Compare the ways that a range of poems explore social issues. Falling leaves, belfast confetti, ruined maid

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Compare the ways that a range of poems explore social issues.

All four poems depict different social issues. Belfast Confetti is about the riots that broke out in Northern Ireland and whether the country should be protestant or catholic. London is a poem about social inequality and the poverty in London at the time. The church controlled the country at the time this poem was written. Falling leaves is the women’s point of view on war. Ruined Maid is also the women’s point of view on life in London in the Victorian Era. All these poems depict suffering in some way or another due to social circumstances.

Belfast Confetti uses many languages devices to grab the audience’s attention. One of the main devices he uses is punctuation. This ironic use of punctuation says that the crafts of creating a poem are mirrored in the events of the story. He also uses leader dots to force the reader to think about social unrest. This is a clear way to involve the reader. He writes the poem in first person to make the poem more personal and have more impact. Enjambment is put to use as well “What is my name?” This shows that he has no clue of what is happening. It is also a reference to the type of question the police might ask the rioters. These rhetorical questions emphasises the panic and confusion in his thoughts. He uses words such as “fullisade” to represent the rioters.

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Extended metaphors can be found in Belfast Confetti and Falling leaves. The use of imagery can be seen as an extended metaphor as it uses punctuation to create a story throughout the poem.

He has structured the poem very skilfully. He uses a fragmented style to show the reader the state of mind he was in. This long and short line contrast also reflects the confusion and frustration Carson must have been feeling.  He used present continuous verbs to represent the situation right before our eyes.

Belfast Confetti and Falling leaves are very similar in the way ...

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