventions of a gothic horror novel don't really permit the absence of a monster or source of evil. There needs to be something to fear and I believe Shelly wants us to instantly assume due to its vile complexion and grotesque figure that the creature is that. She is trying to emphasise the point that his appearance doesn't reflect his inner being. Inside he's a
Heart attack
Heart Attack Elizabeth is seated, staring at a photograph The doctors surrounded him, my head was spinning. One of them shouted "Give him twenty five milligrams of morphine and five milligrams adrenaline." The other one injected the drugs into his arm. I said "why are you injecting morphine into him?" He replied with "It will relieve the pain." The doctors were bellowing instructions across the room and darting to and fro. There was a tremendous pressure on my head, I was in immense pain. I couldn't cope with the noise and congestion surrounding me. My eyes froze as they gazed upon my husband's half-naked body. I felt pressure on my left arm, a nurse had a firm grip of my pale white flesh, dragging me ever closer towards her. She said "I think it would be best if you followed me and waited in the relative's room." I acknowledged and let her pull me away from the horrific and traumatising scene. I was shown to a room in the front of the building, a small unoccupied dwelling. I positioned myself in one of the chairs, many people before me had rested in. The nurse closed the door behind her and wandered off to bring me a steaming cup of aromatic coffee. Flashing images were speeding through my mind, I could barely make out the specific details as I only achieved a glimpse of these flashbacks. I peered out of the window of the tiny room and tried to disassociate myself
An essay to trace the changes in the character of John Proctor with reference to his portrayal in Nicholas Hytner's film of 'The Crucible'.
Thomas Henesey 11.O 19th October 2002 An essay to trace the changes in the character of John Proctor with reference to his portrayal in Nicholas Hytner's film of 'The Crucible' In this essay I will trace all of the key moments in the play 'The Crucible' that change the character of John Proctor. This essay will comment on the way that Daniel Day-Lewis plays John Proctor in Nicholas Hytner's film of 'The Crucible'. The first time we encounter John Proctor in the play is when Betty Parris is ill. John Proctor shows his power by telling Mary Warren to go home. This really shows the control that he has over her and that he has respect in the village. Now we see the first section with Abigail. It is done differently in the film to in the play as in the play they are by Betty Parris's bedroom but in the film they are outside behind a barn in the village. John's reaction to Abigail is that he is lustful. He knows that his affair with her was wrong and that it would wreck his name in the village so he tells her that it is over. He denies the whole affair and tells her that it never existed. He does so that he knows that the affair never happened. When this scene is played in the film it is done behind a barn outside away from the other characters to give the effect that they are trying to hide something from the rest of the village. In this scene in the film Abigail kisses
How typical of the murder mystery story is “The Speckled Band” by Sir Arthur Conan Doyle and “Lamb to the Slaughter” by Roald Dahl? Which of these stories do you prefer and why?
How typical of the murder mystery story is "The Speckled Band" by Sir Arthur Conan Doyle and "Lamb to the Slaughter" by Roald Dahl? Which of these stories do you prefer and why? These two stories were both written at different times in history. "The Speckled Band" was written in 1892 during the 19th century, whilst "Lamb to the Slaughter" was written in the middle of the 20th century in the 1950's. Immediately the reader can observe differences in style the way the stories are written, the words used in each and technique. The opening paragraph in "The Speckled Band" is written as a narrative, spoken by Dr Watson, Sherlock Holmes' assistant. He begins by talking of the past and the experiences he has enjoyed and endured with his friend. The sentences are longer and Watson speaks in a very formal way. He uses what is now archaic language, which adds to the formality and the way the reader perceives him as 'old fashioned'. The archaic words used are very rarely used in modern day language, but when sir Arthur Conan Doyle was writing they were common and in everyday use. A quote such as: "...Very sorry to knock you up Watson " Is used very rarely nowadays, but in its time meant to wake somebody up. When this is compared to the language used in "Lamb to the Slaughter" the language is quite the opposite. Shorter sentences and less formal language is a key feature in Roald
