Both "Lamb to the slaughter" and "The Speckled Band" share some of the characteristics of murder mysteries. Explain the similarities and differences between the two stories and say which story you think is more compelling to read.

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Both “Lamb to the slaughter” and “The Speckled Band” share some of the characteristics of murder mysteries. Explain the similarities and differences between the two stories and say which story you think is more compelling to read.

     Roald Dahl wrote Lamb to the Slaughter during the year 1954. During this period of time woman were seen as inferior to men and this is reflected in the writing. The Speckled Band was written in 1892 by Conan Doyle and is a part of the Sherlock Holmes trilogy. In the early 1890’s the Victorians had little faith in the police (due to the horrific acts of Jack the Ripper). London was a city living in fear and when the Sherlock Holmes books first become published, the public adored them. This is because Holmes solved all the cases he was involved in, becoming the ideal detective for all Londoners. Holmes was so popular that when Doyle attempted to kill off the character there was public uproar, Doyle received numerous threatening hate mail regarding the matter. The Speckled Band was a typical Holmes detective story, however Lamb to the Slaughter was quite different, it delved into previously unexplored territories in stories at the time. A women murdering her husband in those days was unthinkable.

         The mood at the beginning of the two stories is very different. Lamb to the slaughter begins with Mary Maloney preparing for her husband’s return from work. The word “tranquil” captures the mood of the opening paragraphs. This is quite an effective method by Dahl, he has lulled the reader into a false sense of security and has not prepared them for the shocking actions which proceed the opening. In comparison to this the speckled band begins with a distinct aroma of urgency surrounding it right from the beginning “It seems that a young lady has arrived in a considerable state of excitement”. Words such as excitement capture the mood` of the opening. The “excitement” compared with the “tranquil” lamb to the slaughter evidently makes the speckled band more appealing to read at the beginning. The opening to the Speckled Band has a much higher tempo to it and is more compelling to read.

     The reader is witness to the murder scene in lamb to the slaughter “she swung the big frozen leg of lamb high in the air as hard as she could”. This is very untypical when compared to the majority of murder mystery stories. It loses its effect on the audience, they are not kept guessing as to who the villain is and the intriguing nature of the story disappears. The fact that the reader must rely on the words and atmosphere created by the language used by Conan Doyle is far more typical of a classic murder mystery. “You remember in her statement she said that her sister could smell Dr Roylotts cigar”. Implication is more powerful than the obvious.

      The two villains within the stories are completely different to each other, not only in their physical appearance but also in their motives and the way in which their crimes are committed. Mary Maloneys crime is driven by pure anger of confusion towards her husband’s recent actions. Although we are not actually told what her husband has done to upset her so badly, there is a fair implication that he has been seeing another women behind her back. In contrast to this Roylotts murder is most certainly planned, his motive is driven by financial difficulties which could arise if his stepdaughters were to be married. His desire to keep himself in good financial health eventually leads to drastic measures. Dahl conveys Mary Maloney to be a stereotypical, pleasant 1950’s housewife “There was a slow smiling air about her, and everything she was doing”. Descriptions such as the one above force the reader to assume that Mary surely cannot be capable as being the perpetrator in the story. The vision we are given of Miss Maloney through Dahls writing lulls us, once again into a false sense of security, this makes it more shocking when Mary brutally disposes of her husband. In contrast to this Dr Roylott is depicted as a bad tempered and evil man when described by Doyle. “A large face, seared with a thousand wrinkles, burned yellow with the sun, and marked with every evil passion”. Roylott was the stereotypical villain, his fellow villagers are afraid of the strength which he possessed “He stepped forward, seized the poker and bent it into a curve with his huge brown hands”. This idea of pure strength was a vital characteristic of a villain during the period of time. The fact that Dahls villain was a woman would have stunned a 1950’s audience. Although the audience could perhaps have come to terms with her motives, the aftermath where she manipulates the detectives would have come as a huge shock to the system. Policemen were highly respected during the 50’s and for them to be so deceitfully manipulated would have really had a startling impact on the reader. The main difference between the two villains is that one of them gets caught and subsequently killed and the other gets away with it. This is primarily due to the detectives. If Holmes was operating on the Maloney case she would most likely have been brought to justice, if Noonan had been investigating the Roylott case, Dr Roylott would most likely have succeeded in killing his step daughter.

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       The unprofessional attitude of Noonan and his rushed, false assumptions lead him to physically consuming the evidence of the case, therefore dashing all hopes of solving the case. Due to the fact that Mary Maloney is a women Noonan “always treated her kindly”. Mary Maloney responds to this immediate sense of respect by attempting to gain sympathy form Noonan “while she was talking, crying and talking”. It is evident that Noonan reacts to this plea of sympathy by granting seemingly small yet (unknown to Noonan) highly significant favours. “Would you do me a small favour-you and these ...

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