Caliban and Prospero

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                                                                                                                       Corinne Collett

                                                                                                            Monday, 23 July 2001

                                                     Caliban and Prospero      

     In our Drama lesson, we were given an extract from act one, scene two, from a Shakespeare play, called the Tempest. We had to make the audience side with Caliban or Prospero. We chose to make the audience side with Caliban. We did this with these communication skills: Facial expression, tone of voice, body movement, posture, muscle tension and gesture. This is what we did and why:

     When Caliban says ‘as wicked dew as e’er my mother brushed with raven’s feather from unwholesome fen drop on you both. A south-west blow on ye and blister you all o’er.’  Caliban will be sat on the floor, this will make him seem weak and formulate the audience sympathising towards him, and it makes Caliban look nervous and terrified like Prospero is bullying him. Prospero is pacing around Caliban and trying to gain eye contact with him, which makes him seem strong and confident.  When ever eye contact is gained between the pair, Caliban looks away quickly, covering his eyes with hands, or looking at the floor, which also shows he is weaker.

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     When Prospero says ‘for this, be sure, tonight thou shalt have cramps,

Side-stitches that shall pen thy breath up. Urchins shall for that vast night that they may work all exercise on thee. Thou shalt be pinched as thick as honey comb, each pinch more stinging than bees that made ‘em.’  Prospero is walking around Caliban, who is still sat on the ground. He is speaking to Caliban like he is telling him off, as a father figure. Caliban has his eyes covered with his hands in a child-like manner to show that he is petrified and sees ...

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