Analysis of Act 3 For most of the play, we see Torvald delighting in Nora's dependence upon him but not in his control

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Analysis of Act 3

For most of the play, we see Torvald delighting in Nora's dependence upon him but not in his control over her, but as the play progresses the side of Torvald we see is more pushover than dictator. In the scene following the party, Torvald's enjoyment of his control over Nora takes on a darker tone. He treats her like his possession, like the young girl he first acquired years ago. Contributing to the feeling of control that Torvald is exercising over Nora is that the evening has been of Torvald's design-he dresses Nora in a costume of his choosing and coaches her to dance the tarantella in the manner that he finds "desirable."

The hollowness of Torvald's promises to save Nora shows how little he appreciates her sacrifice. Nora expects compassion from Torvald after he finds out about her predicament, especially since, after learning of Dr. Rank's imminent death, Torvald confesses that he fantasizes about risking his life to save Nora's. Once given the opportunity, however, Torvald shows no intention of sacrificing anything for Nora, thinking only of himself and of appearances.
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Ultimately, Torvald's selfishness becomes apparent in his lack of concern about his wife's fate, despite the fact that she committed a crime to save his life. He panics upon learning of Nora's crime, not because he cares about what will happen to her but because he worries that his reputation will be damaged if knowledge of Nora's crime becomes public. Instead of treating Nora with understanding and gratitude for her noble intent, he threatens and blames her and then immediately begins to think of ways to cover up the shame that she has cast on his family. His ...

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