Compare the presentation of war in the Olivier and Branagh versions of 'Henry V'. Link the representation of war to the times when the two films were made.

Authors Avatar

Henry V

Compare the presentation of war in the Olivier and Branagh versions of ‘Henry V’. Link the representation of war to the times when the two films were made.

Many films have been made of Shakespeare’s play, “Henry V”. The two I am analysing are by Laurence Olivier (1944) and Kenneth Branagh (1988). They are made for very different audiences with different aims. Although they seem very different, in some ways, Branagh’s version used many techniques of Olivier’s. Both productions were performed to communicate the director’s feelings on war to the audience and were performed when war had played a part in recent history. Olivier’s version is very pro-war in that he glorifies war but at the same time it lacks realism so that it was not too close to the reality that people had to endure at the time. The film was produced in 1944 in the middle of the Second World War so portraying war very realistically would cause uproar in society. There is no sense of death in the film. This differs to Branagh’s version which was produced after the Vietnam War. Branagh’s film is very anti-war in that it portrays war very realistically. He uses the film to give the audience an accurate depiction of war. The battles in Branagh’s version are very graphic and gory whereas Olivier’s is comparatively light-hearted.

The films were aimed at completely different audiences and had different purposes altogether. They were set in different eras so the audience’s response would have been different. Olivier’s’ purpose in dramatising “Henry V” was to make the English feel good about themselves. Olivier used this film to form propaganda, creating a world of pageantry in which England overcame tremendous odds to gloriously win a continental war. It states at the beginning that the film is dedicated to the English soldiers when it says: “to commandos and airborne troops. The spirit of whose ancestors it has been humbly attempted to recapture.” This is intended to make the audience feel proud to be fighting for England as their ancestors did. Being produced during the Second World War, many of the viewers may have had relatives out in battle. They had no clear idea of the reality due to the lack of technology and communication. The light-hearted view of the battles reassured the audience. It is shown very patriotically and heroically so the audiences would feel good about the war and have felt proud to be English. The French in this film may have represented the Germans in the war as the enemy. In the battle the enemy is shown as evil to make the audience feel they’re doing the right thing fighting evil.

 Branagh’s film was set many years later when society was more immune to shocking films and television programmes. He presents a dynamic king duped into fighting a bloody, vicious war whose victory is undone within a generation. Olivier’s version is quite pro-war whereas Branagh’s version seems very anti-war. This film portrays his negative attitude to war by emphasising the realism of the battle. The gore and realistic fighting will have shocked the audience and may have allowed them to consider the conditions in Vietnam. For example in the battle of Agincourt, the close-up individual fighting will have made the audience feel as if they were involved in the battle and in the centre of it whereas Olivier’s mass aerial shots will have made the audience feel as detached observers.

Join now!

In both films the directors played Henry themselves. I believe this was so they could convey the exact message of the play as they wished. Laurence Olivier had performed many times in Shakespeare’s plays. For example he played Romeo and Mercutio in “Romeo and Juliet” in London in 1935. (www.imdb.com)He was also a famous film actor, appearing in many box office hit films including “Wuthering heights” and “Fire over England” with his wife Vivien Leigh. After directing “Henry V” in 1944, he was knighted in 1947 becoming Sir Laurence Olivier. Olivier was too old to fight in the Second ...

This is a preview of the whole essay